Dana Kuehr at Cochilo - Waking Life '24

2023 and 2024 saw Softi aka @jazz_brown popping up everywhere - and well deserved. The quickly emerging London based dj & producer has a knack for bubbling, dubby, smooth & hypnotic groove. As the name suggests, always presented in a soft but effective manner.

A mix reminiscent of the change of seasons, icy breaks shrouded in warm dubs.. moody sounds & summer nostalgia waft through this easy-flowing, chuggy, cosy mix from the @cozi-716789961 boss herself. 

Thanks for the mix Jazz! <3 

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Animix One Hundred & Sixty Five: softi

@sunjuhargun is based in Thailand and has been bringing all new energy to the Asian scene for more than 20 years. He has Indian heritage and Japanese roots which inform his mystic sound and the music he releases via the the label he co-founded, Siamese Twins Records. As he proved when he played our festival back in summer, he transcends musical and cultural borders to bring everything from, warm and percussive tribal grooves to more psychedelic sounds, acid textures and mind altering techno.

Sunju explains his approach to this week's mix. "I wanted to capture a special memory using records picked up during my trips between Amsterdam and Japan over the past few years. The result is a selection that blends the past, present, and future. As with every mix, I approach things naturally, with spontaneity. Live recordings have a unique energy that you can only feel in person, but sometimes that feeling can get lost when making a mix at home. This here is 60 mins of a raw, spontaneous reflection of friends in my living room, just hitting record and going for it. No filter, no perfection—just creativity with a limited selection.”

Dekmantel Podcast

Tracklist

Dekmantel Podcast 482 - Sunju Hargun

Command D summons the gods of the deep to have us completely submerged in a world of interdimensional dub techno, traversing us through an hour and a half of infinitely looped reflections and subaquatic soundscapes. 

@commandd

Q. This certainly feels like one of your most immersive mixes to date, deeply contemplative and full of dreamy dub techno atmospherics. What inspiration did you draw upon, and what type of setting or situation could you imagine it being enjoyed in? 

A. I started to get into this sound when I was putting together my mix for the Moonshoe mix series. I didn’t know what to call it at the time but I found all of those tunes and tied them together with a certain feeling that was really inspiring me then, it was very organic and that is still one of my favourite mixes. You can hear dub elements scattered throughout that whole mix.

As I started incorporating more dub elements into my productions I discovered artists like Stephen Hitchell and Rhythm & Sound that had created a kind of music that was really extremely satisfying for me to listen to, especially considering my developing love for hi-fi and larger sound systems. I incorporated those artists into my FHUO mix which was a much more considered exploration of the style. Looking back on the process of making the mixes and how much I enjoyed them really assures me that the deep and contemplative sound is a big part of who I am.

For this mix I’ve taken inspiration from the MDC series itself which I’ve been listening to for years. I wanted to add little hints of deep house sounds as a nod to the mixes of the past. I personally think mixes like this are the best to listen to when you’re travelling and looking out a window, otherwise maybe sitting at a desk on a rainy day doing some work. I’d like people to listen to this in a time where they won't be distracted by something else or feel the need to skip forward, I’d want people to just throw it on and let it play, drifting in and out of the tracks and their own thoughts.

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. My favourite tracks in the mix are Saftig Komposition by Rasmus Hedlund and Sedlec Ossuary by Persuasion. At a base level I love these tracks because they take a more modern approach to a dub techno track with tight production. Going deeper, the thing that really resonates with me is hard to put into words and best left unsaid. I think this kind of music (along with many other kinds) allows the listener to feel emotions that aren't able to be put into words, part of why I love it so much. I find that dub techno specifically can feel sad and happy at the same time like lots of jazz ballads. That to me is a really beautiful sound that kind of encapsulates life in general.

Q. Tell us about the development of your live set, and where things are currently at with it? Do you feel like you’re able to explore different shades of your sound when playing in a live setting?

A. Putting together my first live set was an awesome experience. I got to play it all around Australia from clubs to rainforests. I’ve put the current live set to bed for now and am starting to work on a new one with a slightly different setup. Although it was a challenging experience, I loved making a live set because often when I would dig for tunes to play out I’d think ‘I wish I had a song like this’ and writing a live set meant that I could bring those ideas to life and curate a set exactly how I wanted. I think I’m really starting to settle into ‘my sound’ in production and DJing, but there are creative limitations in both like finding new music or learning new skills. Overcoming technical barriers in production allows me to get closer to my most true form of expression when it comes to what’s coming out the speakers so I’ve been really working on that recently. Hoping the next live set will be bigger and better : )

MDC.302 Command D

Recorded on Wiradjuri land, NSW
Saturday 630pm - 830pm

@mgmldrm
https://www.instagram.com/megmldrm/
~
Photo credit: Rhys Davis @sonwhu

Miscmeg at Soma Festival 2024

Circling back to one of my all time ride or dies, presenting @sandpit_alias for Animix one hundred and seventy one. Feels so good to have him back on this series - he was one of the first appearances which remains a favourite, and this sequel is a perfect reminder of why Aidan in such a vital figure in Naarm/Melbourne's scene. So much integrity, class and intuitive flair, no one does it like him. This instalment is a no nonense, if-you-know-you-know wave of his signature blend of banging house and techno. 

Thanks Aidan <3

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Animix One Hundred & Seventy One: Sandpit Alias

@richard-akingbehin: "The second half of my set at NYE 2025 by Diega, Victoria, Australia—a dreamy three hours at sunset on New Year's Eve. Enjoy!"

Image @chawks

Richard Akingbehin Live @NYE 2025

Kiosk Radio is an online community radio streaming 24/7 from a wooden shack in the heart of Brussels’ historic “Parc Royal”.
More info and music: https://kioskradio.com

Small Steps w/ Lola Haro @ Kiosk Radio 20.02.2025

DJ MELTED - Larry OG (Original Mix)

Access Denied

CMON

kaleidoscopic sounds from australia & beyond
record label/ mix series/ events by @kia-sydney

-- not currently accepting demos or mix submissions

* operating on the stolen land of the wurundjeri people. sovereignty was never ceded.

sublabel / @cirruslabel 

distributed by @clone-distribution

artists
@brickel
@dashiell
@pascalsone
@menagerecords
@okegmusic
@dollllly
@undergroundcityloop
@billusmoon
@loiflan
@priori-ties
@secondcousins
@commandd
@zaraolsen
@gnatenko
@reptant_the_lizard
@al-den-te
@o-utlier

Animix One Hundred & Seventy One: Sandpit Alias

Animalia

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