Such a great vibe, built to enjoy the summer my friend 👏👏🔥🔥

Addictive beats 🖤 Excellent production 🎶 Love that bass

sehr sehr smooth gemacht und die vocal chops sind grandios dazu die Beats ❤️✅✅❤️❤️✅

You are Genius, Andi, awesome track!! 🤜🤛👍

In My Bones

The autonomous subway in Suwon South Korea opened and it has a front glass window. This is a long exposure going through the tunnel.

Photo by Mathew Schwartz
unsplash.com/photos/sb7RUrRMaC4

The stopwatch was captured from the 60 minutes intro:
www.youtube.com/watch?v=Lb6UgPSdp0o
and compressed to match the BPM of the song.

We are continually late and trying to beat the clock 
while trying to get from one place to the next.
Technology has done a pretty good job of reducing our transit time.
In imagining how to musically depict the sensation of getting up to speed,
I wondered at what techniques might be possible...
AND
...How might it be done without changing the tempo in the least?
It eventually dawned on me that nothing new had to be invented,
because we have all experienced this...maybe without even noticing it.
Going from Legato to Stacatto, 
and to packing more and shorter duration notes into each measure,
then cranking up the pitch into a higher key...to add just a dash of tension.

Accelerate

Remastered June 2, 2024
When you reflect on a relationship that just blew your mind.....that almost indescribable feeling you get. Come with me forever my  love.
Song Inspired by my lovely wife of 40yrs...onward

Greg Hurley: Lyrics, all vocals, music, recorded and Mastered

Take You Places

Seven16

48_LassEsMin2RaumSein - released on 20 July 2023

No.3 inspired by club mix of "Lasso" by 2Raumwohnung #ambient #dance #electronic #house #liverecording

(produced with Blocswave & Launchpad)

LassEsMin2RaumSein

Composed, performed and mixed by Julien Vescovi

Cello by Aude Declaf 
https://soundcloud.com/luce-faedda

Softwares and instruments used :
- Studio One 6
- Korg SV2
- Real Guitar 6
- Steven Slate Drums 5
- Waves Bass fingers
- Arturia Analog V
- Arturia Pigments 3
- Izotope Iris 2
- Percussions (bongos and triangle)

PHAROS XXIII (feat. Aude Declaf)

lilacs to lip serve

Anxiety EP

Paranoid

BUY or STREAM

LST & DSTRBD - Paranoid (Radio Edit)

Fourth piece in a series of experiments to try other approaches:
'The Unpredictable'. You're welcome to listen if you like, if you can.

"Begin at the beginning and go on till you come to the end; then stop." 
(L. Carrol, 'Alice in Wonder​land')

https://soundcloud.com/axelweis/sets/future-collection

more

Future IV: The Unpredictable

A few things to say. I composed this song in 1982, fresh from reading of 'War and Peace'. Now I find a certain youthful verbiage in the lyrics, the song (naked and raw) has a 70s style. The recording of voice and guitar (live) is a few years old, rather sloppy, with bad mixing and excessive application of echo in some places.
To try to rescue it from its obvious banality, and to hide some of the errors and flaws, I've been arranging it these days using some vocal sampling as well, hoping to make it somewhat interesting.

Cover image: Louis-François Lejeune, "Visiting a Bivouac on the Eve of the Battle of Austerlitz, 1st December 1805" (1808). Musée de l’Histoire de France, Versailles.

English lyrics (rough translation)

The French counted the stars under Austerlitz
there had never seen so many fires lit in just one night
memories suspended in the winter, as cold as their hands
they had never been so pale, so skinny and far away
the emperor was dreaming or perhaps not sleeping
a woman he was waiting for in that night 
a war that was not waiting for him

the soldiers sang the cannons were silent
inside the chariots at the bottom of the plain 
the stars chased each other
the emperor drank, drank or maybe got drunk
a woman killed that night
a woman who smiled
the drunken emperor was looking
at that woman he did not know
Paris shrouded in a circle of smoke that was moving away

Paris woman dressed in black
Paris bride then already withered
Paris daughter of old Europe
Paris already betrayed
Paris bride dressed in dark
Paris woman then already grown up
Paris daughter of old Europe
Paris already lost

The French counted the wounded under Austerlitz
there had never seen so crosses hung in just one night
Suspended fragments of anger, hot as their hands
they had never been so pale, so alone and far away
the emperor was sleeping now he was dreaming
a woman who appeared that night 
a war that resembled him

the soldiers were silent the cannons smoked
in the hearts and at the bottom of the plain the voices hid 
the emperor drank, he drank now he got drunk
a woman he loved on that night
that woman frightened him
the drunken emperor was looking
that woman he recognised
Paris at the centre of a circle of light that drew closer

Paris woman dressed in white
Paris young frightened bride
Paris mother of new Europe
Paris already betrayed
Paris bride dressed in white
Paris woman then already grown up
Paris mother of new Europe
Paris already lost

---------

Music and lyrics by Michele Ansani (1982).
Posted on Soundcloud: 2024, July 2.

Austerlitz *

the wordplay makes sense in UK

PS
The Cobbled Moth does not feel represented by any political party and does not align with any ideology. 

Mamma was an aggressor 
With step daddies mean
They drove him into a nicer place
Now he wants to be clean 
He's got nothing left
Nothing left 
Labour isn't here anymore 
Got nothing left nothing left
Someone better show that that boy he's not alone
Dehumanised without credit 
In the social matriarchy 
He's far too aggressive 
He's going down and I know just what the judge means
He's got nothing left
Nothing left 
Labour isn't here anymore 
He's got nothing left nothing left
Someone better show that that boy he's not alone
There's always a way out though
A new purpose to find
Other perspectives different meaning
His fathers embraced the grind
He's got nothing left
Nothing left 
Labour isn't here anymore 
He's got nothing left nothing left
Someone better show that that boy he's not alone

Nothing Left (rough)

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 

  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 

  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.

  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 

  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.

  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

The Siege : by David Marconi featuring Elpiverse, Ron Lewis & The Eclectic Collective

Sardegna Sunrise

NixInTheMix - Sardegna Sunrise (Original Mix)

Free Download

Bob Patiño ft Fractal Seed

A Terra Chama (Caveman On Drums Mix)

I wish I could follow everyone back...

Thanks for the listens, likes, and follows. It's much appreciated!

Eclectically influenced arranging & producing for fun with BlocsWave, LaunchPad & Music Maker JAM!

All tracks AI free!
AI music and vocal production infects and harms inspiration & creativity!

You can find more details about me here:
https://www.loudly.com/community/profiles/andronix9

…and that’s my policy:
I always try to see and appreciate the creativity of others! If it flatters the ears, so much the better!☺️
Don't please anyone and you're special.😉 That's exactly my thing, not to be mainstream and not to conform to any genre. You feel free and can do what you want. A lot of people give me tips: you're too quiet, you have to structure it like this, etc. I don't have to do anything! I make my music and not that of others!😜✊🏻

Feel free to do the same.
Peace be with you!🙏🏼
Andronix

LassEsMin2RaumSein

Andronix

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