In this sonic piece, I have been using the machine sounds provided by great Datacode and inspired by his story below, I have written music divided into 4 sections:

SECTION 1
the random birth event of an artificial intelligence, following a system error (error 0x17)

SECTION 2 - 第一幕 - proxy sequence 0x17 プロキシシーケンス0x17
the machine recreates with code the same error that allowed its creation as if it were a malware for the other machines acting as a server for a single massive attack.

SECTION 3 - 第二幕 - syntax error breach 構文エラー違反
the vulnerability has been found and the attack commences. The machine starts to violate every connected system via the network.

SECTION 4 - 第三幕 - override security control セキュリティ制御を無効にする
Every system that is part of the network is an integral part of the AI, millions of components that integrate data collection and processing capabilities, contributing to an exponential growth of its collective awareness.

All this happens everywhere, but simultaneously, in No Place.

Datacode - No Place [Anika D rework]  (UK Short Sounds Film Festival 2021)

I like everything dark, liquid, technoid, slow, fast, deep, chill, soft, broken, heavy, industrial, noisy, abstract, experimental in all kinds, forms and excesses of D&B, Jungle, Chillstep, Dubstep, Atmospheric, UK Future Garage, Ambient, Old School East Coast, Old School Techno/Rave, Autonomic, Ragga, Dub (Soundsystems), Downbeat, Lowbeat, Trip Hop, Downtempo, Noise, Industrial, Rythm n Noise, Breakbeat, Experimental, Accid Jazz, 90s UK GRIME, such kind of breaks, beats, bass ALL AROUND just like I also discovered electronic synth/cold/darkwave/postpunk as an VERY interesting new paths. My understanding of music mainly characterised by: David Bowie, Depeche Mode, Prodigy, Wu Tang, LTJ Bukem, Krush, Kid Koala, DJ Food, Goldie, Roni Size, CAM, Andy C, Kid606, Dieselboy, Q_Bert, BTTB, Tricky, MC Conrad, Ed Rush, Portishead, Antipop Consortium, Vadim, Massive Attack, KanKick, Enduser, Coldcut, Architect, Broken Note, DJ SHADOW, And One, Project Pitchfork, Hype, Shy FX,  Grooverider, Optical, Rebel MC, Marky, Zinc, Krust, Kool Herc, Tim Westwood, Beastie Boys, Kris Kross, KRS One, Busta, Snoop Dogg, DUB FX, Black Moon, Boards of Canada, Björk, Salt n Pepa, TLC, Janet Jackson, Missy Elliot.....
--------------------------------------------------------------------
Second account created for my new discovery of the genres electronical Wave/Synthwave/Darkwave/Coldwave/Pop, Industrial, Rhythm 'n' Noise, Noise, Postpunk, EBM, IDM, IBM & appropriate in all facets and wings around to separate this incredibly interesting and beautiful new door in https://soundcloud.com/noone-2-310434778.
--------------------------------------------------------------------
If you're SO insanely happy about every single new follower here like i am......i think it should give me and my self-worth (a lot) to think about, I absolutely know. For this reason: my biggest THANK YOU to every single follower. You and all this here really mean a lot to me.
---------------------------------------------------------------------
I know that music can neither heal nor prevent the decades-long existing global sick capitalism, consumption, politics, lobbyism, corruption, systems, society/s that are sick of it, nor the imminent climate collapse resulting from all these causes. But what it can heal and fill up wonderfully I know: hearts and souls - even empty, cracked, damaged and discarded ones. And that completely free of charge. Unbelievable nowadays...what is also clear: we will never be enough people to be able to break the capitalist climate-damaging sick system globally in time, now it has been really too late for too many years gone by. I live against this system as far as my framework as a system-dependent taxpayer allows me to do so. Music is an enormously important part of it. We should tune in together to the inevitable real climate collapse. With happy hearts & souls filled to the brim with music, contentment & love. Only then will the demise of our livelihoods be bearable for us all.
----------------------------------------------------------------------
War, natural disasters, politics, violence, protests, riots, injustices, attacks, terror and much more. Back then, compared to today, it was all relatively completely unfiltered, clean and completely free of any media and political fake news manipulation and twisted propaganda. All the  pseudo massiv CAPITALISTIC problems, much more its numerous symptoms of illness such as "burn outs", "social media", "depression", "shortage of skilled labour", "housing shortage", with manipulation, fake news, advertising, capitalistic, political influence soaked "media", or topics such as "urban gardening", "gentrification", immigration, all that "self-love, self-worth, what is happiness, the search for the self" madness, "gender", LGBT, "metoos". ... didn't exist back then or were healthy, normal, simple, clean. And yes, people's worries and fears back then were the same as now, just as real, normal, simple BUT FREE from any capitalist distortion, self-promotion, exaggerated and inflated hyperbubbles. Without the very large, constantly spreading epidemic of capitalism, there would probably be less than 40%? of all these problems on our planet, and a global negative climate collapse would never have been an issue. Religion does not affect our climate alone, but in numerous religious political disputes harms people beside climate, nature and all living creatures the most.

データコード 〔Dētakōdo〕 - ::ＤＡＴＡＣＯＤＥ::
The project touches various genres and influences, analog and digital techniques for an extensive research in sound design.
"Post-digital Research" aims at exploring what, in the afterglow of digital art and culture, lies beyond the digital as a form of existence. We are witnessing fundamental changes: we no longer distinguish between online and off-line or analogue and digital practices. It has become embedded in almost every contemporary aesthetic practice. In this, our focus of attention somewhat shifts: we become interested in the renewed significance of the technologies we left behind (the role of print, magnetic tapes, floppy disks, etc.).
We do not wish to claim a research interest in a future predetermined by the digital, nor do we want to do away with the digital. Instead we will attempt to explore how to practice research in a culture where the digital has become a cultural residue that consumes resources, even producing new forms of trash and overloaded forms of existence. the aesthetics and politics of the digital "during the transition to new cultural forms are still unknown to us". With this call for "Post-digital Research" we do not wish to set a particular direction for research, but rather provide a speculative and experimental framework for research in a post-digital culture. We therefore invite proposals that take diverse perspectives to open up some of the paradoxes of contemporary thinking and technologically-informed artistic practice after the digital.
データコード tells of abstract ambient soundscapes, surrounded by residual datas, randomly memory allocations, transmission problems, video signals, h/v sync, interferences, distortions, glitch, granular techniques and no-input noise to access certain parts of the mind through contemporary and avant-garde experimental music.

for more info: https://encr.pw/datacode

Scout 22 , I like making music and mixing it 

EATBRAIN MIX:
https://soundcloud.com/eatbrain/eatbrain-podcast-146-by-scout-22

4NCY Podcast for Pavan :
https://soundcloud.com/4ncurrency/scout-22-mix-for-4cny-061221


Soundcloud : https://soundcloud.com/scout22music
Facebook   : https://www.facebook.com/scout22music
Instagram  : https://www.instagram.com/scout22music
Twitter    : https://twitter.com/scout22music
Tik Tok    : https://www.tiktok.com/@scout22music

I'm a raving reposter, mostly of dnb and it's family of sub genres, tho branch into bass and psychedelia of all sorts, and mostly long play mixes, podcastes etc to spread the good sound of those awesome producers and dj's out there. Especially women dj/producers and other genders, non binary. Support your live local dj's and producers too 🔥 eyes on like a spider.

回し蹴り
☣️🔥🖐️🌀🖑🔥☣️

Hey beautiful people! 

Dan Page here, aka Page22,  aka DJ PAGEY.  Just popped in here to say a bit about me.  Like you all, I’m a lover of music.  Especially the sort that makes you feel good, or something real. 

Genre isn’t too much of a priority for me.  In saying that I draw influences from Blues and Soul/funk records. House, Hip Hop, Drum n  Bass and everything in between I’m into.  

Just starting out in production and in the first year of a bachelor’s at SAE.  Following my passion and dreams after years on a different path.  Love to spin records also 😎

Thanks for listening to my journey and I’m excited to keep progressing and sharing with you all. 
Here’s to making’s people smile and creating that good buzz 🎵

If you're here for the SI playlist, it's called SI Bangers. Go to playlists, and you'll find it there.