All Love to Johnny! Had to give this nice track from his 1976 Album a little extra for the Dancefloor! Enjoy!

Mind (Loot Jockey 'Do You Mind'-Edit)

Free Download

JB - Mind (Loot Jockey 'Do You Mind'-Edit)

Download

GB - Whats On Your Mind (FF Edits)

Nightly Closures returns with a fresh Deep House single that perfectly blends smooth grooves and warm textures for the dancefloor. The release captures that late-night energy with refined melodies and deep rhythm, making it a true gem for House lovers. Adding to the experience, the package includes a stunning remix from Martin Luciuk, who brings his signature touch of elegance and drive. Together, these tracks deliver a versatile and captivating sound that will resonate both in intimate sets and peak-time moments.

Available here

Nightly Closures - You Got Me Down [Deep Clicks]

Traxsource: www.traxsource.com/label/61340/spa-club
Beatport: www.beatport.com/label/spa-club/100718
JunoDownload: www.junodownload.com/labels/Spa+Club/
Bandcamp: https://spaindisco.bandcamp.com
Instagram: www.instagram.com/spaclubrecords
Facebook: www.facebook.com/SpaClubRecords

Buy On Traxsource

[SPC179] KEEKE - What U Looking At (Original Mix)

Buy on bandcamp

Godheals The House - Third Healing (Short Play)

A Tribute to a legend 
G I L 
S C O T T - H E R O N
T H E
B O T T L E

<a href="https://theartistunion.com/tracks/056066" rel="nofollow" target="_blank">Download for free on The Artist Union</a>

Gil Scott - Heron The Bottle (S. Nolla Edit Mix)

The Sunshine Band - Black Water Gold 
Simple DJ Edit By Petko Turner
https://hypeddit.com/track/lflb3v

The seeds of KC & The Sunshine Band were planted when two South Florida boys, Harry Wayne Casey and Richard Finch met while working at the attic studio of T.K. Records, above the warehouse of Tones Distributors. Rick had worked his way up to assisting producers, while Harry's duties included processing returns and boxing up records, and sometimes playing keyboards in recording sessions.

It was Casey’s idea for him and Finch to pool their skills. "Everybody else had a team together already", says Rick. "He found out I played bass and drums, and I found out he played keyboards, and when the studio was empty in the evenings, we would go up there and find out what kind of music would happen. A lot of people would throw tape away because they couldn’t figure out how to make the machine erase properly, Rick recalls. It was expensive, so I would take it out of the trash can, wind it up on the reel, clean it up, and use that for recording".

Not only were the boys thrifty, but, thanks to the sessions they had already played in the studio, they were also fast. It didn’t take much experimenting for the two to get their own eclectic sound together. KC & The Sunshine Band released two singles from their first album, "Do It Good" and hit the R&B charts when "Blow Your Whistle" went to #27 in the fall of ’73 and "Sound Your Funky Horn" made it to #21 in early ’74.

The first real sign that the Casey/Finch sound was really clicking came in September of 1974, when "Queen Of Clubs" reached the U.K. Top 10, and the Sunshine Band was in demand for live gigs all around the country. This was good news, of course. But the best news was yet to come courtesy of one George McCrae and a song he wrote called "Rock Your Baby".

As studio musicians, Casey and Finch recorded the rhythm track in just 45 minutes, with just one additional player, Jerome Smith, on guitar. Company brass, Henry Stone and Steve Alaimo felt the song had potential and offered it to Gwen McCrae, who passed on it. Then, George McCrae, who happened into the studio, heard the instrumental and in a mere two takes, put down his own vocals. The song was released, and George McCrae had a number one hit on his hands. 



<a href="https://theartistunion.com/tracks/a98c92" rel="nofollow">Download for free on The Artist Union</a>

The Sunshine Band - Black Water Gold (Petko Turner Edit) Funk Monster

Our rework of Gary Byrd & the G.B. Experience feat Stevie Wonder.

The Crown-(GREYSKOOLEDIT)**FREE DOWNLOAD**

really gobsmacked for this track to be featured on the Craig Charles Funk & Soul Show ...it was the first track of his first show of 2018
BIGNESSSSSSSS :)
May i add the Awooooogahhhh bit is not part of the track :)

he describes this as Nice n Tasteful......

Keep On Doing Wot Ur Doin (Chuggin Edits) Ft On The Craig Charles Funk & Soul Show

Yes.. Ladies & Gents.. Back to the FUNK it is.. with this 1976 K&tG dancefloor classic in the rework..
Another FREE DOWNLOAD.. this time to celebrate the 7000+ SC followers.. highly appreciated !!!
Just hit the OPEN SESAME button.. and the magic will begin.. !!! :-)

Follow me on fb and instagram for more tracks and party bull$h!t..
https://www.facebook.com/ronny.hammond?ref_type=bookmark
https://www.instagram.com/ronny_hammond/

OPEN SESAME

Ronny Hammond & The Gang Of Kool - Groove With The Genie (And Crash The Party) (FREE DL)

Deee-Lite | Groove Is In The Heart (Change Request ReVision)

For this ReVision, I reconstructed the most famous and successful song from one of the leaders of the New York New School of the 1990s. 

Released as the first single from their debut album—World Clique—“Groove Is In The Heart” was released in August of 1990, and shot Deee-Lite into the stratosphere. This track’s crossover appeal was by design—claiming the number one spot on Billboard’s Hot Dance Club Play in 1990—featuring guest vocalists Bootsy Collins and Q-Tip. 

This song—remarkable—was a beacon of creative sampling, as one of the first radio played pop records to feature such an extensive list of source material, including snags from Bel-Sha-Zaar, Herbie Hancock, Vernon Burch, Ray Barretto Theme From Green Acres, Ralph MacDonald, Billy Preston, The Headhunters, Hateful Head Helen, and even more. 

I remade this mimicking the programming of the original—which was a major challenge just to get the percussion sections to emulate a multilayer of samples being summed—added additional drums and rearranged the song to be a longer version that I always wanted. 

I used the Roland JV-1080 to reproduce the horn sections and saturated everything to 1990. This was produced with @EventideAudio effects processing, including UltraReverb, SP2016 Reverb, and Tony Visconti’s Tverb.

Buy ReVision

Deee-Lite | Groove Is In The Heart (Change Request ReVision)

Andrew Emil // Change Request 

A preeminent artist of Chicago's 3rd wave, Andrew Emil is one of house music’s most staunch stalwarts. A concert-trained percussionist since age 11, he earned a chair in his native Kansas City Symphony before eventually moving to Chicago. 

As a traditional musician, Andrew Emil has worked as a keyboardist, arranger, and an orchestrator on recording sessions and productions, cutting his teeth at the former Chicago Trax Recording Studios. 

Credited on over 200+ recordings, his composition and studio productions have ranged from concert works and sound design to film scoring stages and hundreds of releases of electronic music productions. 

After a life in live music performance, from orchestra percussion sections to punk rock ensembles, he crafted a reputation for House Music productions in Chicago under his own name, as well as Broadway & Wilson, and Uptown Tones. 

One of the earlier innovators of the “Jackin House” genre under the Broadway & Wilson moniker with Jeff Bloom, Andrew is never content to stay in one place or style of musical thought for very long. 

He is the only recording artist to do production work simultaneously for Derrick Carter’s Classic Music Company, Mark Farina’s Great Lakes Audio, Gene Farris’ Farris Wheel Recordings, and four-time GRAMMY nominee Steve “Silk” Hurley’s S&S Records.

A string of double-digit singles for prominent labels, including remixes for artists such as Common, Kanye West, Little Louie Vega, Jamie Principle, Steve "Silk" Hurley, Iz & Diz, Fast Eddie, Shalamar, Roland Clark, David Morales, Colette, Amp Fiddler, JT Donaldson, and Gene Farris, to name a few. 

2012 saw the emergence of his epithet, Change Request, with the Change Theory EP on four play music. This new persona allowed the freedom to explore hybrids of mid-tempo live instrument focused jazz-dance-fusion. 

Following this release was “After All” on Seasons Recordings, with another single thereafter featuring house music icon, Chez Damier, “I Wanna Go Back”, including a remarkable rework from Glenn Underground, on Glenview Records. 

The ever-growing collection of songs and musical dialogue eventually led to the conceptual album series from Change Request. Each full-length effort containing a completely separate story and scored via its own unique incidental subtext. 

Emil created AstraVox Music with the award-winning Los Angeles-based composer, Mr. Nathaniel, as a home for his increasing catalog of incidental dramatic musical compositions. 

www.andrewemil.com