Name: ORTrmx4 by Anja Kreysing
Duration: 4 min 54 s
Description: field recordings out of the unsettling rooms of the former Oxford barracks / Flakkserne in Münster / Germany, manipulated and remixed with recordings from other places. Developed out of the psychogeographic field exploration / audiovisual installation „Ort ohne Heimweh“, an artistic collaboration with Thomas Gerhards and Werner Rückemann, August/September 2023.

Such a Rich mixture of emotion--lovely and enticing in a scary sort of way:)

I can't breathe but don't need a space travel (A74)

The wonderful and very talented Observatory and I welcome you to our first collaboration...  We had a lot of fun with this and are very proud of the results.  We hope you enjoy the journey!   :)

MemoryMoon

Mycorrhizal Networks

Hardware synths, Analog and digital.
I considered to add guitar as well...but left it like this for now.

Feel free to take it further!

I Look Ahead But I Only Feel My Past

La caduta nel tempo

Techno Playlist
https://youtu.be/9BqgKX4tMW8

White Pattern

field recordings out of the unsettling rooms of the former Oxford barracks / Flakkserne in Münster / Germany, manipulated and remixed with recordings from other places. Developed out of the psychogeographic field exploration / audiovisual installation „Ort ohne Heimweh“, an artistic collaboration with Thomas Gerhards and Werner Rückemann, August/September 2023.

ORTrmx4

Reversi

Planning The Entire Objective

hehehahahaherhehee

[Noise, Eileen Olson]
[Artwork, Leonora Carrington]

Renaissance

From Proof of Utah's 1990 album Free and Female (2020 remaster)
Entire album can be found here: https://www.youtube.com/watch?v=xAjLCl_RUiA

Free & Female

Noah's Aardvark

Proof of Utah - Noah's Aardvark

Anja Kreysing, accordionist and sound artist, certified Deep listening practitioner after Pauline Oliveros, master of fine arts, sound- and media arts / experimental film,  studied with German fluxus experimental filmer Lutz Mommartz, additional studies with Nan Hoover, Christina Kubisch. Accordionist, improviser (workshops with Malcolm Goldstein et al, certified Deep listening practitioner after Pauline Oliveros). Primarely work with Live Soundtracks for (silent-)film, video, performance, theater…) and for her own videoart / experimental films with accordion / electronics. Curator of „schwarz-weiss ist die bessere farbe“, label for (silent-)film concerts and a/v performances with Helmut Buntjer.

Akkordeonistin und Klangkünstlerin. 
Certified Deep Listening® practitioner nach Pauline Oliveros. 
Live-soundtracks für Film und Performance, elektroakustische environments, improvisierte Musik mit Akkordeon und Elektronik. Musette, Balkan-Gypsie, experimental / noise und (dark)Ambient sind ihre Wurzeln -  eine mélange aus folklore imaginaire im Sinne Béla Bartóks und zeitgenössischer (elektronischer) Musik. 
Neben vielfältigen Kollaborationen im Bereich Musikperformance und improvisierter Musik gehören u.a. das kwr5-Kollektiv, die Zusammenarbeit mit der Querflötistin Ulrike Lentz und „this honourable fish" zu ihren Projekten. Gemeinsam mit dem Posaunisten Helmut Buntjer kuratiert sie die Filmkonzertreihe für historische Filmkunst, Videokunst und zeitgenössische Musik „Schwarz-weiss ist die bessere Farbe“. 

Artiste du son et accordioniste.
Musique de cinéma et improvisation, accordeon et électroniques.
Musette, Balkan-Gypsie, experimental / noise et (dark)Ambient sont ses racines.
Part de "this honourable fish" / ensemble Abrash

ORTrmx4

Anja Kreysing

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Negative Headphone

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