Aquí tienes una biografía concisa de Jorge Sad Levi:

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## Jorge Sad Levi: Compositor, Investigador y Docente de la Música Electroacústica

**Jorge Sad Levi** (Buenos Aires, 1959) es una figura destacada en la música contemporánea y electroacústica de Argentina, conocido por su triple rol como **compositor, investigador y docente** especializado en semiología de la música.

### Trayectoria y Formación Académica

Sad Levi cursó estudios en Buenos Aires con **Francisco Kröpfl** y amplió su formación en Montreal con **Marcelle Deschênes**, además de participar en cursos con figuras internacionales como Helmut Lachenmann. Su prestigio le permitió ser becario del Rockefeller Exchange Program como *Visiting Scholar* en el CCRMA (Center for Computer Research in Music and Acoustics) de la Universidad de Stanford en 1995.

Ha sido reconocido con distinciones internacionales, destacándose el **Primer Premio de la Ciudad de Buenos Aires** en la categoría Música de Cámara, el Segundo Premio en el Concurso Internacional Xicoatl (Salzburgo) y ha sido miembro de la AMEE.

### Aportes a la Música y la Docencia

Sad Levi ha tenido una notable influencia en la formación de nuevas generaciones de compositores.

* Fue profesor de Composición con Medios Electroacústicos durante 20 años en el **Conservatorio Alberto Ginastera** de Argentina.
* En el ámbito de la investigación y la gestión, fundó y dirigió el **Instituto de Investigación en Sonido y Música por Medios Digitales (IIesSMuMD)** en la Universidad de Morón.
* Actualmente, enseña Semiología Musical en la **Universidad Tres de Febrero** y Lenguaje Musical en la **Universidad de las Artes**.
* También es el fundador y director del **Festival Nuevas Músicas por la Memoria**.

### Obra Musical

Sus obras—que abarcan música de cámara, electroacústica, acusmática y proyectos multimedia—han sido interpretadas internacionalmente y ha recibido encargos de prestigiosas instituciones como el **GRM (París)** y Musiques & Recherches (Bélgica).

Sus partituras son editadas por **Babel Scores** y sus discos por sellos como **Elektramusic** y Luscinia Discos. Algunas de sus obras notables incluyen:

* ***Amusia*** (2017): Una ópera de cámara para dos voces, ensamble, video y electrónica en vivo, basada en una lectura crítica de *El lenguaje musical y sus perturbaciones histéricas* de José Ingenieros.
* ***Maror*** (2012): Para violín y electroacústica.
* ***Transparencias*** (2000): Para cuarteto de cuerdas y electroacústica.

Su enfoque creativo a menudo explora la intersección entre la música, la semiología y la experiencia existencial del sonido.

generado po IA

Composer

Biography

Vito Palumbo has been writing music since an early age. After studying at the conservatory he graduated with honors from the prestigious Accademia Chigiana in Siena and the Accademia di Santa Cecilia in Rome studying with Azio Corghi. He also obtained a special scholarship personally awarded by Luciano Berio as the best graduate. In 2005 he was awarded the renowned ‘Premio G. Petrassi’ (established by the President of the Italian Republic at the Quirinale, Rome) for his compositional work.
Winner of numerous national and international composition competitions, Vito has received commissions and performances worldwide from institutions and ensembles such as the London Symphony Orchestra, Ensemble Intercontemporain, Cepromusic Ensemble, Camerata Bern, Berlin Philharmonic Athenaeum Quartet, Helsingborgs Symfoniorkester, Gävle Symfoniorkester, Orquesta Sinfónica del Estado de Puebla, Orchestra Nazionale della RAI, Oradea State Philharmony, Filarmonica Arturo Toscanini, Istituzione Sinfonica Abruzzese, Academie de France, 'Parco della Musica', Nuova Consonanza, Festival Pontino di Musica 2021, Parade Contemporary Music Festival in Beijing, Accademia Chigiana in Siena, 'M. Botin' Foundation - City of Santander, Foundation Enescu, 'Future 99' - Crest, Montpellier International Festival, Barockmuseum Salzburg, Minnesota Marimba Festival and Conference 2010, Fondazione Lirico-Sinfonica Teatro Petruzzelli, Teatro Grande di Brescia, Italian Cultural Institute of Oslo and Belgrade and many others.
He has collaborated with great soloists such as Patricia Kopatchinskaja, Dan Laurin, Francesco D'Orazio, Anna Paradiso Laurin, Bahar Dorduncu, Luca Quintavalle, Mario Marzi, Niki Lada, Susanne Kessel, Duccio Ceccanti, Mats Olofsson, Ivan Donchev, Nicola Mazzanti, Nicola Fiorino, Giampaolo Nuti, Michele Marelli, Ivan Mancinelli, Christina Schorn, Michele Lomuto, Francesco Pepicelli, Tony Capula, Luis Aracama, Giulia Peri, Mario Caroli, Sante Tursi. Conductors include Lee Reynolds, Jaime Martin, Stefano Trasimeni, Magnus Fryklund, Marco Angius, Marcello Fera. Ensembles such as Ensemble InterContemporain, Camerata Bern, El Cimarrón Ensemble, Norrbotten NEO, Duo Alterno, AuditivVokal Dresden, Ensemble Conductus, Algoritmo Ensemble, New Made Ensemble, ContepoArt Ensemble, Freon Ensemble, NYKY Trio, Laborintus Trio, Ensemble Suono Giallo, Ianus Piano Duo, Dèdalo Ensemble, Stenhammar Quartet, Fiarì Ensemble, Camerata Musicale Mistà, Collegium Musicum.
His output in musical theatre has been consolidated for ten years in collaboration with the singer-actress Sonia Bergamasco.
Several important broadcasters have broadcast his works, including RAI Radiotre, Channel V Music RAI, Rai Tre, Arté France, Sky Classical, Radio France and Radio Wien.
His works have been published by Ries&Erler Musikverlag, Berlin, Suvini Zerboni, Milan, and Edizioni Musicali Rai Com, Rome.
He has released several CDs with the labels BIS Records (of which he is the main artist), Rai Trade, Stradivarius, Digressione Music, Brilliant Classics, Ars Spoletium, and Kessel Music projects.
His production in recent years has focused on large symphonic works for large orchestra. The Recorder Concerto was commissioned by Gävle Symfoniorkester and Dan Laurin, for a monographic CD for the Swedish label BIS Records.
On 17 September 2016, he recorded with the London Symphony Orchestra at Abbey Road Studios (Studio 1) his Concerto for Violin and Orchestra (Musikverlag Ries & Erler, Berlin) with Francesco D'Orazio, soloist and Lee Reynolds, conductor. The monographic album was released by Bis Records and received more than 20 “5-star” reviews from the major specialized magazines in the world, and an ICMA nomination.

About the music

Starting with postmodern experiments in the first period, he after focused on some musical theater forms exploring the possibilities of the voice (melologue) researching various ways in the voice emission with the study of phonemes in many works devoted to the musical theater (Butterfly, Cinque di Cuori, Il Catalogo, Sinforosa, La machine de sons, Comuni-Canti, Les Animaux) along with some influences from his teachers (Azio Corghi and Luciano Berio) about this vocal research.
His output in recent years has focused on large symphonic works for the full orchestra. The Violin Concerto, the Clarinet Concerto, the Piano Concerto, the Recorder Concerto, the Double Concerto for Guitar and Marimba, Drops for harp and string orchestra, Fragile for electric guitar and string orchestra and Dark Clouds for orchestra, represent his full research in further possibilities of the orchestral colors and textures, but also in an organic idea of interconnected and interdependent formal moments and gestures, like a network of neural connections. In the last works, the timbre as color leads to a new idea of "sound-light", researched also with the help of electronics mixed with instrumental sounds (Chaconne, for electric violin and electronics) and thanks to a research of extended techniques also open to the orchestral writing. 
To his interest in astronomy, the goal is to research an abstract "core sound" in a unique and large movement (every work is never organized in separate movements), like eternal cosmic energy of which we are but a small circumscribed point.

The Project is formed by Rafael Saez 

Trance / Darksynth / Synthwave

Symphonic Composer & Arranger, Sound Designer spetcialized in Fairlgiht CMI III, AKAI & KORG. Recording engineering at ESPN Argentina. Technical Journalist in Music & Technology.

Doctor in Music (PhD), Multiartist (Music, Literature, Cinema, Visual Arts). 54 compositional prizes. 437 works composed.                                                
Site: www.youtube.com/@TheAmadeusprod/videos

Angel Diego Merlo is following