FKCLUB has become known to amateurs of dark and troubled dancefloors. His releases have graced the shelves of labels like Relish, Labelle Records, Dogs and Vultures, La dame Noir or PIAS while his remix talents have been enlisted by artists like Nasser, KCPK and Mugwump...

MNGMT : weareladecadanse@gmail.com
https://www.facebook.com/weareladecadanse/

Elle happe, accapare et renverse. Toute résistance est vaine. Et on chute avec délice parce que le noir est éclairé, la froideur bandante, tendue comme un arc.  
Laurent Pastor et Marc Lapeyre ( Fkclub ) sont les coupables de cette Décadanse où « la glace ne blesse plus », comme le décrit le titre éponyme, du timbre à la fois suave et distant de la photographe Caroline Chevalier. Le patron de label a basculé de l’autre côté pour passer en production, attiré par son complice dans un studio en sous-sol, au son alléchant des guitares et des synthés modulaires. De la confrontation de ces deux fortes (id)entités sort un premier EP où la culture club est cinématique (Train in Vein, Drive Easy), le post-punk distingué (Plan B), l’électronique moléculaire (Decadanse). Et quand Susumu Makai s’aventure dans les méandres de Ruin, il en livre une version vertigineuse.

DJ Produtor, músico multi instrumentista, compositor, brincante, artesão sonoro, beatmaker, ama de verdade uma pista de dança pegando fogo!!!! Vibra quando está no universo Latin-América, proporcionando uma vivência sensorial a cada set.

The place changes when DJ Incidental starts to play. This place is the best way to check out what he is doing.

Go to www.djincidental.com.br

@TheNoiseEngine x @TheArtistUnion

It's time to reach further with your music and make some noise. Over time we've teamed up with artists, records labels, events, blogs and creative SoundCloud channels to build a network of music lovers.

Submit your music to:
info@thenoiseengine.com

Our Channels:
@TheNoiseUnion
@NoiseBible
@NoiseCakes
@TheNoiseEngineDeepHouse
@TheNoiseEngineTechno
@TheNoiseEngineHouse
@TheNoiseEngineFuture
@TheNoiseEngineGarage
@TheNoiseEngineRemixes
@TheNoiseEngineMixes
@TheNoiseEngineElectronic
@TheNoiseEngineDance
@TheNoiseEngineChill
@TheNoiseEngineGrime
@TheNoiseEngineDNB
@TheNoiseEngineMashups
@TheNoiseEngineDubstep
@TheNoiseEngineTrap
@TheNoiseEngineHipHop
@TheNoiseEngineRNB
@TheNoiseEngineTropical
@TheNoiseEngineDrumstep
@TheNoiseEngineElectro
@TheNoiseEngineHardstyle
@TheNoiseEngineTrance

Taste Maker Channels:
@DeckEffects
@HypeHeads
@TheSoundSauce
@BassFaceNetwork
@DNBUnion
@Est1987music
@DeadExitMusic
@WeAreMMR

Colombian musician, producer and dj, based in Mexcico City

http://quesakamoto.com
Booking : booking@interwave.live

Booking  frankagrario@gmail.com

Frank Agrario, dj and producer from Bologna (Italy). . His trademark disco beats have been released on Prins Thomas' Internasjonal , Tom Tom Disco and Bear Funk just to name a few.  Mpc lover, record collector and an accomplished drummer (Swayzak, Robert Smith, Pete Doerty, Jeff Jones… ).
He is the driving force with The Bank, an Minimal Funk trio that released on Bear Funk, Ambassadors Reception and Mad On The Moon. 
Since 2010 he is running Spectrum Mastering & Vinyl besides producing bands like Lo Stato Sociale.

PACIFIC BEACH VINYL (PBV) was a vinyl record shop focusing on new underground dance, electronic releases and essential reissues from 2014 to 2022, based in San Diego, California, USA.

contact us: frontdecadeaux@gmail.com
book us: https://culte.be/agency/front-de-cadeaux

ven., 21 juin 2019 /
Mannequin Records Nacht Xll at ​Berghain | Panorama Bar | Säule / Berlin, Germany

ven., 07 juin 2019 /
Club Nuit: Front de Cadeaux / Diana Alma / Discolowcost at ​Le Lieu Unique / Nantes / West, France

sam., 01 juin 2019 /
Nuits Sonores 2019 / Night 4 at ​Old Fagor-Brandt Factories / Lyon, France

sam., 27 avr. 2019 /
Anarchy At The Bar - Hugo Sanchez - Lola Kola at ​Coropuna / Rome, Italy

mer., 17 avr. 2019 /
Listen! Festival 2019 at ​Horta Gallery / Brussels, Belgium

sam., 23 févr. 2019 /
Megatron: Front De Cadeaux at ​Opium Club / Lithuania

sam., 19 janv. 2019 /
Liquid /w. BNJMN, Simple Symmetry, Housemeister & More at ​Salon Zur Wilden Renate / Berlin, Germany

The origins of Front de Cadeaux can be traced back to a dating site for bears, some ten years ago. After Maurizio had spotted a Felix Kubin poster on one of Ugo's pictures, the two started chatting. Very much intrigued, Ugo invited Maurizio, who lives in Brussels, to play at a festival he organised in Rome. Shortly thereafter Ugo made Maurizio a resident of his Subwoofer night, one of the first bear parties in Europa that existed outside of the mainstream bear realm.

The two bonded over food of course, over their belief that dance culture is rotting from the inside, and even more over slow, heavy electronic music. You have to picture it: a flat in Brussels, a table with empty bowls and bottles, thick smoke and these two daddy dj’s listening to stacks and stacks of UK rave and breakbeat records on 33 instead of 45 rpm. Testing how deep and sexy these garbage records sound at a pace the bears can actually follow without dropping dead – Ugo & Maurizio baptised it ‘supreme rallentato’.

During those early encounters, their decade long dj experience merged into one, just like their vision that dance culture urgently needs a revolution. To them that means playing 90 bpm in a club at 3am whilst the promoters are shitting themselves, showing everyone that the body follows the groove, and not the bpm, a capitalist and macho construct that’s making crowds go numb instead of making them dance.

Around 2013, they officially started collaborating as Front de Cadeaux, referring to the Italian way of pronouncing Front 242, the Belgian EBM legends. “Le pédé BPM” (the bpm gay), their first release, followed one year later, with a Fabrizio Mammerella remix that kind of became an anthem in some circles. It's at the same time a celebration of their love for a slower groove as it is a queer manifesto, dissociating themselves from the mainstream gay culture in big cities, dominated by a horrible attitude and bad taste both in music and style. Second single “Infodrogue” came about after the drug line Maurizio worked at, stopped operating after midnight. Backed up by a bubbling bassline, it's telling the sad tale of a junk calling in and no-one answering. The references to culture and real life are everywhere, be it in the track titles of later releases – “Ouvre ta bouche” is a joke about Kate Bush, “Cogitate” a hommage to lsd wizard John C. Lilly – or their sound, which is impregnated by psyche music, mushrooms, dub, triphop and space rock.
Coming hot on the heels of the collaboration ep with long time friend Fabrizio Mamarella earlier this year, featuring their two oldest singles appearing on vinyl for the first time, came Front de Cadeaux’ new 12” on EMET records. “We slowly rot” is a manifesto and an epistemological breakdown of standard, empty club music, for in order to reconnect with what it should be about, our whole idea of dance music has to be deconstructed. As Front de Cadeaux militantly puts it: “every act of the human being is about transformation through destruction”.

Andy Kenguan is following