Love how this ends, a little beautifull master pièce!

this one is really good..  the soundscape is just brilliant..  GREAT WORK!!

Magnificent composition Ryszard! But too short... 🎹🔥🎶✨

Fascinatingly open – leaves space for reflection. 🎶❤️🎶

a  beautiful track!, such beautiful soundscape...

DRUMAX No. 67 // LEANED BACK // Lean Back And Enjoy
@docfritz // All Musical Stuff, Drums & Percussion, Cover, Mix & Production
@joerxworx // Alto Saxophone
© 2025 | DRUMAX PROJECT | All Rights Reserved

DRUMAX No. 67 // LEANED BACK

So what now?

The pieces are set,
The board is occupied,
The main actors have taken their positions.

The inevitable is coming,
Fear fills hearts and minds.

Will what many predict come to pass,
Or will fate turn in our favor?

The core of our beings has been seized by the machine.
The art that defined us is being smothered by a flood of perfect artificiality.

Simulation of emotions, simulation of art, simulation of humanity.
Where do we belong?

Where is my place?

And what now?

--------


This is a piece I improvised on March 23, 2025. I was surprised at how well it turned out. However, I didn't know what to do with it. I couldn't think of anything more, so I'm publishing it as is, with minor tweaks (I literally added six notes in three places).

With this piece I am starting a series in which I will be posting rather uncomplicated, short pieces, created out of the need of the moment, under the impression of something specific.

To compose it I used only 3 plugins/sounds
Spitfire LABS Autograph Grand (piano) (free)
Spitfire Originals Intimate Strings x2 (in octave)
And one patch from truly amazing synth from Arturia: Pigments

I hope you like it at least a little bit.

Picture Freepik: https://www.freepik.com/free-photo/woman-portrait-with-blue-lights-visual-effects_26813733.htm

And What Now?

Another awesome electronic collaboration with David a.k.a. @blackmarketbrains ! I love his minimal techno beats so asked him to send me one that included one of his cool old movie samples.I was inspired right away to lay down some melodic loops and even a bit of guitar.

Cover image is public domain, an illustration from an old edition of Mary Shelley's Frankenstein.

Forge the Creature! w/ Black Market Brains

This is a elder track,  made it in Cubase Sx3..  Around 20+ years ago..  Now it have got a new master mix in Cubase Pro..   

Liquid Elements (Remastered)

Collaboration
Check out James Kevin's music
https://soundcloud.com/james-kevin-749817093

Let It Burn -with James Kevin

DESERT DESSERT 2

Blending into the coral reef

Synesthesia

Sometimes, it's not so bad to be caught out in the open...
__________
Check out some of my scores: https://www.youtube.com/watch?v=HXkqDr_oE3E&list=PL5zoWP8Ag0kZoNbYuYaKRZIVXOpoNRuC7
__________
Unfortunately, a battery showed itself to be damaged when I filmed this and I'm still working on replacing it.  Otherwise, this was a pretty fun flight!
__________
Malachi 4;6 NKJV
[6] And he will turn The hearts of the fathers to the children, And the hearts of the children to their fathers, Lest I come and strike the earth with a curse.”

https://bible.com/bible/114/mal.4.6.NKJV
__________
At Lion's Mane Orchestra, we make Drone Films, Soundtracks, and Fantasy Music!  Enjoy!
__________
Music By Peter Iverson
Unpublished work copyright (c) 2025 by Peter Ian Iverson

SoundCloud: https://soundcloud.com/udrianshasg
YouTube: https://www.youtube.com/channel/UCWEM7RavwpFHF4GZnD1Kj0g?sub_confirmation=1
Rumble: https://rumble.com/user/LionsManeOrchestra
Odysee: https://odysee.com/@lionsmaneorchestra:4
Facebook: https://www.facebook.com/Lions-Mane-Orchestra-107413867616782/
X: https://x.com/LionsManeOrc
Minds: https://www.minds.com/lionsmaneorchestra/

Out in the Open

Loveless

shut out 9.13.25

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765

And What Now?

R.U.R.

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