"…maybe the most perfect crossroads where Country Rock/Americana meets Power Pop...and at the speed most of it is presented it, it's like Americana Thrash Pop--Amazing."--Mitchell HIllman, Sounds Around Town "….the kind of alt-country rock that put Tempe on the map back in the '90s…Andy Borunda employs Johnny Marr-styled economic playing that makes the most of short guitar breaks -- smart, inventive lines, like his hornet's nest buzzlicks on "The Knitting Song" and the rapid-fire boogie fingering of "The Bonus."--Serene Dominic, AZCentral.com "…on their raucous, runaway-train debut album, Carol Pacey and the Honey Shakers takes up the mantle of the Tempe Sound and aims for the stadium seats with twelve songs that capture the hooks, energy and winning appeal of their singalong festival shows."--Echo Magazine 

Nigel L'Amour:
Was the bass player, lyricist and basic composer for many of the early works from The Pleasure Victims. Those basic ideas were the skeletal structure of about a dozen songs found on “Got Pleasure?” And “Seven”. Some played only live, but all are an homage to true collaboration. They would not be what they became without a band. Currently playing tribute to Gary Numan, The Human League and A Flock of Seagulls as the keyboardist of The Numan League.

Andy Borunda is following