sound is quite good: I can listen to one octave, the second is small, and if I force on my ears, I can have a tendancy to listen to the minor 7th, of these harmonics... with some sound outside my headphones. Good recording too.

Invisible invocations (2021) for 2 Euphoniums 

Melvyn Poore, Euphonium
Klemen Vetter, Euphonium

Composition: Angeles Rojas

Premiered at Darmstadt Summer Course, 10.08.2021

Invisible Invocations

Grabación de Campo por @mapasonoroap
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Descripción:
“Era una fría mañana de Junio, me encuentro en el parque del centenario, un parque urbano en el plano de Arica, realizando grabaciones de campo para el proyecto “Mapa Sonoro de Arica y Parinacota”, en ese horario se pueden escuchar diversas especies, como Chincoles (Zonotrichia capensis), Picaflores del Norte (rhodopis vesper), Águilas (Generanoaetus melanolecus),  Cernícalos (Falco tinnunculus), Paloma común (Columba livia), Tórtolas Quiguagua (columbina cruziana), entre otras especies. por suerte la costanera que bordea el parque tenía muy poco movimiento y todavía no llegaban las familias, ya que era un domingo de día. Así  que arme el equipo y puse a grabar al micrófono zoom H3vr que realiza grabaciones ambisonic (esfera 360°) y en ese lapso de tiempo de grabación , volaban alrededor entre el follaje de los árboles una colonia de tórtolas.
En la grabación se pueden escuchar tres tipos de vocalizaciones, llamados generales, llamado de atención y vocalización de enfrentamiento entre machos. La vocalización de las tórtolas es muy interesante ya que las personas que no conocen la especie creen que es una “pequeña rana croando”. Mientras grabo el audio solo me queda sentarme, respirar hondo y disfrutar del ambiente."

Equipos: 
Micrófono ambisonic zoom H3vr
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Localidad: Parque del centenario, Región Arica y Parinacota, Ciudad Arica  - Chile 
Fecha: Junio del 2021
Hora: Desde las 9:00 am a 10:00 am (GMT-3)
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Bio: 
Gato del Desierto (gdsf.cl) (Arica, Chile), Manuel M. Figueroa (Gato del Desierto), nacido en la ciudad de Arica, desde muy pequeño gracias a su madre, comienza por el amor a las Artes, las tradiciones y la conservación. Fue fotógrafo de danza y arte, con exposiciones en Chile y Perú. Comienza en el área de sonido el 2016, y el 2020 crea el proyecto de Mapa Sonoro, el año 2021 participa en las transmisiones de Tsonami Radio (Chile), en el 2022 participa en el Festival Sur Aural (Bolivia) y Festival Asimtria (Perú). Actualmente sigue con nuevas fases del mapa sonoro y comienza como investigador sonoro.
 
Links: 
Proyecto Fonografico Mapasonoroap  ist’aña suyu https://gdsf.cl
Instagram: @mapasonoroap @gato_desierto.cl
SoundCloud: @mapasonoroap

Compilación de Vocalizaciones de Tortolita Quiguagua - Gato del Desierto

Train to Dinagy

The village stood on the slope of a steep hill and faced north-northwest, overlooking Wadi Salman. The Jerusalem-Jaffa highway ran immediately southwest of it, and dirt paths linked it to a group of neighboring villages. Although the identification of the village has been debated by biblical scholars, Lifta is believed to have been established on the site of Mey Neftoach, a source of water near Jerusalem. The site retained this name during the Roman period and was called Nephto during the Byzantine era. Almost nothing is known about the village in the early Islamic period; however, during the Crusades the village was referred to as Clepsta.

The fighting in Lifta, as well as the adjacent Jerusalem districts of Rumayma and Shaykh Badr, was triggered by the Haganah in the earliest days of the war. The History of the Haganah states that “Securing the western exit of the city [of Jerusalem] entailed the eviction of Arabs from Romema and Shaykh Badr. Afterwards, the Arabs also vacated Lifta.“ Other sources supply further details. According to Israeli historian Benny Morris, the Haganah fired the first shots in December 1947, killing the Palestinian owner of a filling station in Rumayma, on the grounds that he was suspected of informing Arab forces about the departure of Jewish convoys to Tel Aviv. The next day, a grenade was thrown at a Jewish bus.

Palestinian historian ‘Arif al-‘Arif adds that a coffeehouse in Lifta was attacked on 28 December with Sten guns and submachine-guns, and that six of the patrons were killed and seven wounded. The New York Times account puts the number of dead at five, adding that members of the Stern Gang halted their bus outside the cafe, sprayed the patrons with machine-gun fire and threw grenades.

Al-‘Arif writes that most of the residents of Lifta left after the attack on the coffeehouse and the rest evacuated soon afterwards. These actions were followed by a number of others, with the Haganah, Irgun Zvai Leumi, and Stern Gang repeatedly raiding both Rumayma and Lifta. In neighboring Shaykh Badr, the Haganah blew up the house of the mukhtar on 11 January, and two days later launched a second raid in which twenty houses were damaged. Most houses on the eastern periphery of Lifta were also demolished. Morris adds that the purpose of these demolitions was to turn the Palestinian residents out of their homes; to a large extent, this goal was achieved. By 7 February 1948, Jewish Agency chairman David Ben-Gurion expressed his satisfaction with the results of the attacks at a meeting of Mapai party leaders: “From your entry into Jerusalem through Lifta - Romema, through Mahane Yehuda, King George Street and Mea Sharim - there are no strangers. One hundred percent Jews.“

sraeli Settlements on Village Lands
The settlements of Mey Niftoach and Giv’at Sha’ul were built on village lands and now have become parts of the suburbs of Jerusalem.

The Village Today
Most of the houses remaining on the site are deserted, although some have been restored for the use of Jewish families. A basin that had been built around the spring in Wadi al-Shami lies in ruins. The mosque and the village club are still visible, north of the spring. Adjacent to the mosque, on the western side, is a cemetery covered with bushes and wild grass. The village orchard of  fig and almond trees is located at the bottom of a wadi along a stream flowing from the spring. Jewish families have moved into three of the old village houses. The ruins of other houses are visible in various parts of the site. In 1987, the Israeli Nature Reserves Authority planned to restore the “long-abandoned village“ and and to turn it in an open-air natural history and study center that would “stress the Jewish roots of the site.“ This project, with an estimated cost of $10 million, would be financed from donations.

BedouinDrone - Lifta

Astral Projection []

https://section27.bandcamp.com/album/trenchcoat-ep
DasF is the meeting of The Dronefynder General and the Andrews from Room of Wires, in a deep connection of time and sound.

The first EP from DasF is full of dark, unsettling electronica, forged from evaporating melodies and throbbing layers of sonic disquiet.

Anonymous found fragments from passing encounters are weaved with deep and lugubrious oscillations across lethean sonic waters. It’s full of half memories, unfolding themes and sound spaces, and darkness, with occasional chinks of light.

Welcome to DasF.

DasF - Trenchcoat

The latest episode of the radio show which I host every Sunday night from 9 to 11pm on Select Radio. Expect a live mix of upfront contemporary music, ranging from nu jazz and classical, to innovative electronica, underground house and techno, and joining the dots in between. Starting slow and deep and upping the pace into heavier sounds as the show progresses.

Featuring new music by Packed Rich, Congi, Hyroglifics, Segue, Plaid, BSS, Daniel Avery, Laurent Garnier, Conforce, Transparent Sound, Martin, Skee Mask, Ella Fitzgerald and Louis Armstrong.

Departures 25/06/23

Sunday night I performed an ambient set of vocals at a gathering near Wales, this is the ending as i only started recording over an hour into the set... enjoy!

Aug 23 Bank Holiday Live Ambient Vocal Improvisation

https://soundcloud.com/wavefold (Filippo Nunziale) is a producer and deejay based in Padua, northern Italy, active since 2015. Deeply into sound and music since childhood, absorbing mostly hip-hop and alternative as a kid, his first electronic productions floated around Ambient and IDM, a sound expressed through few releases on Chevel’s Enklav label. He later developed a Uk-bass leaning sound, based on recombining sonic elements from Dubstep, Drum and Bass, Dub and Breakbeat to assemble a new, evolved audio DNA. In 2021 he founded with fellow producer Coeden Wetware Echo, an imprint focused on exploring the bass continuum through sci-fi, techno-folklore and cyberculture contaminations. The two also produce and perform together as Aural Stream. 

Q:"What was a crucial sound experience in your life?"
A:"One of the most crucial audio-experiences in my life was hearing a blasted and chopped Amen Break during Roll The Dice’s live set at Atonal 2017, the first time I was listening to electronic music on a proper, good sounding sound system. From that moment on breakbeats re-surfaced in my music consciousness, becoming a central element in my sonic practice. (the mentioned sound is featured in the mix)"

LINKS:
IG: https://www.instagram.com/wavefold/
X: @wavefold_
Bandcamp: https://wavefold.bandcamp.com | https://wetware-echo.bandcamp.com

Tracklist:
Radiohead - I Am Citizen Insane
Mumdance & Logos - Café del Mar
Kelela - Washed Away
[Darius from Atlanta on the simulation theory]
Bowery Electric - Beat
Deftness - Be Quiet and Drive (Acoustic)
Shlohmo - I Can’t See You I’m Dead
Boom Big - Last Walk Around Mirror Lake (Boards of Canada Remix)
[Deleuze on the danger of other people’s dream]
Kendrick Lamar - Swimming Pool (Drank) [Extended Version]
Nothus & Sensational - Ezkemin
Autechre - Recks On
Regents - Sherry
Butu Yard - Bun Dem Alla (Nothus Pressure mix)
[Morpheus from The Matrix on reality]
Roll The Dice - Inward Spiral )Live @ Berlin Atonal 2017)
[William Gibson on urban sprawls]
Burial - Kindred

MNEMOSYNE #057 - WAVEFOLD

Stürmische Ruhe

This track is an imagination of a better place in time.

Better Places In Time

Ángeles Rojas is an Argentinian composer based in Berlin. Her practice is centered on the listening experience as a sensitive means to inhabit other perceptions of time and space. In her music, she explores the concept of unity through deepening into the harmonic spectrum and the resonance phenomena.

Invisible Invocations

Ángeles Rojas

Recent comments

john tziras

"La vengeance du Chocolat-Vanille"

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