Piękny, filmowy utwór. Naprawdę fajne brzmienia i ich aranżacja. Sporo melancholii, ale rozumiem to, bo sam w tym celuję ;) Brawo!

A little symphonic, not especially danceable, but hopefully charming. A duet of digital synths.

Righteous Mayhem

Coração

Coração by Trancylvania

SuperSpreader feat. SilverBella
Vocals and Lyrics:
SilverBella
https://www.looperman.com/acapellas/detail/22326/superspreader-96bpm-soul-acapella
https://soundcloud.com/silverbellasings
Paploviante:
Bass, Music Composing, Mix, Picture and Mastering

SuperSpreader feat SilverBella

The tall grass (Instrumental)

Music:  PJ Project & Janne Hennie
Lyrics & vocals:  Janne Hennie
Instruments & Mix: PJ Project

Lyrics:

Sitting here, waiting for you..
When will you arrive? Don't have a clue!
But one thing I know for sure
I wanna make love to you!

Thinking of your sweet lips
Can hardly wait to give you a kiss..
Oh baby, are you coming soon?
I wanna make love to you!

Waiting...Waiting....Waiting....
Ohh I have waited so long..
My hair has turned grey
All I can do is wait and pray!

My hair has turned grey
All I can do is wait and pray!

Baby, are you ready for me?
I'm hungry for your love.. Can't you see?
Longing but still have faith
that you will come, so I will wait!

Waiting...Waiting....Waiting....
Oh I have waited so long..
My hair has turned grey
All I can do is wait and pray!

Oh baby, are you coming soon?
I wanna make love to you!

Still sitting here, waiting for you..
How long I have to wait, ain't got a clue!
Days and months turned into years..
But I still wanna make love to you!

Waiting W/ PJ Project

The rest of our lives

Bitter medicine

Ryu / Acoustic guitar, Program, Voice
Pablo D. Martin Fontana / Electric guitar
https://soundcloud.com/pdmf-2023


The increase in asylum seekers from the future has become a social problem.
In their world, it seems, one can't choose how to live, and one can no longer die.

They did simple jobs that were inefficient with machines.
Provided a minimal living, but it was only a minimum one.

They are waiting for the end of the world.
Feeling hopeless and taking bitter medicine.

Disconnected from the network for the first time in their lives, they look uneasy.
They have never chosen or made a mistake.
That hinders social participation.

They have no sense of belonging to a country because the borders have changed so many times.

They live in hiding in a society of the past.
Feeling hopeless and taking bitter medicine.

Their presence is a huge financial burden, but sending them back is not easy.
There are humanitarian issues and technical difficulties involved.

They seem normal, except for their use of strange slang.
They don't seem to be very good at expressing their opinions.

They've fled to this age in the hope of degenerating.
Feeling hopeless and taking bitter medicine.

Bitter medicine / collaboration with Pablo Dario Martin

Dragon style jazz ;-)) Thanks for your grooves ! @cosmic-ratzzz
🐉🐉🐉🐉🐉🐉🐉🐉🐉🐉🐉🐉🐉

Lunatics 171 // 🐉The man in the Dragon costume🐉 // Ratzzz & joerxworx

A Waste Land Companion is, as its title implies, an addendum to Boris Rogowski‘s
album The Waste Land which was released in February 2023 on Piano and Coffee
Records. A meditation on the infamous eponymous 1922 poem by T.S. Eliot, The
Waste Land traces its psychological journey through a barren world in search of lifegiving
water as well as its physical journey through London on the zenith of
Modernism.

During the recording sessions for the album—whose sound is characterised by the
interplay between a string quartet, flute and a collection of specifically created,
deeply warped and tape-weathered samples—over 20 pieces were recorded.
Rogowski had originally intended to use all of them in chronological order, beginning
with the famous part about April being the „cruellest month“. However, it turned out
that a shorter playlist and a strictly musical order worked better for the album.
Rogowski decided to focus on the string-centred pieces to give the album a dreamlike,
hypnotic pull. However, as he valued the shorter, piano-based pieces just as
much, the idea for a companion (mini) album was born almost immediately.

It was a most sensible decision: Chamber gems like „The Hyacinth Girl“ and „A
Wicked Pack of Cards“, mixing English folklore with nods to Richard Wagner’s Tristan
and Isolde, might have gotten lost between the dark, monolithic soundscapes of the
album. Here, however, framed by works for solo piano and harmonium, they are
allowed to shine. A Waste Land Companion begins and ends with two piano pieces
only loosely connected to T.S. Eliot’s poem: „Dear Jessie (to Jessie Laidlay Weston)“ is
an ethereal miniature in reverence of the brilliant English medievalist whose book
From Ritual to Romance, a historical examination of the King Arthur legend, greatly
influenced Eliot while working on The Waste Land. „Universe on a shoestring“ is even
serener, a kind of exhalation after a long and arduous journey. It was the last piece
Rogowski composed during his concluding writing session in the mountains of the
island of La Palma. Here, close to the GTC, the world’s largest optical telescope, the
universe seemed closer than anywhere else on earth—and the grim world of The
Waste Land already a distant memory.

The rest of our lives

Anna Grodzka - malowane dźwiękiem

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