definitiva. th

techindus

FreeThrow

Written & produced by M. Pinkster 
Mastering by DaGooseMusic.nl 
Design by DDM
Marketed by Noisj

“For how many days had he been living like that? He had stopped counting after a few weeks und accepted his fate of functioning without thinking, like a part of the machinery he was surrounded with. He knew it was merely the leaders’ detestation for life had lead humanity to inflict mechanized extinction upon itself. It was the daily peek outside, before he had to descend again into this fortress of industrial warfare, where people live like the dead - to remain among the living. The muffled impact of bombs and missiles, the howls of death, a wiggly vision impaired by the long hours spent in darkness, despair triggered by the knowledge that these walls were just an illusion of safety – the tomb of war, the bunker.” 
Enlist with industrial hardcore trailblazer The Relic to Bunker II, the second round tour of these barren concrete structures. Encounter on-target collaborations with Razor Edge, Mute., Mindwalker and Carnage, shattering remixes by Sei2ure and The Relic himself, schizophrenic appearances as Zanthrax and Cubic Nomad and armor-piercingly remastered versions of The Relic’s favorite tracks from the days of SYMP.TOM and various compilation contributions. A CD-filling 80 minutes of dark and distorted greatness, so we call to you: Descend, if you dare!

DD14062 The Relic - Nr. 1 Hit Band

Industrial Techno United 2017
Eurotrash EP
https://industrialtechnounited.bandcamp.com/album/eurotrash

Gijensu - Eurotrash

Part of the new wave of Parisian techno producers, KRYST is one of those artists who loves to experiment with different styles and create hybrids between existing genres, blurring the lines between rave, mental, acid and industrial atmospheres. He recently launched an acid alias, Parallel Reflection, in order to try his hand at the now-legendary TB 303. 
His recent releases include EPs on Animal Holocaust’s label Messe Noire Records, Raven Sigh and Taro Records, while releases on Kolkoz Records and Variance are planned for the next few months.

MOTZ: KRŸST - All The Problems Of Being [Greatest Hits Vol.1]

Coffin Dodge EP

Dragons Dynamite (Perc Remix)

SLAM001

Follow & Support;
https://soundcloud.com/dyenmusic
https://www.facebook.com/DYENofficial/
https://www.instagram.com/dyen_music/

DYEN - Sacrifice Me

HEAVEN

Track from the compilation "RAW Compilation First Blood", released soon on @rawppl

74185# - Stop Report Me For Hate Incitation  [𝐑𝐀𝐖𝐂𝟏]

SLAM005

Butch

Gothic and grotesque, Belgian duo Techno Thriller bring some abrasive synth-punk to Unknown Precept.

'Enfant de Sodome' is out January 14th on Unknown Precept.

Pre-order: bit.ly/2EtTTkf

@technothriller
@unknownprecept

Enfant de Sodome

Premiere: Techno Thriller – Dark Ages [Unknown Precept]

I'd really like to thank you , you're now 5000 behind me on Soundcloud it's just amazing ! 
These two tracks are in free download to thank you for your support day after day , everything is because of you ! I luv you all <3
The artwork is totally stolen from Tumblr 

Mastering by the one and only Slyrs @yassinet

Poulet Crudités

Toronto's @esaggila lands on Northern Electronics with a defiant seven-track LP titled 'My World My Way'. It follows up 2018's 'Dedicated To Sublimity' LP, which released on BANK Records NYC.

On her latest, the Summer Isle co-founder fuses warped vocal samples with breathlessly high BPMS, Rotterdam vibes, ambient, industrial and of course, lashings of frenetic gabber rhythms. Today, we're psyched to be premiering title track 'My World My Way'. Much like the rest of the LP, it's an intense, impulsive and propulsive thrill ride fit for the floor or a solo listen.

'My World My Way' is due out August 2 on vinyl and digital formats.

More exclusive music

Premiere: E-Saggila 'My World My Way'

Swordsmith - Face 2 Fear

GIL - Infolding 
Cat. Nr: DN015
Format: Digital
Release Date: 12 July 2019
Pre-order: bit.ly/2ERpTgG

GIL’s latest record Infolding is released by Danse Noire, his second release on the label since Orchids and Wasps. Aptly named, it traces an inward fold, both of the artist's leanings and the listener's experience. The record is reflective, probing, and supple; its arrangements a development of the musical language explored in his previous release.

Infolding engages both with composition and non-determinism, its playfulness skipping across dramatic deluge and expansive gestures to gently paced segments, a game of hide and seek. GIL displays once again his interest in movement as well as an understanding of the fine aspects which determine familiarity and structure; time as rhythm, embodiment as genre, precognition and expectation – the agents of notional listening get questioned gently and persistently. The result is music which will joyfully betray an ear's expectation, replacing it with a twist or sudden space. The record dances on an unstable surface, dipping where it should rise, halting where it could pound, uttering affecting melodies, gracefully yet laboriously; GIL's is an introspective, churning, bone rattling palette.

Hardly ever offering a moment of rest, he creates environments in which something is perpetually pulling, stretching, towards-tending. Laden with cartwheeling themes and hooks which appear and disappear in different shades, the record houses overarching motifs which appear and scatter over the span of several tracks. This dizzying distribution makes for an in-folded listening, in which the artist considers the record's body as outside of single frameworks, its premises and planting delayed or waylaid by new, unexpected considerations.

The distinct sense of motion in the record is the artist making use of his experience as a live musician, and is further developed due to his aphantasiac condition. An inability to visualize both imagery and sound in his mind spurs GIL into sensing arrangements by physical preemption and resonance, reactively. Unsurprisingly then, Infolding takes shape as a blindfolded, visceral dance.

Track 1 & 3 mixed by Jeremy Cox, track 5 mixed by Alexis Chan. Mastering by Jeremy cox.
Artwork by Maya Rochat.

@gilschneider

Infolding

GIL - Swallow Ash

Animal Holocaust & half of Katrina2.5 
Messe Noire Records Owner
Industrial to dance with eyes closed 

Booking and General Enquiries : contact me on instagram , i do not check my mails lol 

In love with industrial soundscapes , intense techno beats , deep & dark ambience and mental noises 

Messe Noire
Grounded
Tutamen
Gomboc Records

Poulet Crudités

Animal Holocaust / Maladroit