Eah! que resultado tan interesante, felicidades, master!

Really cool piece!  Love the concept and of course it sounds awesome. Thanks for making this!

Jay Campbell, multi-tracked cello, recording/mixing
excerpt from the middle of a 2 1/2 hour realization, 2020

Descensus Trio Jay's version (excerpt) 2020

catherine lamb -- descensus trio (2020). i recorded each part by myself over the course of the pandemic.

catherine lamb -- decensus trio

commissioned & premiered by the JACK Quartet during TIME:SPANS 2021

note| mayu: the great river is inspired by Andean (South American Indigenous) cosmology & iconography through the lens of queerness, diaspora, and separation. The score works as an ecosystem for connecting living constellations, musical materials, and the individual/collective experience of time. The piece is a reflection on the multiple temporalities experienced and harnessed by displaced, erased, and structurally excluded peoples. These layers of time, the material and immaterial, are sources of joy | resilience | survival, and perhaps, future.

mayu: the great river [2021] | JACK Quartet

inter-spatia (2020/22)
Catherine Lamb

performed on March 18th, 2022 at Nykirken, Bergen, Borealis Festival

Microtub (Robin Hayward, Martin Taxt, and Peder Simonsen), Rage Thormbones (Mattie Barbier and Weston Olencki), with MO Abbott and Henrik Nørstebø

tuba trio + trombone quartet

recorded by Weston Olencki

inter-spatia (with Microtub and Rage Thormbones)

Elliott Carter's "Caténaires" (2006)
performed by Conrad Tao at the Aspen Music Festival and School, August 16, 2014

Elliott Carter: Caténaires (2006)

Soprano-Rose Hegele
Performed 11/5/2018 | Distler Hall | Tufts University

...most of Us...

excerpt from the premiere performance made by the BBC Scottish Symphony Orchestra, under Ilan Volkov, conductor, Tectonics Glasgow 2014

Portions Transparent/Opaque (2014) excerpt

short excerpt from Prisma Interius IX (52 minutes), New World Records recording made with Dedalus Ensemble, 

"Mahler moment"

Prisma Interius IX - Dedalus - (Mahler moment, excerpt) 2018

Improvised performance with resonating metal plates and objects

Recorded in Zürich on the 13.12.19

solo performance (metal plates and objects), 2019

Live recording of Klangforum Wien with Ilan Volkov at Helmut List Halle, Graz, 15 February 2019.

http://chrisswithinbank.net/2018/12/this-line-comes-from-the-past/

this line comes from the past (Klangforum Wien & Ilan Volkov)

En el umbral de la madre inconcebible [2019 - 2020]
performatic ecosystem for 4 or more performers, 1 prepared tom and secondary instruments, objects and space

A single instrument sprouts a complete sound ecosystem. Each performer interacts partially with the
instrument, focusing exclusively on one aspect of it through simple and restricted actions that, however,
have an impact on the entire ecosystem. Through the development of a sensitivity, awareness and care of
all the forces that make up this ecosystem, sound can manifest its own identity, and invites both performers
and listeners to meet with it and inhabit it.

En el umbral de la madre inconcebible | performatic ecosystem for prepared tom (2019-2020)

Andrés Guadarrama

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