Latest five releases. Updated after new release.

The Recent Five

I've changed strategy. I'll gather tracks during the month and release them at the end of it. I hope it'll be interesting format to promote Your music! Hope it'll work :)

The order again has no particular significance, it results from the order in which I found the individual songs.

Best of SoundCloud February 2024

The best track I've listened in March 2024 on SoundCloud. Their order does not matter and is only a result of the order in which I came across these songs.

Best of SoundCloud March 2024

Collabs

A little minature to test @SpitfireAudio Epic Choir from Originals series. The rest is @projectsam The Free Orchestra 1

All Right Reserved. Copyright: R.U.R.

Thumbnail gfx: AI briefed by @dariusz-poborski

Aschelon's Foothils

Ashkelon's Foothills

Another experience with @SpitfireAudio BBC SO Discovery and @Heavyocity Foundations Staccato Strings. Additionally I've used Spitfire LABS Choir.

Copyright by R.U.R. All Rights Reserved

The Hills of Scotland

I've had a little challenge to use only free Foghorn library from @spitfire-labs. I've almost succeeded but at the end had to use one sound from @projectsam Free Orchestra 1 library and one from @arturia-official Lab V Intro. ;)
Drum loops are from @KJSawka Mad Beatz pack.
Nevertheless I hope You'll enjoy the effect.

Track remastered using @Focusrite FAST Balancer (AI based EQ) and @izotopeinc Ozone Elements 9.

Foghorn of Melancholia (REMASTERED)

For past, present and future explorers.

Heavily inspired by "Wanderers", a short film by Erik Wernquist with music by Cristian Sandquist.

Explorers of the New Worlds

Explorers of New Worlds

REMASTERED with Fast Balancer.

A little tribute to "Firefly" TV series.

The idea to create this track came to me while testing @spitfire-labs Lap Steel library which came to my attention thanks to @baramataharipagi.

Disclaimer: I have no affiliation to producers of this series. I didn't use any of the music from it. It's pure fan production inspired by "Firefly's" atmosphere.

© & ℗ R.U.R. 2022

The Last Flight of "Serenity" (REMASTERED)

A little quickie. I had fun testing Spitfire Originals!: Epic Strings, Epic Brass + Woodwinds and Cinematic Percussions.

© & ℗ R.U.R. 2022

Be Prepared

...in the year 2023 ;)

Another quicky made with Originals Epic Strings, Epic Brass + Woodwinds and Cinematic Percussion. Sadly there is a bug in Epic Strings which can be heard at the beginning on 2nd and 3rd bar/tact that I couldn't avoid. I hope Spitfire resolves it and then I'll upload corrected version.

A track for imaginary game set in fantasy world.

Choose Your Path Wisely

I've never thought that I ever write a tango... And here it is, after playing with Valhalla Supermassive plugin it emerged out of nowhere. I hope You'll enjoy listening to it or even try to dance to it, even if it sounds a little apocalyptic ;)

Picture in thumbnail by DALL-E AI

Tango 'Til the End of the World

Lately I've been soaking up dub/neo-dub music thanks to @jonauversen and somehow it had to come out of me ;) A lot help with it I've received from @spitfire-labs and their amazing free LABS library Trumpet Fields which was the main impulse that this song was created at all.

Picture in thumbnail by DALL-E AI (https://openai.com/dall-e-2/)

Dub My Trumpets

For my Dad.

Picture in thumbnail by AI: The Stable Diffusion https://lexica.art/

The White Room

Thank You for 1000 plays ❤️!

I was wandering what happens when I'll try to make song base on starting patch from NI Massive. And this came out ;) Thanks for listening. I hope You'll enjoy.

I wanna point out that all instruments are VST. 

Thanks to:
Alexander Stratonov (@ephtrackx) for lots of great tips and advice on the final mix,
Brian Butts (@brian-butts-565934842) for reviewing guitar solo.


Mastered with Bandlab Mastering: https://www.bandlab.com/mastering

Image in thumbnail: Stable Diffusion: https://lexica.art

The Break in Tranquility

The Break In Tranquility

Thank You for 1000 plays! ❤️

HAPPY EASTER everyone!

It's a happy one from me this time ;) It's really rare and I hope You'll enjoy :)

It's a tribute to old times (early '90 of 20th century) when Amiga was my main source of fun and my music creation tool. 

I created this piece on August 28, 2022 but I wasn't technically ready to release it. I was really green at the time in music production. So it was in my "drawer" until couple days ago. I've tweaked it a bit and here we are!

Thanks to Alexander Stratonov @ephtrackx for his patience and lots of mixing advices.

AMIGAzed

Thank You for 1000 plays ❤️

In the late 1980s, I had the opportunity to watch in the cinema Godfrey Reggio's documentary "Koyaaniquatsi" with music by Philip Glass and produced by Francis Ford Coppola, and I became a fan of the soundtrack from this film.

A few months ago I was watching the third season of "Stranger Things" and suddenly, in the third episode, in the last scene, I heard familiar sounds. Without checking, I could tell I could hear Phillip's music. And so it was. My fascination was revived and I felt the urge to create something similar to his style.
Unfortunately, my creativity and time has its limits and I haven't been able to make a full song... yet ;) But I'm sharing with you an idea, or rather an introduction to this piece. I hope you like it at least a little :)

Looking Through the Glass

This is my little story. Close your eyes and go with Ryan Gosling and his car ("Drive") to the night ride through rainy, bladerunnerish, big City of Lights 😉

For anyone who needs a bit of calm down after an intense day at work.

All begun with downloading free version of Vital Synth...
Same day made some loops with it and next day do the little jamming with them. I did some improvisation that had to be edited a bit, but I hope it's passable 😉

I hope You enjoy it and thank You kindly for listening.

Thanks go to @jusmaks for being my test driver and helping balance the bass 💛

Vital Signs

This track is a tribute to genre which flourish in 90's, a love letter to bands like US3, Jazzmatazz, Incognito, Brand New Heavies, Groove Collective and of course Miles Davies and his marvellous "Doo-Bop".

I started working on this piece around July 2022. I've stuck on my inability to do any advanced jazz solos/improvisation and embellishments so this track ended up in my "musical drawer".
Luckily, after finishing my previous piece "Vital Signs", where I used sax VST, I shyly approached Jörg aka @joerxworx with a request to evaluate my saxophone scribbles and a proposal to finish my unrealized piece.
Jörg turned out to be a nice, understanding guy who willingly joined this project. At this point, I would like to thank him very much for this wonderful contribution to this piece, a lot of advice he gave me and a lot of patience for my slow work.

If You like this piece You should definitely check Jörg's page, he created lot of amazing tracks!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> @joerxworx <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<

@r-u-r-pl R.U.R.: Composition, Programming, Mix and Mastering, VST Sax, VST Muted Trumpet, VST Drums, VST Piano, VST Bass and VST Misty Sky Hit from Kontakt's Lo-Fi Glow Library.
@joerxworx Jörg S.: Tenor Saxophone – embellishments and solo, lots of advices on mix and mastering

I've used 1 sample loop: Jazz Brushes 70bpm from Ableton Live's Core Library.

Thanks for reading this, listening to our track, and I hope You will enjoy it as much as we enjoyed working on it!

Cover photo from Pexels by cottonbro studio.

The Two of Us

The Two of Us (feat. joerxworx)

Some time ago @dj-pietrekb showed me a great free Kontakt (it works on free Player version) plug-in called Arcane by Embertone. I decided to use one of the 4 "instruments" contained in it (that unusual single female vocal) to create this little track.
Beside that I've used a great UVI DXS synthesizer from the Digital Synsations pack, Massive and, known to those who follow my tracks: Epic Choir, Epic Strings and Cinematic Percussion from the Originals series by Spitfire, Flutes and Trumpets from Spitfire's Free BBC SO Discovery.
I used 2 samples: Djembe 120bpm from Ableton Live's Core Library and Chimes Finger Down from, also Ableton's, Drum Essentials pack.

While creating this track, I noticed that it sounds very similar to Ennio Morricone's works, especially those from the movie "The Mission" 😉 which was not my intention at all... It just turned out that way 😆

I hope you like it at least a little bit.

Cover Photo found on https://lexica.art

Have You Seen an Elf

Have You Seen an Elf?

Thank You for 1000 plays ❤️

This is a second part of my triptych "Memories From the City of Light", begun with "Vital Signs". A love theme, a story of my heroes love – full of uncertainty, unfulfillment and even danger... Creating this piece I had in mind two couples: Rachel and Rick Deckard from Ridley Scott's "Blade Runner" and Irene and Driver from Nicolas Winding Refn's "Drive".

This track is also a homage to one of the greatest composers - Ewangelos Odiseas Papathanasiu aka Vangelis.

In production again I've reach out for help to Jörg aka @joerxworx and his tenor saxophone on which he beautifully performed, catching the atmosphere of this track in couple of amazing sounds – thank You my friend for Your patience!

Jörg @joerxworx - tenor saxophone
R.U.R. @r-u-r-pl - composition, mix, mastering
DAW Ableton Live Standard
Spitfire Originals Media Toolkit - Piano
Vital free - synth
Massive - synth
Surge XT - synth

We thank You for listening and we're hoping You enjoyed it a bit.

–––––––––––––––––––––------
Story behind the scenes:

This track was created one day (about 4 weeks ago) when I had one beer that went hard to my head. I sat before my computer and tried to listen my previous tracks and I felt very unsatisfied by all that music. It felt like everything was... heartless.
In that moment I took all my feelings, all memories of happy and not so happy love to create this track.

In the process I got mad at my 2 octaves Novation LaunchKey mini keyboard, because my hands almost couldn't fit both on such a small device... and I understood it limits my creativity... Time to change... something ;)

Also it's a first time I played without metronome. This track is completely devoid of tempo. These are the pure emotions of playing live.

The Space Between Us

The Space Between Us (feat. joerxworx)

Thank you very much for 1000 plays! ❤️

And again I'm returning to Fantasy Land...
This time my bunch of misfits are going on a little trip and this short piece could be the background for these scenes.

First was Irish Harp which I wanted to test at last after getting it for free. Three base sounds was the idea that shaped rest of the track on the initially endless loop with time signature set to 3/4 on which I've layered the higher pitched melody that came out organically. Then I thought that I add some vocal VST which I've tested previously on "Have you Seen an Elf?". I wanted to check how it's perform on more intimate ground of folk song.

In my head I had a picture of a medieval inn and a bard starting his musical story. At some point, the picture shifts to a group of heroes travelling through austere, gray and blue, dark and cold places, villages where people in coarse robes work, sometimes rainy, sometimes sunny and green landscapes. Some scenes showing our group from a bird's eye view, slowly and laboriously moving towards the goal. The music ends when they arrive...
Musically, I wanted the initially intimate theme to change, or rather expand, into a symphonic illustration in accordance with the image and the advancing journey. So that, apart from the theme, there would be a depth complementing the image, also more and more distant from the initial location.

I've used:
DAW Ableton Live Standard
Kontakt Player Irish Harp
Kontakt Player Arcane Voice (Realivox Blue Demo)
Spitfire LABS Amplified Cello Quartet,
Spitfire LABS Uilleann Pipes
Spitfire Originals Epic Strings
Spitfire BBC SO Discovery - Flutes
One MIDI loop from Abletone Live's pack "Mood Reel" - Cello Impact 114bpm - as a percussive track.

Thank You kindly for listening and I hope You'll like it a bit.

Going North

Thank You for 1000 plays! ❤️

The inhabitants of a small town in the Wild West overcome their fears and join their sheriff to defend their homes from bandits.

Little miniature that I've conceived yesterday to welcome new Heavyocity free Foundations VST: Staccato Brass. I also first time used their Nylon Guitar from the same series, so it seems it's a welcome for it also :P

I've used:
DAW Ableton Live Standard
Kontakt Player: Heavyocity Foundations: Staccato Brass, Emotive Choir, Nylon Guitar
Kontakt Player: ProjectSAM: The Free Orchestra 1

Thank You kindly for listening and I hope You'll like it a bit :)

You Can Count on Us

Thank You for 1000 plays! ❤️

When exercise in mixing bass changes into track ;) It's a kind of medieval/celtic triphop track. I've again returned to Irish Harp. Now there are 3 of them ;)

Imagine.... A medieval castle town stretching around the defensive walls. The girl around 18, with long hair getting out from home. She grabs basket and a shawl and runs outside. It's an early morning, the light is cold and it is a bit misty... she goes down the street close to the wall, she has the tight dress with more open bottom. She begin to dance... This is modern dance. Something between classical and jazz with modern additions of head and hands movement. When she dance more and more girls join her dance with simultaneous movements...

It's an anachronism like in "The Knight's Tale" dance scene:
https://www.youtube.com/watch?v=Sv_E86eJELE 

I've used
DAW Ableton Live Standard
Kontakt Player Irish Harp
Soundpaint – 1928 Steinway Piano
Ableton Live - Drift Synth - 808 Pure Bass
Spitfire Originals Epic Strings
Spitfire Originals Cinematic Percussion
Spitfire BBC Symphony Orchestra Discovery FREE - Trumpets and Oboes
Spitfire LABS Cello Moods

Two MIDI percussive loops were used:
from "Mood Reel" - Bins and Barrels Kit - 105 bpm
from Core Library - Shaker Chance 128 bpm

Thanks for reviewing and lot of good advice go to:
Nynke @wichita-nynke, wejfi @wejfi and kavvka @grzegorzkawka.
Also special thanks go to °Roach @dj-roach-1 for a lot of technical advice.

Thank You for listening and I hope You like it at least a little bit 😊

Picture from Freepik by stockgiu

Dance of Lonely Maidens

Happy Halloween Everyone! 🎃
All the fears are in our psyche 🧌👀👻😱😉

It's my first collab with my Friend, kavvka @grzegorzkawka, who made all guitars sounds design and melodies that were played by lead guitars. Also he gave me a lot of good advices and ideas to make this track better. I've made all the rest including guitar solo at the end.
It was very difficult month for me, that's why I was silent so long. This track is my katharsis.

We've used
DAW Ableton Live Standard/Lite
Kontakt Play Series Duets
Ableton Live Instrument Rack
Kontakt Factory Selection
iZotope Stutter Edit 2

Samples used:
FX Sweep Distant and Metal Riser SP from Ableton Live's pack "Build and Drop"
FX Impact 06 from Ableton Live's pack "Mood Reel"
Riser White Noise from Ableton Live's Core Library
MIDI drums loop used:
64 Pads Penelope Kit groove 01_108 bpm from Ableton Live's pack "Drum Essentials"

Cover art by Engin_Akyurt from Pixabay

Psyche

Psyche (feat. kavvka) 🎃

Thank You for 1000 plays ♥️

My next track for Halloween 🎃
This time created using only free Spitfire LABS VSTs.
I hope you will enjoy listening to it, and that it will even please you a little.

The story behind the music:
Devastated by the loss of his beloved, the Scientist, working on creating a brain-computer interface, desperately longs to return to those moments of happiness that defined their love. In an attempt to revive his memories and rekindle the feelings buried deep within his soul, he embarked on the creation of a system that would enable him to travel through time within his own mind, exploring those fleeting fragments of happiness.
After a successful initial attempt, however, a system overload occurred, causing a glitch that eluded his attention. In his subsequent endeavor, instead of immersing himself in blissful memories, the Scientist found himself in the dark labyrinth of his worst nightmares, lurking in the deepest recesses of his subconscious. He ended up as a shadow of a deranged soul, tormented by phantoms and obsessive fears, imprisoned within the macabre dreams he had inadvertently crafted.

Copyright for the story: R.U.R.

Picture: blackrabbitkdj from Pixabay

Dream Diver

Dream Diver 🎃

Thank You very much for 1000 plays ♥️


🎄 Merry Christmas Everyone! 🎄

Why this title? In the area of ​​Poland where I live, there was a custom that Christmas Eve began when the first star appeared in the sky. So fasten your seat belts and I invite you on a melancholy journey back to childhood, when we were all waiting for that first star.

I hope You'll like it at least a bit.

This is a piece I composed in December 2022, but I didn't post it because I couldn't finish it in time. Now I finally finished it, and even improved it a bit, and here we are...
Thank you @grzegorzkawka for some advice and for being my "test driver" this time.

I've used:
DAW @ableton Live 11 Standard
The main heros of this track are @nativeinstruments Massive synth and @spitfireaudio BBC SO Discover with some additions of Originals: Epic Choir, Epic Strings and Media Toolkit - Piano.
Drum and Bass MIDI Loop: Chekov Kit groove 02_114 bpm from Ableton's Drum Essentials
and some percussive one shots samples.

The thumbnail photo was taken by me in Poznan at Plac Bernardynski.

Waiting for the First Star

Waiting for the First Star 🎄

Thank You very much for 1000 plays! ❤️

This is little experiment for me - a revamp of an other persons track.
About 4 months ago I came across a song by Donak RV "Duo Melodica" https://soundcloud.com/donakrv/duo-melodica. I really liked it, and since I was working on the song "You Can Count on Us", I had a free nylon guitar from @heavyocitymedia Foundations on hand. I started improvising to it... and this remix/revamp was born ;) I sent Donak RV a sample and he agreed to let me perform this "devastation" of his track ;) This version is made on the basis of an MP3 file downloaded from the author's profile. A stem version is still in development.

I hope You'll like it at least a bit :)

Duo Melodica (R.U.R.'s Nylon Guitar MP3 Revamp)

Donak RV - Duo Melodica (R.U.R.'s Nylon Guitar MP3 Revamp)

Happy New Year Everyone! 
It's been a bit of a crazy and dark year, but...
It's a joy of being here listening to Your music and share with You mine for the entire 2023. I'm looking forward for Your next Year music. 

This is my newest, one evening project. I'm posting this as an experiment ;) This is me as I am, playing live in one take, then edited it a bit... It was a total improvisation... The piece developed as I played it. Apart from the background music, nothing was thought out. What came out is what came out ;)
It was a test of my new keyboard Nektar Impact GXP61 which I got for Christmas from my mom. Sorry, my left hand really feels like wood ;) But now I have a reason to make it move and play... And this was pure fun to make :) 

Thank You kindly for listening and I hope you like it at least a little bit!

This is small project in which I've used only 3 instruments: Spitfire Originals Epic Brass + Woodwinds - Woodwinds Live, Originals Media Tool Kit - Piano and VSL Free Celestial Strings.

On the photo is my "gear": old - on my desk and new - on the drawer shelf :)

Let's Rise the Glass Again

Let's Rise the Glass Again (improvisation)

So it Begins

I am very grateful for the over 1,200 plays of this very personal track. To think I was hesitant to even post it... Thank you so much! ❤️

In our lives, we are granted the opportunity to witness the departure of our loved ones. Some depart through doors, never to return, yet still exist somewhere. Others leave suddenly, unexpectedly. Yet some depart when we are somewhat prepared, for their age predisposes them to it. However, there are also departures more challenging... when we observe the tree of the mind of a beloved, from which memories' leaves fall, and even the freshest, youngest cannot hold on to it. We cannot help, we can only watch how they fall...

Composing this little piece was very personal. It was combined with the realization of a fact from my immediate surroundings. I left all imperfections of my playing because of how I felt at that moment. It wasn't an improvisation, it was an interpretation of a theme that I've developed few minutes earlier.

The Last Falling Leaf

Free Download / Buy

Two short improvisations for this track....

LAST DRINK CLUB.

Combstead - Main Mix, Arrangement, Composition https://soundcloud.com/markcombs-928282858?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Robert Grigg - Guitar, Master Mix https://soundcloud.com/robert-grigg?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Brian Butts - Guitar

G.B.C. - Haymaker

Portal To Another World

My first own composition with designed vocals.
I'm a total amateur so sorry for all the bad parts.

Special thanks goes to my all testdrivers and especially to @r-u-r-pl for his all advices and for a breakthrough that I made on this one after 1,5 month of no bloody idea.

https://audio.com/grzegorz-kawka/audio/run-like-hell

Lyrics was generated by freshbots.org algorythms and a bit changed to my vision. English is not my first language of use so if something doesn't make sense then blame my (non)understanding. It was more like fun making. An artistic way to express for "better" listening.

Main sense was about kind of sick, crazy love, unrequited that drive us to the edge of sense of good and evil. This is the kind of love with our suffering that hurts us and others. And when we can't balance the feeling we go over the edge. And all around must go with us. Especially the ONE.

Lyrics:

Verse 1:

In the haze of dusk, you stumble, lost and weary
Can't see the light, but you feel my eyes nearly
Run from me, I'm always behind, you will see
I hide between shadows, just trust your plea

Pre-Chorus:

Keep your chest safe, guard your beating soul
In the depths of darkness, I'll take my toll

Chorus:

Run like hell, can't you hear the alarms?
My presence lurking, causing you harm
Stay in the light, where safety resides
Don't let my darkness become a guide

Verse 2:

Memories fading, just a jumble in your mind
But in your heart, I'll leave my mark undefined
I'll weave in your thoughts, my dagger in your back
Your pumping heart, my trophy from this track

Pre-Chorus:

Keep your chest safe, there's danger in my stare
For I am the creeping nightmare, you're unaware

Chorus:

Run like hell, don't let my shadow prevail
For I won't cease until I unveil
Stay in the light, where truth can’t be shown
Escape the grips of darkness, stand on your own

Bridge:

In the whispers of the night, my whispers so cold
But remember, dear one, you're brave and bold
Though I am relentless, you still have a chance
To break free from my grip and reclaim your stance

Reclaim your stance
To break free
You still have a chance
You still have a chance
You still have a chance
You still have a chance!

Chorus:

So run like hell, leave my echoes behind
In the face of fear, your strength, you'll find
I am the shadow, fading into the night. 
I can see your defiance, will you take the fight?
Run like hell, don't let me get near.
My spirit is the dark. You will always live in fear!

*** freshbots.org ***

Fun fact:
When I've tried to sing this for a few first sessions, verse "For I am the creeping nightmare, you're (...)" sounds mostly ...different... Constant changing the sentence "unaware" into "underwear" makes me not finished the performance because of permanent laughs on myself. Hope I would never have to sing this on live session because my "professional" sense will never let me skip the mistake unnoticed.

Run Like Hell //+audio.com

Epic, Cinematic and Orchestral Music
Picture Deviant Art - Asymoney
Music by Franck Charles ©
ASCAP
https://www.youtube.com/watch?v=h4QL-bbI0P4

The Last Warrior

Reflections In Blue

Yunaversal/Wild Honey

Azzuris (World of Tomorrow)

In the shadowed alleys of a metropolis plagued by corruption and despair, lurks a figure shrouded in mystery, known only as Trapezoid.

Trapezoid

Original by @ipg1 :
https://soundcloud.com/ipg1/the-alert
https://soundcloud.com/ipg1/the-alert-rap-vocals-150-bpm
Support and full time music collab:
https://soundcloud.com/r-u-r-pl

Used:
https://pixabay.com/pl/sound-effects/symphony-orchestra-tuning-before-concert-34066/
&
https://www.bandlab.com/studio
&
A lot of private software.

The Alert - IPG1 vs kavvka with R.U.R.

This time, I return to the realm of fantasy, where my characters, upon arriving in the North, found themselves in the dwarven mines. There, they are to meet with the Dwarf King's son, who will task them with aiding in uncovering the mystery surrounding his father's death, slain in a goblin ambush. However, before this occurs, they take part in a funeral ceremony.

To craft this piece, I utilized only the free VSTi's by ProjectSAM @projectsam: Free Orchestra 1 and 2. I've begun working on it 2 months ago... It's one of my over 30 projects in development ;)

Thanks goes to my friends and test drivers: kavvka @grzegorzkawka and Alexander Stratonov @ephtrackx

Picture generated by me in Leonardo.ai

Funeral of the Dwarven King

PLEASE READ THIS! THIS IS NOT A PROMOTION!
I'm posting this here as a curiosity and... a sorts of warning. Artificial Intelligence has entered the sphere of music creation. And it hits with enormous power...

This is a song that my wife (she's German Language teacher) generated using Suno.ai in about 2 minutes, just giving it a prompt to generate a rock song. Its lyrics come from a really cheesy song included in a children's textbook. She just wanted the song to sound more accessible to today's kids. She didn't actually realize what this song would cause. And it left me completely shocked and actually questioning the point of further activities in music... 

My wife, by generating this song, gave the A.I. ​​a lot of scope for its own "imagination". She did not specify the structure of the song or the elements to be included in it - which can be set by entering appropriate comments in the song's text. What surprised me is how wisely the A.I. ​​approached this task, how it determined what should be included in this song. A huge surprise for me is the second part of the song, where the A.I., having no more lyrics, created something incredible, using elements such as triplet, half-time and returning when we expect the song to have ended. What's even more surprising is that the A.I. ​​understood that it was a song in German and was inspired by German-speaking bands such as Die Ärzte and used the typical German song structure, including the sound of the vocals.

Yes, I know, I do music for fun, but I still don't know what to do next... I'm thinking how it will impact the music industry? Let's talk about it in the comments and remember - let's be polite.

Below is a link to the original song, I improved it a bit, but whether it's for the better is a matter of taste:
https://app.suno.ai/song/180bb869-7d3f-47d7-86fa-8f44261ee80c/
And here is another one that left me speechless, also generated by my wife:
https://app.suno.ai/song/d5cb1dec-43ca-4d5f-a6f0-f4d8b5825cdc/

(WARNING! This was generated by A.I.) Du kannst ja mal... (das Tierbuch fragen)

2 times loop of intro for Pissing Plums "H.R. Giger Slideshow", made on Amiga with 4-channel tracker in 1993. Copyright for picture goes to H.R. Giger.

https://amp.dascene.net/detail.php?detail=modules&view=6363

Pissing Plums "H.R. Giger Slideshow"

Title music for Pissing Plums "H.R. Giger Slideshow" for Amiga

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

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Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left until April 2022. My music is created in Ableton Live Intro (until december 2022) and Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

R.U.R.

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