Continuing the animix series this week is one of the most passionate and talented musicians I know. Max Santilli ( @maxsant ) is a musical chameleon with an incredibly deep and diverse knowledge of music. One half of the Eora/ Sydney duo @angophora , and an avid record collector,  
max has released a beautiful range of releases under the duo and his solo project. 

The warm qualities that shine through in maxes music are reflective of his deeply humble character, and his music never fails to blow me away - beautifully tranquil and always unique. 

Please enjoy this sublime home listening mix.

Thanks again max! ❤️

Downloads enabled

Animix Fifty Six: Santilli

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

So, here we are again, partaking in part-time life with a part-time attitude. Who’s up for a little break? God knows we all need one. Considering how chaotic things are at the moment I think it's time we get a bit of respite in our lives, in the form of an audible vacation. Sit back, sip an imaginary cocktail on a fictional deckchair, on the deck of a mythical cruise ship.
The captains of this cruise are Chomley, the terrible twosome, on their never-ending quest to make your life that little bit better. 

The Naarm based duo are fluent in fairytales, putting the mind at ease and your feet to good use, weaponising their talents across all different types of dance floors. Their mix’s hit every single time and this one hits hardest of all. 

I think I’ve (subconsciously) kept this mix to myself, because I find it so special. I’ve had to snap myself out of the greed and let the world experience the profound beauty of the 4 hours that follow, after a click of the play button. It truly encapsulates the aesthetic of FHUO and then transcends it; A mood for every day of the week, uncovered gems in every playthrough, truly a gift that will keep on giving long into the future.

This mix has been my rock for the past few months now. 
Things are pretty dicey out there, and this has been pure solace, a sense of romantic respite in such a chaotic time. 

Alas, no longer should this be enjoyed by me solely, it’s time for you to take the plunge. 

You’re welcome. 

Stay kind. X 

Their sounds >>> https://soundcloud.com/chomleychomley

Their stuff >>> http://chomley.co/

FHUO # 65 // Chomley

ROOFTOP STUNMIX 05 - PJENNE | MILLÚ | KATIE PEARSON

Rooftop StunMix 05 ~ Pjenne | Millú | Katie Pearson

Cousin @ The Lot Radio 09 - 05 - 2022

London-based pair Jack Rollo and Elaine Tierney aka Time is Away are continually exploring the relationship between time, place and power. They do so in a wide variety of ways from exhibitions for the Arts Council England to site-specific sound works, research projects to their nearly 10-year-strong NTS show. Each one weaves spoken word pieces with atmospheric music into soundscapes that physically and mentally move you. 

The pair's exceptional record collection and ability to manipulate your mood are laid bare once more in this week's mix. It's an escapist daydream where gently lilting rhythms melt away into psychedelic dub with intimate vocal whispers. Indian meditations captivate the heart and mind while lo-fi guitar fuzz lulls you into a hypnagogic state. It's a delicate but powerful world of sound that reveals more and has an ever-deeper impact each time you listen.

Dekmantel Podcast

Dekmantel Podcast 415 - Time is Away

♡

recording from murmur, 10 december 2022

artwork by juna horstmans

TASCAM DR-40X

dj sundae, loma doom & vladimir ivkovic

Vladimir Ivkovic - Lugar Alto Something Jan 05 23

Playing records to João in a parallel Universe. Some of them from the future of Yugoslavia, others from another Europe. One take. Recorded.

1. Vladan Radovanović - Electra - PGP RTB
2. Ladik Katalin - Aki Darazsakról Álmodik - PGP RTB
3. Xénia Radák / Ernő Király - Acezantez - Diskos
4. Sedmina - Kolo Za Duško - Helidon
5. Peter Meze & Janc Galič - Ob Ljubljanci - PGP RTB
6. Metronic Underground - Drifting - Self-released
7. VIS Orion –	Sirijus - PGP RTB
8. Гунеш - Бу Дерды - Мелодия
9. Laibach - Sila - L.A.Y.L.A.H. Antirecords
10.Nurse With Wound - Shipwreck n' Roll - ICR
11.Nurse With Wound - I Am The Poison - United Dairies
12.Mary Kelley - Describe Your Dream, Mary Ellen - Materiali Sonori
13.Miners Of Muzo - Days Of Drums - Eksakt Records

First transmission on Jan 10 2023 on veneno.live
https://veneno.live/shows/lugar-alto/vladimir-ivkovic/

Vladimir Ivkovic - Lugar Alto Something Jan 05 23

Next up on the selections is a great friend with a great collection - Now Naarm based, @grevillegreville Coming through to the series with a 2.5 and a bit hour mix -  The mix Starts with some early morning ambience to wipe help the sand out of your eyes, and then almost sneakily progresses into much more than a power-walk. The diversity of the mix somewhat reflects his amazing label, @madhabitatrecordings, of which some forthcoming numbers can also be found within. Thanks for the music Ya-mez

Moonshoe Selects 00026 -  Greville

Conjuring memories of daydreaming in the midsts of suburbia. A new mix from @priori-ties

Some words from Priori: “I grew up in a working class neighbourhood of Longueuil, Quebec, Canada. Being an only child in the suburbs meant I spent a lot of time daydreaming and contemplating my environment. I was a bit of a melancholic kid so post-punk and ambient music made a lot of sense to me when I discovered them. I stumbled upon an album called Strike by 154 by accident, probably wanting to download something else off of Kazaa. It really changed things for me as a teenager and I still hold it dear. There's a song from it in the mix, along with a bunch of other things that bring up similar feelings for me.”

“As for news:
Alex (Dust-e-1) and I are putting out a new record as ANF on NAFF, should be out April 26th.
Some more collabs and solo things coming out in the summer.”

music for... growing up in the suburbs - Priori

Myles Mac - liquid lifeforms

The last mix of 2020 comes from Jonah Sharp (@reflecto), electronic mainstay and part of 'Virtual Dreams' as Space Time Continuum. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Jonah. Originally from Edinburgh, San Francisco resident since 1992, do you still live in San Francisco?

JS: Actually I recently just moved back to SF after spending most of 2020 in the UK. I had planned to be in Europe for an extended break from the US but Covid saw an end to that and my plans had to change. I miss British and European culture. I have family and friends there so I intend to be back over as soon as I can!

MFM: According to your discography the majority of your output started to shape up right after you moved abroad, in '91. How would you explain this creative outburst? 

JS: Before I arrived in San Francisco i was still figuring out how to produce the music that I wanted to make so when I got here I started to collect gear in earnest - it was a little moment in time when most people thought analog synths and drums sounded shit so I managed to find a TR-909 for $150, a Roland SH101 at the flea market and so on. So yes, suddenly having some decent gear and fun gigs to play was very inspiring! I did feel a kind of creative freedom being so far from South London and the pressures of living there as an artist. SF in the 90’s was very affordable for artists and it gave us the freedom to really focus on the music.
 
MFM: You started your own label Reflective in '93 and had quite a busy release schedule, especially during '95/'96, before it suddenly seemed to stop right after. What happened? 

JS: I started Reflective in '93, the year my first son was born. Flurescence EP was my first solo release and it got noticed around the world so that enabled me to keep putting releases out. With the momentum of the Terence McKenna collab album, things were going pretty well. But what we found was that even though there are lots of amazing labels in the US, it was actually pretty hard to sell them domestically so most of our stock was exported to Europe and Japan. We ended up pressing in the UK and running the label from SF and that presented problems so I had to put the release schedule on hold. At that time I had also signed a deal with Astralwerks so had contractual obligations to deliver albums and tour. It was a very busy time and by 1997 when our second son was born we decided to take a hiatus from the label. Not to say the label is gone forever though!
 
MFM: Flurescence, now found its way to the Virtual Dreams compilation, almost 30 years later. How does it feel that your older music is being re-released and rediscovered by newer generations?

JS: I am very happy and honored to be part of the Virtual Dreams compilation. Yes, there seems to be a bit of attention for this time period of electronic music at the moment, and the chill out thing in general. With so many online resources, everything is discoverable by anyone so all those tiny labels like Reflective that were putting out small runs of 1000 records (that was a small run then) are maybe enjoying some retroactive attention now. 
 
MFM: Does this new interest change your motivation and/or inspiration in the studio maybe?

JS: I follow my own interests and direction when it comes to making music but reaching new audiences has to gratify the artist whose work was made for sharing. My development as an electronic musician has come through thirty years of studio experimentation, initially with hardware and then incorporating digital software. When I made Fluorescence in 1993 there was no computer in my studio, but by the early 2000s San Francisco was the epicenter of computer innovation, people like my friend Josh Clayton were writing amazing software and so I went off on a long exploratory trip to integrate digital technology both in my studio and in my live rig. My aim right now in the studio is the same as always: make sounds and keep the good ones.

MFM Mix 023: Jonah Sharp

deeper sounds from australia & beyond
record label/ mix series/ events by @kia-sydney

-- not currently accepting demos or mix submissions

* operating on the stolen land of the wurundjeri people. sovereignty was never ceded.

sublabel / @cirruslabel 

distributed by @clone-distribution

artists
@brickel
@dashiell
@pascalsone
@menagerecords
@okegmusic
@dollllly
@undergroundcityloop
@billusmoon
@loiflan
@priori-ties
@secondcousins
@commandd
@zaraolsen
@gnatenko

Animix Fifty Six: Santilli

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