When Rythmikan gets behind the decks, she creates a unique style of bouncy, progressive beatz & deep driving techno, that is a journey into sound within her realm. When listening you will find yourself resonating with her intention. She will take you on a journey to go deep into the story of sounds ~ embracing the dance-floor with a contagious warm­‐heartedness.

During her childhood, she attended a Rhythmic dance school where she learned to drum and move to the beat. Over time, she grasped how the rhythm influences us, how music evokes emotions, and how we express ourselves through movement. Even then, she sensed that her path was intertwined with music. In the late '90s, at a small house party, she found herself behind the turntables for the first time, mixing on a pair of belt-driven turntables ~ a moment that marked the beginning of her musical journey, where the winds of inspiration carried her in diverse directions 🪶🤍🪶

DJ/Producer. Album tracks - Select productions and DJ sets.

Backyard Dave    bYd

"I think...therefore I dance"

David fell in Love with Dance Music in Sydney while on an around the world trip that started in 1991. Armed with only a handful of cassette tapes he left Australia and continued his travels through Indonesia and Malaysia on a motorbike, spreading the new sounds to anyone and everyone he met until he gravitated to Haadrin in Thailand six months later. (For a planned two week stay!)  
There he founded the now Legendary Backyard Pub in December 1992 and ran it for nearly ten years (picking up the name"Backyard Dave" along the way)

Some of the names who bounced the floorboards there include Will Lane, Paul Honey, DJ-A (Thailand), Eren, Danny Rampling, Andy Wilson (Ibiza), Lee Burridge, Ben The Bee, Laurence Nelson, Simon Blossom, Stefano (Italy), Christian (Hong Kong) Jamie Last, Alex (London), Simon (Blossom) Sascha Flux,....the list goes on and on (if you should be on this list then get in touch!).  At this time he also became the organiser and headline DJ for The Paradise Full Moon beach parties that attracted up to 25 thousand people every month, and continued with a succession of spin off's including Black Moon, Half Moon, and New Moon etc. on the surrounding Islands.

From these roots he has traveled extensively and had the joy of performing alongside a monumental collection of International DJ's and artists and has been invited to play at a multitude of events, festivals and parties all around the world.

David's style is eclectic but definitely uplifting dance music that has no specific genre and can and does include an array of styles giving a true feeling of a journey through sound.

Rhiannon Sharkey is a London-born singer-songwriter whose musical journey began at 11, when she was headhunted to join a professional choir and received seven years of classical training. By 12, she had picked up the guitar, and at 14, she was touring the festival circuit with her original acoustic music. At 16, Rhiannon became immersed in the UK rave scene, honing her craft as an MC while continuing to perform acoustic sets at festivals every summer throughout her teenage years. This SoundCloud features her debut single, "Rabbit Hole," recorded in 2017 at YOUTH’s prestigious studio. Now 24, she leads a festival band and continues to develop her versatile vocal style, spanning multiple genres and projects.

Born in London, UK. Now living in Vancouver Canada. 
Musician, Projection Artist and Editor. Raver Class of '89 - The Warehouse Party Revolution. 
My "height of the night" music influence stems from being part of the now legendary UK warehouse parties and outdoor raves - Sunrise, Energy, World Dance, Biology, Back to the Future and Humanity, along with underground clubs - such as Rage, Astoria and Limelight back in 1989 - 1994. 
For this reason, I always aim to write dance anthems - those tracks that are played at the height of the night that just make you wanna dance.

I've been a DJ for a while. I kind of like it.

Matthew ‘Bushwacka’ B, a percussionist in the London School Symphony Orchestra who was converted into a member of the infamous Rat Pack after a warehouse party in ’88, has been DJing for over 30 years now. From that first Acid House experience Matthew quickly started playing all over London, holding residencies at four of the most famous clubs in town by the time he was 18 years old. From London the gigs spread countrywide, doing up to 8 shows a weekend, and then into Europe and the USA by 1992.
 
It was via a mutual friend Mr C that Layo & Bushwacka! first met, whilst Matthew was working at his studio, and by the mid 90s the two had started writing music together. Over a decade later, the partnership has yielded three artist albums, three mix albums, internationally renowned club residencies and a superb record label. 

By 1999 they’d already composed their debut album, ‘Low Life’, released on End Recordings, the label spawned by The End. The album announced the arrival of the duo as a force in electronic music, with a record that brought together electro, house and breakbeat fused with blues, dub and downtempo, all underpinned and informed by their collective experience of underground culture. This inclusive and open minded approach to sound became the blueprint for their future work.

Their sophomore album followed in 2002, this time released on the mighty XL Recordings. Entitled ‘Night Works’, the record featured their unforgettable top ten hit ‘Love Story’, and took their sound onto a bigger and broader canvas, charting all over the in the process. The accompanying live show brought further acclaim with stunning shows from Homelands to Sonar, whilst their famous DJ sets had now garnered residencies at some of the world’s finest clubs including Space in Ibiza, Warung in Brasil and of course The End in London. While this explosion was happening, Matthew was also achieving huge solo success with his remixes for Depeche Mode, his bootleg of Michael Jackson’s Billie Jean, and getting phone calls from Madonna wanting him to work on her music. It was a crazy time. 

Their End residency, known as All Night Long, became one of the capital’s most revered nights with Layo & Bushwacka! taking the club through an edifying tour-de-force of electronic music.
 
When The End closed its doors for the last time in 2009, Layo and Bushwacka! started the Shake It brand and threw amazing warehouse parties all over London, booking Carl Cox, Richie Hawtin, Magda, Laurent Garnier and many other friends, and created dancefloor destruction for 4 years. The parties were legendary, the energy incredible.


Layo & Bushwacka!’s reputation as two of the world’s foremost DJ duos is rock solid. Four artist albums have proven them remarkably talented producers, capable of mixing styles, tempos and genres to create enduring and engaging electronic music. Their trio of mix albums and international club residencies have shown they are masters of the turntables, sonic connoisseurs who can guide a dance floor on an epic journey through the many facets of their sound. Their label Olmeto meanwhile has become a bastion for quality, a label that, much like its figureheads, has become a rubber stamped seal of class, and many of their vinyl only releases have become sought after rarities.
 
In 2013 Bushwacka! took some time out to focus on his solo Just Be project, recording on Crosstown Rebels, Get Physical and Intec, while Layo created a new empire in Soho, of world class restaurants, applying his magic touch to everything he does. Five years later, Bushwacka! started touring and recording again under his original name, only on select shows and keeping it special for the fans, old and new.

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