Speeches of 2022-12-17

002 - GiaTocTuTienKhiVanDanhDauSauMuoiNamTH

Sound art for disquiet0616

A nail scraped on antler with a gradual shift in focus from the whole antler to the points.

the point of an antler (disquiet0616)

Managed chaos

:::
my contribution
to
Naviar Records
Haiku Challenge 518

my interpretation of a
haiku
by
Raymond Cobley

.
.
.

dark clouds menacing
– I doubt we shall reach shelter
before the deluge

(o_men)acing* ::: naviar haiku 518

why don't we dance

Disquiet Junto Project 0632: Shear Wind
The Assignment: Make the most of the disturbance within a field recording.

Step 1: Consider how when making a field recording, there can be disturbances in it, such as a passing car or plane, or a noise you didn’t notice until you listened back, or a malfunction in the recording equipment. A common such problem is wind shear.

Step 2: Make a recording that has wind shear in it, perhaps by standing in the wind, or recording from a moving vehicle, or through some other technique. Or locate a pre-existing field recording with wind shear, perhaps on freesound.org 1.

Step 3: Make a piece of music employing the recording you made in Step 2, and make the wind shear a focus of the piece. That is, pay attention to, rather than avoid, this sound that you would likely in other circumstances identify as a shortcoming.

===

Track notes:

I spent a couple of days in my hometown/homearea of Normanville on the western coastline of the Fleurieu Peninsula. It's Summer here at the moment, and the weather down south has been particular lovely and warm. I took a long late afternoon walk along the beach, heading south with the heritage protected dunes on one side and a very still ocean on the other. 

Aside from the serene, still conditions there was a nagging, turbulent breeze throughout the afternoon and evening.

I made a few recordings along the way, including one at the foot of the dunes (feat. cicadas) and another on a shallow bed of dried seaweed at the tide break. Though I documented moments of transparency in the recordings, the wind (even with a jammer on the handheld recorder) was prominent throughout.

Since coming home and listening back to the recordings, I thought it would be interesting not only to feature the sound of wind shear, but use its dynamic peaks to control aspects of the composition.

I recorded a sample from the tide recording to my Morphagene module and routed the CV output directly to the clock. The dry/wet mix was set to roughly 60/40, so 60% of the mix would be the dune recording played back in real time, whilst 40% is the tide sample playing back on the Morphagene. Whenever a wind shear event arose (either form the tide or dunes) this would manipulate the time stretching, 'Morph' and 'Slide' parameters of the Morphagene. 

I'm letting the Morphagene play itself for the first half of this track, then subtly manipulating some of the controls to transition parts of the sample and close out the track with just the dune recording.

[Disquiet_Junto_0632] Tidal Jamming

Prod. Rogeay

Lyrics:

My hand is always breaking hearts
My hand was broken, broken from the start
But you let me mingle and I will prove you wrong
My love is stronger, stronger when you're gone

I have a problem, I swear I know
I cannot help it when I'm feeling low
Will you stick right by me, when I'm cold
Will you stick right by me, as we grow old
When you call me darling, my heart, it melts
Then you call me baby, I'm losing myself

My hand is always breaking hearts
My hand was broken, broken from the start
But you let me mingle and I will prove you wrong
My love is stronger, stronger when you're gone

I love you darling I swear it's true
Call me Pretty Boy and I'll end up falling through
Dont break my heart or I'll return it sevenfold
Cause my heart is broken, oh my heart is cold

My hand is always breaking hearts
My hand was broken, broken from the start
But you let me mingle and I will prove you wrong
My love is stronger, stronger when you're gone

By My Hand

Listen to this song on Spotify:
https://open.spotify.com/track/4pSmkHSpTG3RvmG1PGYfRA?si=5f8ee6a87a0f4e39

Oh Genius (Producer):
Spotify: open.spotify.com/artist/2wQhhZGholdOHTWhfDHIO2
SoundCloud: @OhGenius
Twitter: www.Twitter.com/OhGenius
Instagram: www.Instagram.com/OhGeniusMusic
YouTube: www.youtube.com/OhGenius
Website: www.OhGenius.com

GATS, Oh Genius, Bere - Lover (Part 2)

F.N | made on the Rapchat app (prod. by MVXIMUS)

Instrumental by NICROSE.
Vocals and mixing by AND¥‎.
Lyrics:
fuck your face and fuck your face lift
fuck you facin?
fuck your face and fuck your face lift
fuck you facin?
give me fucking space and fuckin lace it
fuckin face it
fucking stacy, fuckin basic
fuck you chasin?
heart is racing, fucking phasing
fucking shaking, fucking pacing
bitch i'm baking, getting cake and
getting wavy, fucking satan
making bacon, am i vacant?
getting baked and getting brainy
shitty nuggy down the drainy
fuck all the fast food chainy
fuck the click-baity
fucking daily, fucking hate it
make it clear, i fucking hate it
bitches fuck you waiting? fucking date me
fuck you mean? i'm fucking lazy
fucking crazy, fucking amazing
fucking blaze it
hate the power, those who chase it
changing history, or erase it
fucking 'masons
test my patience, tryna pace it
make arrangements
know my way around the place
i got it based
i'm a mace for your plate
fucking fate 
i have my faith in a full empty void

i have no need for full metal toys

fuck your face and fuck your face lift
fuck you facin?
give me fucking space and fuckin lace it
fuckin face it
fucking stacy, fuckin basic
fuck you chasin?
heart is racing, fucking phasing
fucking shaking, fucking pacing
bitch i'm baking, getting cake and
getting wavy, fucking satan
making bacon, am i vacant?
getting baked and getting brainy
shitty nuggy down the drainy
fuck all the fast food chainy
fuck the click-baity
fucking daily, fucking hate it
make it clear, i fucking hate it
bitches fuck you waiting? fucking date me
fuck you mean? i'm fucking lazy
fucking crazy, fucking amazing
fucking blaze it
hate the power, those who chase it
changing history, or erase it
fucking 'masons
test my patience, tryna pace it
make arrangements
know my way around the place
i got it based
i'm a mace for your plate

Dance Until Youre Euphoric

I will get to you.

Check out my homie NICROSE - he has made most of the instrumentals for my music here so far.

Dance Until Youre Euphoric

AND¥‎

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