This is a somewhat rare recording of "Marine" from 1997. It was recorded for the semi-finalist stage of Masterprize by the BBC Philharmonic under Philip Ellis for the European Broadcasting Union and Radio 3.  The result is both wonderfully impressionist and incredibly sincere (despite adhering to my original tempi markings), yet this version never got a look-in. That was a real pity. This was due to the version by the LSO / Harding being so prevalent. The LSO version, with the somewhat slower, overly-sentimental interpretation, appeared on the EMI Debut Series which was released in 1998 and, very disappointingly, the LSO recording was the very same one which was given away for "free" on the cover-mount CD of the BBC Music Magazine in 1997 [MM67].  So the BBC "impressionist" version was completely lost and eclipsed by the LSO/ EMI recording - which was effectively released twice, but this was not made clear to anyone. (Not my fault!) There is also a third version of Marine on YouTube complete with video of Ashkenazy conducting the EUYO in 1998. (https://www.youtube.com/watch?v=KCDKK9y--F8&feature=youtu.be)

Programme Note: 
Marine - à travers les arbres was inspired by a trip to Moulin Huet Bay on Guernsey as well as two of Renoir's impressionist paintings of the same bay from the year 1883. Portions of these two titles, 'Baie du Moulin Huet à travers les arbres' and 'Marine à Guernsey', were combined to produce "Marine - à travers les arbres" which roughly translates as "Marine - through the trees".  This amazingly nautical interpretation is my personal favourite. It was also the first recording that I heard.

Marine - à travers les arbres (BBC Phil)

Andrew March was the winner of the first Masterprize International Composing Competition in 1998 with his orchestral piece Marine - à travers les arbres. He was born in Nuneaton, Warwickshire, in November 1973. In 1992 he was accepted at the Royal College of Music to study composition with Jeremy Dale Roberts, graduating in 1996.

I studied music at the Conservatoire National Supérieur de Musique et de Danse de Paris. (CNSMDP) where I earned 3 prizes  (harmony, counterpoint and fugue), at the Bordeaux Conservatory (6 first prizes in harmony, counterpoint, saxophone, musical theory, chamber music and deciphering) and at the Saint Maur des Fossés Conservatory (harmony, orchestration and conducting).
 
I’ve composed more than 60 short movies soundtracks, orchestrated music for Pierre Adenot (Beauty and the Beast), orchestrated and conducted music for Guillaume Roussel (It boy, HhHH, 3 days to kill, Outcast, La French) and Erwann Kermorvant (The Clearstream affair, Braquo third season), and arranged musics for Christophe Héral (The Adventures of Tintin, the video game, Rayman Origins, Rayman Legends).
 
In 2012, I had the great honor to receive 3 Jerry Goldsmith Awards (best composer, best music in short-live action and best song) for the score of « L’Attaque du monstre géant suceur de cerveaux de l’espace ».
 
Over the years I had the great pleasure to conduct the London Symphony Orchestra, the Philharmonia Orchestra, the Paris Symphonic Orchestra, the Paris Scoring Orchestra,  the Star Pop Orchestra and smaller bands for intimate musics.


 contact@mathieualvado.com

Je suis un compositeur Français vivant...
 Les pièces que vous trouverez sur cette page sont des compositions originales. elles ont toutes fait l'objet d'une commande. 
Pour des raisons de droits, je ne peux pas mettre sur soundcloud les pièces pour lesquelles je suis intervenu comme arrangeur ou orchestrateur notamment pour Woidkid ou Serge Lama

Nando Florestan is a composer of classical music (and pianist). He studied harmony, counterpoint, orchestration and composition with Osvaldo Lacerda, then went on to study music at Universidade de São Paulo.  He is available to score your film, game etc.  He also knows a lot about music theory and might be available to teach you.

Marine - à travers les arbres (BBC Phil)

AndrewMarchComposer