From the album Youth available here: https://rimetrails.bandcamp.com/album/youth

Youth

Shortwave Memories

Spencer Zahn:
Instagram: instagram.com/spencerzahn/
Facebook: facebook.com/spencerzahn/
Twitter: twitter.com/spencerzahn
Spotify: bit.ly/spencerzahn-spotify
Apple Music: bit.ly/spencerzahn-apple

Spencer Zahn - Sadly, Slowly

Contemporary music. 
Strange, mystic & ethereal. Mixed choir & strings. 
Ideal for science-fiction, space opera, cosmos, astrology & unexplained mysteries.
Music published by Cezame Music Agency

CEZ4623 - Sci-Fi Trilogy Vol.1 - Beyond the Unknown

Relics of the Cosmos

Taken from PERILS - S/T (Pathway010)
PERILS is Benoît Pioulard and Kyle Bobby Dunn.

Mutual admirers of each other’s work, Thomas Meluch (Benoît Pioulard) and Kyle Dunn (Kyle Bobby Dunn) endeavored to put together a collaborative recording that ruminates on painful realities, disappointments, and transitioning to new homes, in the hopes of finding a coping mechanism to bring them through to the other side.
PERILS began auspiciously in 2012 at transitional points in these artists’ lives. Kyle was living in a small town called
Belleville, Ontario trying to complete Kyle Bobby Dunn and The Infinite Sadness (Students of Decay) and coming to grips
with the fact that this great endeavor was at its end. Given the enormity of the record and the emotionally and physically
exhausting process of recording the album, Kyle found himself drained with unforeseen questions and confusions. Working only at night, Kyle immersed himself into this newfound nocturnal work, finding a path in the midst of wondering. Thomas, meanwhile, was in a state of literal transition: uprooting from the UK and relocating to Seattle during the recording process of PERILS. In a state of flux, nearly drowning under the anxieties of living on uncertain ground, Thomas channeled these emotions into musical escapades. Thomas recorded in his spare moments, sending sonic puzzle pieces one by one to Kyle, who would in turn explore the musical sentiments Thomas had shared, adding his own billowing sounds to the seething mix.
The ten pieces created for this release are culled from a poutine- and whisky-fueled trudge through the dark corridors of an as-yet undiscovered or possibly imaginary mystic temple. Commencing with the shimmering guitar and tape loops of “Colours Hide My Face,” the album crawls out of the grooves with a slow-churning turmoil, coaxing the listener to embark along its path. The dirge-like guitar clang and vocals of “(Dead in the) Creekbed Blues” could be an 18th century blues standard emitted from a buried radio. On PERILS, Thomas Meluch and Kyle Bobby Dunn lock arms and together chart the upheaval in their lives to bridge the liminal gulf between the once-was and the soon-to-be.

PERILS - Flaw

Federico Durand ~ Jardín de invierno 
label : Spekk (Japan) 
design : mondii 
artwork : Cecilia Afonso Esteves
master : Chihei Hatakeyama 
release date : September 18th. 2016 (WORLDWIDE) 
cat : KK032 / format : CD 

PREORDER : https://naturebliss.bandcamp.com/album/jard-n-de-invierno

【先行販売予約開始!!】 
NBストア限定 2016.9.18リリース！ 
日本でも大人気のアルゼンチンの音楽家フェデリコ・デュランドの新譜が登場！本人も「かなりのお気に入り作品」と話すように、これまでのどの作品よりも静かでありながら、どの作品よりも情緒を感じさせる、もの凄い境地に達しております！「昼寝のための音楽集」から始まったフェデリコの音の旅は、まるで天国に辿り着いたかのようです。アートワークは同郷アルゼンチンの人気イラストレーター Cecilia Afonso Estevesによる描きおろし。 

〈作品解説〉 
スペイン語で「冬のガーデン」と名付けられた本作は、大自然の中へと引っ越しをしたフェデリコの新しい（音楽の）環境を表しており、壮大な凍てつく大きな家の中にスタジオをこしらえ、変わりゆく景色を背景に創作に取り組んだ。そして、全ての楽曲にはその情景を現す、自然にまつわるタイトルが付けられている。本作の特色は、その場の空気感を捉えるために、僅かなサウンド・パレット（カセットやオルゴール、シンセなど）を机の上に並べ、１回のテイクによって全て録音されており、後ほどの編集やミックスも行われていない。そうして大自然の中で放たれた雪の結晶のような小さな音の連なりは、ひんやりとした空気の中へと消えてゆき、本人が語るようにアルバム全体に山の中の古い家の魂が宿っている。マスタリングはフェデリコとの共演経験も持つ畠山地平氏。 

〈Chihei Hatakeyama 推薦コメント〉 
『この作品はFederico Durand の数ある作品の中で最も静謐である。素晴らしく愛らしい細やかなメロディがサウンドスケープの合間から溢れ出し、その様は天使の歌声を聞くようである。恐らく天国というものがあるとしたら、このような音楽が鳴っているんじゃないだろうか。そして、この作品を作る精神、想像力に驚嘆した。研ぎすまされた精神は剣の達人、例えば柳生石舟斎のような音の振る舞いを生み出すものなんだなと改めて思った。ある意味、ここに音は鳴っているのだけど、鳴っていないというか、このCD の中に入っていない音も想像して楽しめる傑作だ。』 　 

〈Federico Durand フェデリコ・デュランド プロフィール〉 
www.federicodurand.blogspot.com 
SPEKK からのファーストアルバム「La siesta del ciprés」が全世界で大ヒット。のち12K など世界中のレーベルから矢継ぎ早に新作をリリースする傍ら、Optiope のTomoyoshi Date とのMelodia、Nicholas Szczepanik とのEvery Hidden Color など注目アーティストとコラボレーションも活発に行っている。電子音楽のようなサウンドでありながら、日常や山で採取したフィールド・レコーディングやギターなどの楽器音をさりげなく取り込む、とても有機的なアプローチで作曲。アルゼンチンのアーティストに多く見受けられる、情調感をもった楽曲はここ日本でも人気が高く、「アールグレーの紅茶が大好きと」語る素朴な人柄同様、どこかキュートで優しい味わいが特徴である。 2014 年には初のジャパン・ツアーを成功させ、同年4 月に発売されたSPEKK からのアルバム「El Estanque Esmeralda」は瞬く間に完売、年を追うごとに全世界にて人気を確立している。

Tarde de lluvia

Cordillera

Blossom

Dragon’s Eye Recordings is pleased to announce the re-release of 'Substrate / The Garden' by Japanese sound artist and composer Yui Onodera. 'Substrate' and 'The Garden' (Le Jardin) were originally released in 2007 by Mystery Sea and Taâlem, and after their 2018 remastering, return alongside each other eleven years later. 

On 'Substrate', Onodera interrogates the fundamental limits of perception. Throughout the eight tracks, shimmering frequencies pan through organic tonal structures and streams of resonance swell and ascend in a gradually expanding space of audition. While Substrate accentuates the poeticism of the microsound genre, the album progressively draws a listener toward awareness of the physical subtleties of their own surroundings. 

'The Garden' is a rich, blooming composition built around the sound emitted by hydrogen and oxygen bubbles as captured by the ELS 19, a custom transmitter device which utilizes the electrolysis of water. The irregular sounds generated by this process are micro-acoustic phenomena which can only occur in a particular environment, and sit well beyond the range of unaided human hearing. As such, Onodera considers the relationship to sound and listening outside of a musicological hierarchy that might position environmental sound and music as independent and opposite concepts. Instead, Onodera regards these sensory experiences akin to that of a garden, with instrumental composition and environmental ambience each offering a total, continuous experience with innumerable interdependent relationships. The boundary between nature and artificiality becomes ambiguous.

Substrate / The Garden

Yui Onodera – Substrate 5

I first discovered Moon Loves Honey's "Apart" EP on internet radio and was immediately drawn to their sound, a dreamy form of rock music with great attention to detail. After chatting with Jeppe, I brought up the idea of drawn out ambient mixes, "time-lapsed" versions of their songs. Fortunately, they were into the idea and the project started to unfold.

The "Balloon" remix was previously uploaded with the intention of adding it to the others once they were complete. Only the title was changed.

Special thanks to the band members for letting me play with their instruments and vocals. And also to Rasmus Bredvig, co-producer of their EP and owner of Tapetown Studio.

moonloveshoney.bandcamp.com

Jeppe Dengsø
Stine Drejer
Johan Gudmandsen
Ludvig Kastberg

Tapetown Studio:

tapetownstudio.com

Music & Lyrics by Jeppe Dengsø
Sung with Stine Drejer
.......................................
With a String She Holds
Her Memory
With a Smile She Says
Anything

Floating Through the Air
Carelessly
Lets Go of Herself
And Vanishes
.......................................

Moon Loves Honey - Balloon (Floating Mix)

From "And Where Are You Really From?". Out March 19th, 2021

Cordillera

ann annie

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