Name: Waiting For The Cranes. Matsalu National Park, Estonia On September 15, 2018 by Andrus Kannel
Duration: 10 min 31 s
Description: Raining, goes dark. I am inside the hut and waiting for the cranes. 24-bit, 48000 Hz, Tascam Dr-100 MK III, Azden mixer, primos.

Love the atmosphere captured here with the rain and the distant birds; feel like I am there.

beautiful to hear them slowly arriving across the space. Thanks for recording so that you are in the hut but can hear outside too, it helps to define the spaces.

here you can hear how they cam closer to a more solid space

wow, what a fine experience, I also felt like I was there with you witnessing the cranes coming by , circling around with more in the flock and then passing away!

This is the essence of autumn in Matsalu. Thanks for sharing!

Inspiring recording adding to my list of places to explore.

This is a recording of some interactions on a black grouse lek in the highlands of Scotland. 

It was recorded with a Sony M10 and a matched pair of Clippy EM172 mics.

AVIEMORE  - BLACK GROUSE LEK - EARLY MORNING - VERY CLOSE COOING AND HISSES 2.0 M10

Trumpeter Swans on Lake Ontario, Leslie Spit, Toronto, November

Trumpeter Swans

A short and quick test for Zoom F3 and Dodotronic Hi-Sound stereo 2 + 2 AOM 5024 Phantom Power 48Volt stereo parabolic microphone.

Zoom F3 - Dodotronic HiSound Stereo - Nightingale Song

Echoing through a flooded cypress tree forest, first a Barred Owl hoots, and then joins a second to fuss back and forth. Deep voiced Pig Frogs and shrill crickets are a sonic backdrop. Big Cypress National Preserve, Florida, August 2022, recorded with Usi Pro omni pair and Zoom F3 recorder.

Owl Swamp

On Saturday, 12 November 2022, South Australia, including the whole Adelaide region, experienced an uncharacteristic extended storm of unusual intensity. Several storm fronts, arriving from the NW over St Vincent's Gulf, hit Adelaide and the Fleurieu Peninsula. The storm has been described as "one of the strongest thunderstorms in recent memory",* causing flash flooding, wind gusts exceeding 100 km/h that tore down huge gum trees (many of which crushed houses, cars, and electricity lines), as well as flattening giant electricity pylons, leaving around a hundred thousand people without power. 

This recording, made in the Adelaide Hills (near Norton Summit), captures a sample of the first and mildest storm wavefront that day. (The recording begins at 10:30 in the morning. This abridged version selects two excerpts from the longer recording, chosen because of the poignant presence of bird calls audible between the peals of thunder. The highlighted parts of the spectrogram in the track image indicate the passages from the longer recording that were selected for this abridged version.) The microphones sheltered from the fairly light rain underneath a 'sweet pittosporum' or 'native daphne' tree (Pittosporum undulatum), native to southeastern Australia, but a 'declared plant' in South Australia ('a woody weed invading native local vegetation', due to widespread ornamental planting).

Travelling farther south immediately after this recording, I was able to intercept the next two storm wavefronts, which were far more intense. Although the storm was utterly awesome and spectacular (lightning bolts plunging into fields, exploding thunder tearing the atmosphere apart), it was impossible to find any spot from which to record the storm, because it brought with it an abundant lashing downpour of rain and wild tree-tossing winds. All the shelters in the state forests had iron rooves: the rain battering the rooves was deafening, drowning out even the peals of thunder.

In the end, I could only just sit and experience it. Which, after all, is the very best thing to do, with Nature. (Most of the time, at least. Not recommended when it gets this violent. Although I have to say that this was truly a very beautiful and awe-inspiring experience; and, personally, I'm very glad to have been out there to witness it. I'm also contemplating possible recording solutions, in case this ever happens again... Enraptured by thunderstorms as a spatial music of nature. All that I have said, here, is the simple truth.)
__________________________________________
*https://www.weatherzone.com.au/news/why-the-adelaide-storm-was-so-intense/925471
https://www.sapowernetworks.com.au/data/313806/12-november-storm-update-from-sa-power-networks/
https://www.aljazeera.com/news/2022/11/18/australias-indigenous-people-call-for-seat-at-table-at-cop27
__________________________________________
Recorded with respect upon the land of the Kaurna people.

@Bandcamp

2022.11.12 Storm above the Hills. Late Spring. (Excerpt)

Forest clearing near Nihujärve lake. Whooper Swans vocalise before taking off and heading elsewhere...
Other birds: Woodlark, Tree Pipit, Song Thrush, Wood Pigeon, Cuckoo, Eurasian Jay.

2. May 2022, Estonia

Morning soundscape with Whooper Swans

The sounds of a new day in the African bush. This album was recorded in Northern Tuli Game Reserve in Botswana and features the diverse sounds of birds and wildlife in an ecotone of mopane woodland and arid savanna.

Botswana: Dawn in Tuli Wilderness

Botswana: Dawn in Tuli Wilderness - Album Sample

A series of recordings made on the occasion of the 2015 Soundcamp for the 24 hour Reveil global dawn chorus braodcast. Our Soundcamp was coordinated by Dawn Scarfe and Veljo Runnel and included guests from the Active Crossover residency. Special thanks to the Palupõhja Nature School for hosting us. Palupõhja is a small village on the Emajõgi river in the center of the Alam-Pedja nature reserve.
http://www.soundtent.org/2015/streams/streams_2015_UTC+2_estonia.html
http://moks.ee/artists/active-crossover-mooste
http://www.palupohja.ee/en

Blackbird and dawn chorus, Palupõhja May03, 2015

Raining, goes dark. I am inside the hut and waiting for the cranes. 24-bit, 48000 Hz, Tascam Dr-100 MK III, Azden mixer, primos.

Waiting For The Cranes. Matsalu National Park, Estonia On September 15, 2018

This is a compilation of several tracks available on the Rhythm of Kubah album which is downloadable in mp3 or FLAC format from https://wildambience.com/albums/rhythm-of-kubah/

Rhythm of Kubah

Download Album

Rhythm of Kubah - Sarawak, Borneo: Album Sample

[Experiment] Trying the Shure MV88 mic on a iPhone for field recording (nature).   Not that I would want to do this very often, but it could be useful when better mics/recorders are not available in a given moment.   The photo shows the location where this recording was made (holding the iPhone, standing about 5 feet from the grass in lower middle of photo).

[Setup] Shure MV88 on an iPhone 10 with foam windscreen. Settings on app:  mid-side mode, max compression, flat EQ,   The quality is not bad for what it is.

The Shure MV88 is *not* a sensitive mic and certainly not great for nature field recording.  The manual even says it was designed to record in very loud environments like concerts, so it would not be good for recording a quiet soundscape.   However, for loud environments it seems OK.   These cricket frogs were so loud that I wore the headphones for ear protection even when not recording.  Without ear protection the frog calls were painfully loud (to give an idea of the ambient sound levels being recorded).

BTW, on an iPhone X I was not able to find a way to monitor audio while recording.  Gain was set by watching the meter on the app.  On phones that have plug-in headphones, apparently there is a way to monitor audio while recording.

Waiting For The Cranes. Matsalu National Park, Estonia On September 15, 2018

Andrus Kannel

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