Part 04 - Fear Itself - Feat Bindi Barz

Lots of instruments. Lots of voice. Lots of ancestral subconscious. Have a beautiful roadtrip!

Epigenetic Roadtrip

Noise Tongue

Extract from the first track on the "Scots Wha Hae" album released on January 19, 2022. Three tunes (Scots Wha Hae, Flower Of Scotland and When The Pipers Play) in one to illustrate Scottish History and bagpipe playing. As a tribute to William Wallace, Scottish hero.
Extrait du premier titre de l'album "Scots Wha Hae" sorti le 19 janvier 2022, composé d'une suite d'airs (dont le fameux "Flower Of Scotland") illustrant l'histoire et la résistance écossaise ainsi que la pratique de la cornemuse des Highlands. Le tout en mémoire de William Wallace, héros écossais.

Scots Wha Hae

Wallace's Children (extract)

Cheap

Night. Shining. Shift. Night full of movement. Gentle shining of the city lights. Relentless shift is never gonna stop. 

Video Clip: https://youtu.be/84Z-H5N6FIk

Composed by Uładzimier Kuźniacoŭ (@thelonewarbler)
Production, Mixing and Mastering: Uładzimier Kuźniacoŭ (@thelonewarbler)
Original Covert Art: Maryja Šumanskaja (instagram.com/sckiter)

Night Shift

seeing in the dark
i see you but you don't see me
in the shadows i perceive clearly
things that used to be obscure to me

let's go back to that place where we did those things
of the sunset and the stars we'll sing
a little sympathy and peace to bring

once there was a house
then there was a child
then there was a car
and the times got less wild
but when i look at you i'm still beguiled

there's a chemistry
working silently
invisibly
improbably
around you and me

lying in the dark
i know you have your eyes on me
you perceive but you will never see
in the end that what will be will be

these seasons come and go with the ebb and flow
but if you'd only close your eyes you'd know
you can only reap the seeds you sew

once there was a dawn
then there was a day
then there was a dusk
and the moon would come along and say
that there can never be another way

there's a chemistry
working silently
invisibly  
improbably
around you and me

flowers will grow
amid the stones and the snow

there's a chemistry
working silently
invisibly  
improbably
around you and me
x2

Chemistry

this track has some progressive heavy rhythms accompanied by heavy melodic melodies, please let me know what you think.

Last Day Of The Sun

Going Home (See end for Credits)
Your eyes are fixed upon the window
my eyes are glued upon the door
guess we've come to this decision
a thousand times before
I know exactly how your feeling
but not exactly what it's for
yesterday's just like tomorrow
today we're back for more
And if I count the times I should have walked away
we're surely better off alone
today's tomorrow's are tomorrow's yesterdays
think I'm going home!
I wasn't built for disappointment
you wasn't made for all this pain
shall we book our next appointment
and start it all again?
And if I count the times I should have walked away
we're surely better off alone
today's tomorrow's are tomorrow's yesterdays
think I'm going home!
Your eyes still fixed upon the window
my eyes still glued upon the floor
yes we've come to this decision
a thousand times before

Andrew Smith: Songwriting, Vocals, Acoustic, Mix&Master
Josh Smith: Synth
Vitor Pegas (Purtugal) Electric Guitars, Strings, Synth
Jim (Windsor UK) Bass
Dean W (Australia) Drums

Going Home

Beyond the Mask

[Intro – Instrumental]


[Verse 1]
Wounds in time, stitched by silent stars,
I wandered through the hush of fading wars.
Each echo a flare from a life I outgrew,
But still I bled with every truth I knew.

[Pre-Chorus]
In echoes soft, the silence weeps,
A fading dream the void still keeps.

[Chorus]
Terminal light, pull me apart,
Scorch these scars into living art.
If I dissolve, let it be bright—
Let me become the color of night.

[Verse 2]
Glass skies fracture in waves of regret,
The farther I go, the less I forget.
A shadow of me walks a radiant line—
Half lost in dark, half born divine.

[Pre-Chorus]
In echoes soft, the silence weeps,
A fading dream the void still keeps.

[Chorus]
Terminal light, pull me apart,
Scorch these scars into living art.
If I dissolve, let it be bright—
Let me become the color of night.

[Verse 3]
Now silence kneels, and I breathe again,
No longer seeking the voice of when.
The violin weeps, but not in pain—
It sings the truth I could not name.

[Bridge – Build]
Strings like veins in a dying sun,
Keys like prayers from a war un-won.
Guitar cracks open the veil so wide—
To birth the void I used to hide.

[Chorus – Breakdown]
Terminal light, cradle my fall,
Drown me in sound, absolve it all.
The end is not where I disappear—
It’s where I echo, crystal clear.

[Coda]
In silence stitched with sapphire thread,
I chase the echoes of what's long dead.

[Outro – Instrumental]


———

“Color of Night” is a symphonic progressive metal requiem where violin, piano, and guitars collide in cinematic weight.

A journey through memory and myth, it burns with terminal light and dissolves into echoes stitched in sapphire thread.

———

Genre: Symphonic Progressive Metal
Key: G Major
BPM: 100
Time Signature: 4/4

———

Credits:
Artist: Kareem Tyler
https://www.instagram.com/tylercraftsart
© 2025 Kareem Tyler. All Rights Reserved.

Echoes of the Void

Color of Night

Traffic Jams by Hope Street. 

Joe Tibbits - Vocals and Guitars
Barry Harman - Bass
Steve Tibbits - String Arrangements

Silence and Chaos

Traffic Jams

Singer songwriter from the Heart of England with a box full of old and new songs on a mission to understand the art of recording and mixing. Most started life on my trusty Martin acoustic and have been played live but never been given the luxury of being recorded. I suspect am gonna be at this for quite a while!

Going Home

Andrew LB Smith