Ave Maria

Canon In D

Claire De Lune

Gymnopedie 1 (Satie)

Nocturne (Chopin)

Waltz (Chopin)

Via Discogs - …leaked to the internet on 2023-06-21 via Aphex Twin's new visualization app (for the concert on 2023-06-16 and the new single's cover).

https://aphextwin.warp.net/release/399837-aphex-twin-blackbox-life-recorder-21f-in-a-room7-f760

Aphex Twin - blackbox life recorder 20 ambient 760

The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist Erik Satie.

The melodies of the pieces use deliberate, but mild, dissonances against the harmony, producing a piquant, melancholy effect that matches the performance instructions, which are to play each piece "painfully", "sadly" or "gravely".

Audius Classical Music
https://audius.co/classicalmusic

Best of Satie
https://music.apple.com/gb/album/gymnopedie-no-1-single/847714522

Satie on Spotify
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Satie Album on Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Erik Satie - The Essential Collection

Classical Music - The Essential Collection

ᯤ Spotify

Erik Satie - Gymnopédie No.1

Fen Violet

A Low Susurrus of Desolation: Echoes in the Void of Being
In the vast, reverberating chambers of existence, there lies a sound—faint, elusive, almost imperceptible—a low susurrus of desolation. It drifts between thoughts, coils through the hidden crevices of the self, a gossamer thread of melancholy: fragile in tone, yet unyielding in presence. This is not the piercing cry of despair, but something quieter, more insidious—a constant undertone to the human experience. It is a sonic haze, wrapping itself around the soul, enveloping it in the muted twilight of being, an ever-present murmur beneath the rhythms of modern life.

The Anatomy of the Whisper
A susurrus is a murmur, a whisper so soft it barely brushes the threshold of sound. Desolation, in contrast, evokes a vast emptiness—bleak, lifeless, and stripped of warmth. When these converge, they form a paradox: the whisper of absence, the voice of a void that is not silent, but softly humming. It doesn’t shout or plead. It persists—a lingering undertone, subtle yet unshakable, a slow vibration that hums beneath awareness, infusing everything with an aura of weightless sorrow.
This low susurrus is the background music of modernity. It pulses beneath the surface of urban life, beneath neon lights and algorithmic noise. It resonates in the quiet of empty office buildings, in derelict suburbs, and in the flicker of screens that promise connection yet deepen dislocation. It is the faint drone of progress turned hollow, of meaning stripped down by acceleration and abstraction.

Whispers in the Mind
To hear the susurrus is to become attuned to a quiet kind of despair—not the agony of sudden loss, but the erosion that comes with time. It is the dull ache that grows from small, daily failures: missed connections, drifting dreams, the steady accumulation of the almost. This murmur is not loud, not sharp—it is gentle, almost soothing, a background hum of resignation that settles over the psyche like dust on forgotten things.
In its whisper lies the voice of surrender—not of defeat, but of acceptance. The susurrus speaks the language of postmodern fatigue. It echoes the unraveling of collective meaning, the decline of shared truths, the slow fading of belief systems once seen as immutable. It is the sound of drifting in a world where all anchors have lifted, where every certainty is questioned and every answer provisional.

Echoes of the In-Between
This sound cannot be escaped. It is woven into the very fabric of experience. It echoes what has been lost and what will never come to be. It lingers in the liminal—between joy and sadness, movement and stillness, longing and numbness. In this in-between, emotions flatten and motivation dulls. The world becomes a place not of clear highs and lows but of muted grays.
And yet, strangely, this whisper brings comfort. It is familiar, a presence we recognize even if we never named it. It rocks us gently, not toward hope, but toward stillness. It asks not for striving but for still surrender. It is the lullaby of the weary, the ambient hum that invites us not to resist, but to rest.

A Silent Requiem
In the end, the low susurrus of desolation is not a threat but a teacher. It reminds us that emptiness is not a flaw in being, but a fundamental rhythm. It is the voice of impermanence, the song of all that was, all that might have been, and all that will pass. It is not nihilism, but clarity—the soft illumination of finality.
There is peace here—not fulfillment, but quiet. Not triumph, but cessation. The susurrus whispers the universe’s oldest truth: all things return to silence. And in that silence, we find something beyond despair. 
We find release. 
We find rest.

Outsider (Inbred)

A late-stage rehearsal straight to cassette for reference. Recorded shortly before going into the studio, probably at John Henry rehearsal rooms. This is Mark on guitar, Lee on drums, and myself on piano and organ (the bass was always addressed in the studio once the basic track was down, which is why it doesn't feature here).
It's best to take the 8 minutes out and listen to the end, preferably in headphones, and in a quiet space,

Eden rehearsal cassette

Electronic Music. 
Since 2000. 
330+ Releases. 
Austria.

The Artist Formerly Known As 
'The A.M. Experiment'.

Outsider (Inbred)

Anechoic Chamber Music

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