@rudolf-kilian-52691795 thank you very much. ✌🎶

i love the vocals very clear nice music as well

WHAT'S IN YOU
Written, Performed, Produced & Mastered
by Andrew Borderick Copyright 2022 AB Music

IT'S ALL THE COIN YOU'VE GOT
AND ALL THE LOVING IN ONE HAND
THERE'S A CHANCE TO TAKE THE LOT
UNTILL YOU FIND THE KEY, IT TURNS TO SAND

IF I COULD UNFOLD THIS MYSTERY
THE OLD MAN SAID NOTHING COMES FOR FREE
IT COULD TAKE YOU LIFE, WITH WHAT YOU CHOOSE
THERE'S NOTHING I CAN DO

WHAT'S IN YOU

SOMEDAY YOU'LL WIN A TRICK IN A HAT
YOU BETTER WISH REEL HARD, IN ONE HAND
IS ALL THE TRUTH TO MUCH
MAY'BE  IT'S ALL, IN TWO HANDS

I GUESS YOU'LL NEVER KNOW WHAT IS TRUE
YOU'VE LOST THE BIGGEST PART OF YOU
IT COULD TAKE YOUR LIFE, WITH WHAT YOU CHOOSE
THERE'S NOTHING I CAN DO

WHAT'S IN YOU
(break)
IF I COULD UNFOLD THIS MYSTERY
THE OLD MAN SAID NOTHING COMES FOR FREE
IT COULD TAKE YOU LIFE, WITH WHAT YOU CHOOSE
THERE'S NOTHING I CAN DO

WHAT'S IN YOU

WHAT'S IN YOU

ME & MYSELF
Written, Performed, Produced & Mastered
by Andrew Borderick Copyright 2022 AB Music
https://www.youtube.com/watch?v=6N3NU2j2fdY

I'M HEARING A SOUND AND IT'S LOUD 
AND IT'S CALLING AND SHOUTING TO ME
I'M HEARING THE WORDS OF A SONG ALL ALONG
THEY'RE ALL RINGING YOUR NAME

MAYBE THERE'S SOMETHING
I'M HEARING SOMETHING STRANGE OUTSIDE
MAYBE IT'S JUST ME AND MYSELF

THE LIVING THE LAUGHING THE TALKING
THE CRYING IT COME TO ME
I'M HEARING THE WORD'S THAT YOU LEFT
NOW YOUR GONE AND IT'S CLEAR TO SEE

I'LL TELL YOU SOMETHING
I'M FEELING SOMETHING STRANGE OUTSIDE
I BELIVE IT'S JUST ME AND MYSELF
(break)
I'LL TELL YOU SOMETHING
I'M FEELING SOMETHING

SO DEEP IN THE NIGHT AND IT'S BRIGHT
AND IT'S LIKE IT'S SHINING ON ME
I'VE BEEN RIDING THE TIDE IT'S SO HIGH
LIKE A KITE I WISH YOU COULD SEE

I SEEING SOMETHING
I'M FEELING SOMETHING STRANGE OUTSIDE
IT'S ONLY SHINING ON ME AND MYSELF

ME AND I

ME MYSELF I

ME AND MYSELF

ME & MYSELF (see info for video link)

🌈 No need for guns, no need to fight 🌈

＊This work is made by overdubbing my guitar playing (mainly chord work) to winkandwoo and The Turtle Project(TTP) 's work "Hold The Line".Thanks to Winkandwoo and TTP for accepting my proposal.

★Key＝F
Lyrics and chord progression for this song:click below ↓
https://drive.google.com/file/d/1jN2Q-y5isk2e0teErReV9RT94qiYEzLH/view?usp=sharing

 The reason why I worked on this work this time is because I want to sing and play with everyone.Therefore, I prepared a simple sheet music with lyrics and chords. There is a link above.

This work is probably one of the "protest songs". If I were to compare it to John Lennon's work, I think it would be "Give Peace A Chance." Yes, there are gems that confront discrimination, oppression, and prejudice, denounce injustice, and sing against war, and this is one of them. And not just to protest, but to sing together to "express your determination, clarify your way of life, question society, and lead to reform".

When winkandwoo released this work, I thought he was a great vocalist, singing a lot of important things and weights in the lyrics of "No need for guns, no need to fight".

And now many lament: "Ukraine is my country. Russia is my country. The country is killing my country." Hundreds of thousands of people have been forced from their homes, saying most people crossing the border from Russia don't want to kill people and don't want to serve this government. There is a movement to stigmatize this movement by branding it as a "traitor" and to use public power to contain it. I think protest songs play an active role here. Their lives and livelihoods are with us.

I hope that this song will help mankind break away from the "gun society" where mass shootings occur frequently, and that it will help all those who refuse military service in Russia. And I hope that this song will help unite Russian citizens against the invasion of Ukraine by Russian troops and all citizens who support the Russian Revolutionary Movement.
------------------------------
【Palm Muting】Also, for those who are practicing guitar, I think that this work will be a teaching material for effectively playing scales using open strings while playing low chords. This time I'm playing Palm Muting all the way through. Below are some video examples that may help you. I searched on youtube. Use this technique to sing while playing the guitar.

https://www.youtube.com/watch?v=LTEu0D4UtKg&t=243s
https://www.youtube.com/watch?v=4yTxf3vHYEM&t=496s

1)
Dm,Dm,B♭,B♭
F,F,C,C
2)
Am,Am,Dm,Dm
B♭,B♭,F,C
--------------
In the 16 bars starting from Am above, there are three short guitar improvisations. I recorded each one as if it was played by a different type of guitar player. I would like you to listen to that part as well :)

Lyrics and chord progression for this song:click below ↓
https://drive.google.com/file/d/1jN2Q-y5isk2e0teErReV9RT94qiYEzLH/view?usp=sharing

------------------------------
winkandwoo  ---- Hold The Line - The Turtle Project (wink's karaoke mix)
https://soundcloud.com/winkandwoo/hold-the-line-the-turtle-project-winks-karaoke-mix
------------------------------
THE TURTLE PROJECT ... https://soundcloud.com/turtle-project/hold-the-line
Wrtten arranged and produced by The Turtle Project.
------------------------------
Charts: New & hot https://soundcloud.com/discover/sets/charts-trending:rock:jp
------------------------------
Plastic Ono Band - Give Peace A Chance
https://www.youtube.com/watch?v=ftE8vr0WNus

winkandwoo - Hold The Line - The Turtle Project ft.JUNZO on electric guitar

winkandwoo - Hold The Line - The Turtle Project ft.JUNZO on electric guitars

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

The Professor

Unlike our previous two collabs, Dan does lyrics, vocals and lead guitars on an instrumental by me.
I made a 7/4 track for him, knowing he can sail odd waves, and here you are the fantastic result !!

https://soundcloud.com/user-276716031: lyrics, vocals, guitar solos and fills, percussion, artwork on logo by WouWou
https://soundcloud.com/ruizzoidman21centurions: instrumental idea, rhythm guitars, bass, drums

Verse 1:
A promise was made
And It shouldn’t fade
The words were spoken
Then they was broken

We were in the bright sunshine
I thought she was mine
It’s not something you can pawn
And asa now she is gone

I was here forever beau
It was years ago

Verse 2:
But I thought it still held
Like a solid weld

A promise is a promise
Even for a doubting Thomas
It should carry some weight
It doesn’t have an expiration date

But a last I find
That things can unwind
And we are not together
In this Summer weather

Verse 3:
She made her assurance
But I had no insurance
From the broken promise she made
Yes our romance began to fade

Now I am in the dark
What was there was just a spark
Now I Don’t know
Which way to go

No direction in my life
Yes I’m living in such strife
Wondering if life means anything
My joy has no more spring

I am that sad guy you passed by
Not noticing the tears in his eyes

B E T R A Y A L (with Daniel Lockhart)

Scott & Chris @ their Finest 4 Your Entertainment :)

Soul Doth Cry

How far have i gone 
What is this road i’m on
That leads so far from home

Are you here with me now, 
Now that i need you, No, 
i lost you long ago

And I’m barely hanging on 
I need to find the way today
And darling, I miss you so
just give me a sign and lead the way

If it’s the last thing i do I’m coming home to you
back where i belong
I’ll find the way No matter what it takes
down this road so long
You don’t know what’s here till it's gone

In some other life, Or maybe a distant dream,
that i don’t quite recall
But I close my eyes, and i’m there it seems
where you and I had it all

The sound of the children play
And the dogs out in the yard  
The fragrant flowers bloom away
It all seems so near and yet so far

If Its The Last Thing I Do

Cast of Characters:


Llanpsych-- @llanpsych -- Tez – foundational acoustic and electric guitars, distorted electric guitar, and the seed idea
Mistermark – @user-432503709 – Mark – vocals, lyrics, high organ, toy piano, percussion, sound effects, production, editing, mix
TexMex Shaman– @texmex-shaman –Stephen– 5-string banjo solo, electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- low organ, piano, synth flute, sound effects
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Composition – The Eclectic Collective


This song began its life as a hauntingly exquisite guitar chord progression that Tez came up with and shared with the rest of us. He also stacked a couple of other guitar tracks in there for good measure. Ken was first up, adding his drums, then later his pots and pans percussion. As he was doing that, Josh was coming up with his bass line, and they did their little dance of back and forth until the rhythm section was set. Mark came in around the same time, though, and added his unique, Waitsian vocals with the lyrics that he wrote for it, too. He also added some really amazing organ parts, a toy piano which you can hear right after the banjo solo, and percussion that add a solid foundation for his voice and add magic throughout the song. Stephen followed shortly after with the big stroke guitar chords, and also came up with the amazing banjo solo you hear in there, too. Last, but not least, JJ came in with his organ and electric piano to seal the deal with the melodies and ambience. Then he and Mark added the cool sound effects you hear throughout, too.
  Every great song needs a great producer, and Mark filled the duty on this one. He has proved himself to be a masterful editor, producer, and mixer, and we are lucky to have him as part of the team.
  This one is an homage to Tom Waits in a deliberate way. We're all big fans, and tried to do something in his unique style. We hope you enjoy listening to this as much as we enjoyed creating it.
 
Original lyrics by Mistermark:
I got something hidden in my closet 
that I don’t want you to see 
A little like a shady deposit
And it’s bound to incriminate me

Well now some might call it a skeleton 
Like a raincoat filled with bones
See I been hangin’ it there since I don’t know when
And I just can’t leave it alone

Me and Bill rolling bones in a gambling hall 
I threw snake eyes but Bill counted three
I took his accusation just a little too far 
Then everybody went quiet as they stared at me

Now the finger bone’s connected to the trigger
And the hand bone’s connected to me
And every day my secret’s gettin’ bigger
Soon enough I’ll be swinging from a tree

Coz I got something hidden in my closet 
that I don’t want you to see 
I done made a shady deposit
And it’s bound to incriminate me

Well now some might call it a skeleton 
Like a raincoat filled with bones
See I been hiding it there since I don’t know when
And I just can’t leave it alone
(repeat)

Bones  (Eclectic Collective)

Time Traveller

Recognise

Dynamic dialog between voice and guitar (one-shot recorded), over a very syncopated rhythm. Epic words and guitar solos, showing some rock background.

Dinámico diálogo entre voz y guitarra (todavía grabado del tirón) sobre un ritmo muy sincopado. Toques épicos en letra y solos de guitarra, dejando entrever entrañas de rock.

Lyrics/Letra:

Ya queda poco, ya queda poco,
poco para regresar. 
Ya queda poco, ya queda poco,
sólo una semana más.

Una historia que contar,
un secuestro a voluntad,
una meta que cumplir,
el orgullo de mamá.

Ya queda poco, ya queda poco,
poco para regresar. 
Ya queda poco, ya queda poco,
sólo una semana más.

Cuántas horas sin dormir,
sin salir y sin soñar
¿Qué ha venido a hacer aquí
el orgullo de mamá?

Ya queda poco (El orgullo de mamá)

Hello Soundcloud, thanks for the Listens, Likes and Support. Im from Melbourne Australia, I have been playing guitar for many years now and played in two bands during the 80's & 90's (STOLEN CAR original) & (STORM cover),both bands never released any material. Since 2010 i have been writing songs and tunes and recording them in my music room (3rd Bedroom), i play Guitar, Bass, Keys, BFD2 Drums(programmed)and Vocals on all of my songs which i class as Demo's, I love all types of music but Hard Rock, Rock to Alternative appeals to me most.
ALL SONGS POSTED ARE SUBJECT TO COPYRIGHT.
ALL RIGHTS RESERVED BY THE OWNER.
Thanks again to everyone listening out there in the world, always looking forward to new material on Soundcloud,
Character Picture By, Rianna Borderick 2017
All artwork by Andrew Borderick
CONTACT : andrew@netec.com.au
Regards 
Andrew Borderick. (March 2017)

ME & MYSELF (see info for video link)

Andrew Borderick

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