Finding out what DJs and producers listen to outside the club context is not always easy, especially because they want to create and maintain a certain musical image of themselves. This format is about sharing something other than electronic club sound, to show the diverse influences and sides of their auditory – sometimes hidden – preferences. Therefore, Whatever Floats Your Boat is a show where we listen to favourites or classics that are not necessarily found in the club context.
First guest of the show is going to be Jewelry.

https://soundcloud.com/s0ii

Whatever Floats Your Boat w/ Jewelry 13.01.22

Honey Trap resident Pleaser ventures through the weird and wonderful oddballs of his collection, spanning from weirdo rockabilly love jams to funked up machine muzik.

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: Honey Trap w/ Pleaser @ Kiosk Radio 21.10.2024

From minimalist tones to lush, experimental layers. A narrative of genres like ambient, classical music, experimental folk or krautrock. Suitable for slow mornings and introspective daydreams.

@silvannicca

The Morning Show w/ Silvan Nicca @ Furka Radio - 14.11.24

NYC label Palto Flats focuses on a carefully selected program of reissues and new material, bringing attention to the intersection of pop, electronic, experimental and world music. The label’s intent is to work with artists on music that is both accessible and idiomatic, bringing these constructive contrasts to light. This show is an exploration of those forms, and will periodically feature guest selectors from diverse musical backgrounds.

https://www.instagram.com/paltoflats

Palto Flats @ The Lot Radio 01-08-2025

Monthly vibrance & light from the Chicago based composer, pianist, clarinetist & jazz oracle.
 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/angel-bat-dawid/episodes/angel-bat-dawid-18th-january-2025

Angel Bat Dawid - MLK Day Show 180125

Heads Radio 165 – 26.03.05

8-9PM: Contes Cruels LIVE
9-11PM: No Trouble In Paradise
TUNE IN HERE:
https://www.sameheads.com/headsradio

Heads Radio
   / headsradio  
  / headsradioberlin  
www.sameheads.com/headsradio
www.sameheads.com

Contes Cruels LIVE - Heads Radio 165 – 26.03.05

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Support us by becoming a member on Patreon for just 3€ a month: www.patreon.com/refugeworldwide

This Month And Every Month - Richard Akingbehin - 21 Mar 2025

70s dub & reggae reissue specialists Blood & Fire dig deep for an hour each month.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/blood-and-fire/episodes/blood-and-fire-20th-april-2025

Blood & Fire 200425

Exploring the water engineering relationship between Japan and the Netherlands across a trilogy of experimental releases, the third and final part of Field Records' Waterworks series is courtesy of Yui Onodera. Pairing delicate synthesis and instrumentation with field recordings and negative space, the accomplished artist and sound architect examines the impact of water engineering on Japan's Kiso Three Rivers.
 
The location refers to the confluence of the Kiso, Nagara and Ibi rivers on the Nōbi plain in Gifu prefecture. In the late 19th century, Japanese authorities collaborated with Dutch engineer Johannes de Rijke to separate the three rivers at the lower part of the Kiso delta. These extensive improvements, which were finalized in 1912, successfully shielded the city of Nagoya from regular flooding.
 
Onodera's minimalist palette and detailed approach to spatial sound design balances microscopic field recordings and tonally-rich traditional instruments, which he applies with stark focus to the subject of the Kiso Three Rivers across eight extended pieces of music arranged into two distinct parts. The A side's shorter tracks are delicately sculpted miniatures interweaving chiming bell tones, treated guitar impressions and hushed pads. The B side's two longer suites are more overtly minimal in nature, emphasising sampled water sources accented with patient brush strokes of synthesis.
 
This project is supported by the Embassy of the Kingdom of the Netherlands in Tokyo, Japan.

Petrichor

Andy Rantzen

Related tracks