wirklich unpredictable, wie das Leben, super Komposition

Sehr interessantes Sound-“Experiment”. Immer spannend wie es weitergeht. Toll gemacht!

#Wild Ride Axel ... Love each of the three movements

Song that I and Lawrence made in late 2016 and one of my favorites of the songs that we made together. Hope you enjoy and we thank you for listening!

Lawrence Farr: Vocals, lyrics, bass, drum additions
Me: guitar

Same Old...(with Lawrence Farr)

This is the 3rd collaboration with my old friend Synline (@synline). I created a basic track using his equipment in his studio, and he completed it with his excellent arrangement (includes creating additional sections, tracks, etc.) and mastering work.

Composition by Ken
Composition and Sampling collage and mix by Synline

Taken Away (collab. w/ Synline)

Blades Of Winter

a collaboration with a wonderful artist #AdaDaveed 
Soar my friends SOAR !!
Sitar Roger Walker 
Vocals Ada Daveed
Keyboard Ada Daveed
Percussion Ada Daveed
Bass Guitar  Roger Walker

Powdered Mountains 

YOUNG BUZZARD by #AdaDaveed and Roger Walker .

RELEASE NOTES

A collaborative jam featuring Stonerjazz (@user-911083679) on vocals,
Turab Khan (@turab-khan) on guitar, Zanshin 残真 (@soundsofthekosmos) on
drums & Teth Sin (@teth-sin) on guitars, bass & vocals.
This collaboration started back in 2020. Myrh (@myrhyum) suggested Teth
Sin to track a guitar part on "Mazdoor Funk (loop jam with Raza)" -
Original track by Turab Khan:
https://soundcloud.com/turab-khan/chichora-23. The project was then left
aside for various logistical and technical reasons.
A couple of years later Zanshin 残真 sent Teth Sin a sample of his cool
street drumming, which was synced to Turab Khan's jam. Teth Sin, at that
point, decided to cut out the bass and drums from the original piece,
leaving only Turab Khan's guitar. Then he chopped up his guitar solo and
redistributed it across various tracks. He also added a new bass line,
which helped vary the structure of the song.
In late 2023 Teth Sin asked Stonerjazz to kindly add lyrics and vocals.
He mixed and mastered the song, and the result is this enjoyable
funk-rock jam, featuring a sample of Stonerjazz's exquisite
post-beat/psychedelic poetry.
Please note that every element was recorded in a different continent:
drums in Australia, some guitar in Pakistan, other guitars in Tunisia,
bass in Italy, vocals in the USA. Still this virtual jam sounds so
cohesive, despite a world that seems to be increasingly fragmented and
disjointed. At the end of the day, we should always remember that we all
revolve around That Giant Ball Of Burning Gas...

LYRICS by Stonerjazz:

Just out here in the middle of the void,
spinning fast around a giant ball of burning gas
that's hurdling thru the deepest darkest space.
Meteors and comets are zooming by at breakneck pace
The situation seems to be a little bit precarious,
some might even say Nefarious,
how can it be that tragedy can sometimes  almost  be  hilarious.
Stupidity it seems to be the order of the day.
But here we are and here we go onward out,
like warriors without a clue,
and everyone will play their part,
of this i'm sure, i know it's true.

That Giant Ball Of Burning Gas - Feat Teth Sin, Turab Khan, Zanshin 残真

An old one, but a new mix.

As said before – dedicated to a power button on my practice amp.

Black Button

Fourth piece in a series of experiments to try other approaches:
'The Unpredictable'. You're welcome to listen if you like, if you can.

"Begin at the beginning and go on till you come to the end; then stop." 
(L. Carrol, 'Alice in Wonder​land')

https://soundcloud.com/axelweis/sets/future-collection

more

Future IV: The Unpredictable

This song sounds like it could be in one of those bad 60's Elvis movies.
A late night jealousy motel song.
From the Album: "Arrhythmia & Blues" 2024

Lyrics:
Don't leave me lonely
I love you only
We're playing the blame game
Every night

Ahh, well, we go out
Almost every Saturday night
And it always ends up
Ends up in a fight
Because I see that you're making eyes
With every man in sight
(You're manipulating me, Baby!)
(You're really pushing all my buttons)
Don't leave me lonely
I love you only
We're playing the blame game

I'm out for a walk
A woman comes up to me
She says: I want to take you back to my secret sanctuary
I see you're looking for a thrill
Come back to my Bastille
I'm gonna do bad things to your body
And bend you to my will
And you say with those crazy eyes of yours
"Oh no, that man is mine!"
(Oh, baby)
(Baby baby baby)
( I don't even know who this woman is)

Don't leave me lonely
I love you only
We're playing the blame game

You're waking up the neighbor
Saying things that you can't take back
We've got to stop playing this blame game with each other
Gotta gotta gotta gotta gotta
Stop playing
The blame game

The Blame Game

Saxophone improvisations from 1987's Resonance.
www.jh0st.com/resonance

"And indeed there will be time
For the yellow smoke that slides along the street,
Rubbing its back upon the window-panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet"

- TS Eliot, The Love-Song of J. Alfred Prufrock

Resonance

05/05/1987

Talking Of Michelangelo (Resonance 1987)

CAST OF CHARACTERS:
J.J. Terrell-- @j-j-terrell—JJ-- electric piano, synth, seed idea
Mistermark-- @user-432503709 -- Mark –  vocals, lyrics, mix, and production
Llanpsych-- @llanpsych -- Tez – guitar
TexMex Shaman– @texmex-shaman –Stephen–banjo, guitar, sitar, and final mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, seed idea
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four-string fretless bass

Composition – The Eclectic Collective
This song started in probably the most effective way our group writes them. Ken had a spectacular drum beat that was unused in a previous project, so JJ composed and recorded  a chord arrangement with his magical keys. Once we had a beat and a chord structure, Josh came along and added his foundational bass. 
     Now that the rhythm section was complete and the chord structure was in place, Stephen added his unique melody line that you hear at the beginning and every other verse on his magic banjo. He also plays all the initial guitar until around 1:40, where Tez takes over. Stephen also added some really trippy sitar in the vocal section. Then it was time for Tez to add some spice to the mix with his fiery guitar solos from about 1:40 on, eventually building up to a crescendo towards the end. 
     Once we had all the music down, we realized that we had a big gap in the bridge without much going on in it. So, Mark came through with an old poem he had written on his fridge with word magnets for his daughter more than a decade ago, and expanded on it for this song. (the poem is loosely based on the idea that our dreams exist in a digital environment/universe) The young girl's voice you hear echoing Mark's filtered voice is his daughter, in her first appearance with the EC. 
     The song was now finished, except for Mark using his production skills to trim and move a few things, then mix it. While we usually defer to Tez or Stephen for the mix, Mark did such a great job, we decided to keep his mix. Stephen did, however master and EQ it to make it a finished product. 
     This song was truly put together as a whole band effort, showcasing what the Eclectic Collective can do. I hope you enjoy listening to it as much as we enjoyed creating it.  

Original lyrics by Mistermark:  

The moon flickers on
and rises and dances
across a celestial stage
as dreamers paint the pixels of their mind 
like an infinite canvas 

Sleep away tiny egg
and leave a delicate thread 
of memory behind 
but never log out 
you are in the elaborate web
always

-------------------------------------------
here's a photo of the original fridge magnet poem from years ago:
https://www.flickr.com/photos/mark_boucher/2257994722/in/album-1495769/

and here's some collections of photos I took over the years:
https://www.flickr.com/photos/mark_boucher/albums/

Dancing Moon (The Eclectic Collective)

Mayhem

Making music, mainly with guitar. In the past (70s/80s) a lot, now from time to time. My paintings correspond to the music. You are welcome to listen and to enjoy if you like, if you can. Peace, Axel

Future IV: The Unpredictable

Axel Weiß

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