I Want to See Pulaski at Night

Lit from Underneath

Hover I

Hover II

Yes Nice - White Washed Walls

From the album ‘The Bearer Of Bad News’ (2015) • Pay what you want http://tndr.lv/andyshauf

When will I ever be safe from myself if the danger all lies between Heaven and Hell? When I close my eyes I’m not falling asleep, I am opening drawers, I am sifting through papers. Please stay a while, I’m not falling asleep.

Meticulously written over four years and recorded over one in a makeshift studio set up in his parent’s basement, Shauf, whose delivery at times reminds of Elliott Smith or Paul Simon, plays nearly every instrument on The Bearer of Bad News. The album was crafted on his grandfather’s timeworn guitar and heavily influenced by the aforementioned—and newly learned—clarinet, which was a Christmas gift from family. In spite of his modest recording set-up, Shauf imbued The Bearer of Bad News with an enduring warmth and redolence that lingers long after the album ends.

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Andy Shauf - Covered In Dust

True Care

Interlude No. 1

Buy and listen:

Amazon: http://geni.us/peoplegetreadyamzndigi
iTunes: http://georiot.co/pgritunes
Spotify: https://play.spotify.com/album/0dWGq3h039b2Pe31wu6PAh
Bandcamp: http://pplgtrdybrassland.bandcamp.com/album/people-get-ready
Brassland Store: http://brassland.myshopify.com/collections/artist-peoplegetready

Here is what the band's founder Steven Reker has to say about this track: "'Windy Cindy' was inspired by Cindy Sherman's pictures, her Untitled Film Stills. I spent a long time looking at those pictures, and then I got so into them, I mean really in to them. I found myself wanting to see things from the perspective of the characters she had made. So the song is basically me having this desire to take over her spot in the picture - forever. It's a dialogue. I try to do it, it's fine for a bit, but I end up getting super tired because I can't hold the pose as long as she can. And then I imagine I'd rather be an inanimate object. Like I'd rather just be her dress or the glass that she's holding, the match that she's striking, the book she is getting off the shelf, and stuff like that. All these objects are endowed perfectly by her, the way she handles them. It's very romantic to me, not in a lovey-dovey way at all but in the way the work feels...livable. It's a livable world she made."

People Get Ready - "Windy Cindy"

When We Drive

When We Drive (Tune-Yards Remix)

Two Paper Moons

Hover II

Andrew Bird