A short track, improvising, instrumental prog rock.

Horse at Dawn

Improvised Mysterious Organic Electro 2  (Feat.Guillaume Huart & Quentin)

Mutations of Wanting, composed by Shane Krause. Performed by Allotropes in rehearsal.
Allotropes is Shane Krause on bass clarinet and saxophones, Trav Short on double bass and Miles Fuller on drums. 

Mutations of Wanting

Velocitous Aeroliths, composed by Shane Krause. Performed by Allotropes in rehearsal.
Allotropes is Shane Krause on bass clarinet and saxophones, Trav Short on double bass and Miles Fuller on drums.

Velocitous Aeroliths

Pockets Full of Trash,  composed by Shane Krause. Performed by Allotropes in rehearsal.
Allotropes is Shane Krause on bass clarinet and saxophones, Trav Short on double bass and Miles Fuller on drums.

Pockets Full of Trash

"Sometimes, You never know if you've hurt someone until its too late..."

Straining Bond

piano009

Rough Bass Drums with solos and random noises

Improvisation à la guitare acoustique (désaccordée)

Impro des orties

Played the opening set for Andrew Boylan's 'Gridworld' album release show, at Spirit House in Medford, MA


keymashing @ Spirit House (12/07/25)

Created during a birthday gig where several musicians came together on stage, this track turns into a raw ode to life. Harsh guitars cut through experimental layers, fractured beats drive the energy forward, and improvised parts echo the intensity of birth. It’s rough, immediate, and full of the collective force that shaped it. lyrics in german.

Endorphine strömen ft. Alis Joyz [live]

This one might be a surprise? Dedicated to a new-born baby. Close friends of ours. My way of welcoming a new human being to our world. This triggers a lot of memories of the time when we were young (first) parents. Our kids change our whole life, but in a very good and satisfying way. In their first years, they totally depend on us and then they slowly start to walk on their own path. We still might have to assist them here and there, but one day, they will be grown up. They will always feel like our children. This will only end, when we finally pass. That was my heaviest emotion, when my father passed five years after my mother. I was nobody's child anymore. Enough with those heavy thoughts!!! Welcome Magalie! Please enjoy, this one is for you. 

Improvisation_041225_For Magalie

state [0xF]

improvisation/ exploration:  bass clarinet/ interactive electronics

120825bc impx

rt120825bc

upside out 12.6.25

Cast of Characters:
Paul Young — PRS SE semi-hollow body electric guitar
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Upright double bass and organ
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums

TexMex Shaman–@texmex-shaman –Stephen– Earl Scruggs custom banjo, production, mix, and mastering
Cgmaness – @hiddenhands-760647700 – Chris – electric guitar
This is a song that Josh and his cousin Paul came up with on Thanksgiving night, after everyone went to bed. They were working on a much longer composition, but got stuck in the jam after looking at each other and wordlessly saying, "this is the magic, stick with it." We were playing an electric guitar and a stand-up bass to a looper disco beat when we recorded this. So, of course, Josh asked Ken if he'd add some real drums, which he did as though he were in the room jamming with us. Then josh laid down some organ to go with the jam. Chris even popped by to do that thrilling intro guitar part. Josh and Stephen also had the idea to add some banjo in here, which Stephen did like the excellent musician he is. He also managed to mix this live recording hybrid with exceptional skill. 
  This is an example of two musicians who are intimately familiar with each other, and each other's playing and sensibilities, accompanied by two other musicians who have become nearly as familiar over the past few years. Happy belated Turkey Day to everyone. We hope you enjoy listening to this as much as we enjoyed making it.

The Ice Melted (Eclectic Collective with Paul Young)

Vast Duality - I'm On A Boat (ft. Eiqu)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Clarinetist, saxophonist, improviser, composer and presenter

Solo piano improvisation, music for media, sound finder, photographer, sounddesigner, father and family man
Traveling between classical and contemporary music, Jazz and filmscore. Loving electronic music, too. Real music has no boundaries. Please follow and feel free to comment.
Profile photo by (c) Anatol Kotte, 2024
Design by JDS  Joniel da Silva

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

Finnish composer, producer, writer and visual artist, focused mainly to algorithmic processes, computer-assisted composition, and various other methods based on cybernetics, chaotic dynamics and stochastic systems, among others. Most programs written by author, various languages. 

Studied musicology at University of Helsinki, computing at OU, Milton Keynes, private studies in composition. Musical genres, from avant-garde/postminimal chamber music to minimal techno, wonky/noskool, IDM, electronica, ambient, experimental. 

welcome to projectvime!
electronic music
Synthwave | Ambient | Experimental | Techno
Enjoy! :)

Kaïra Cuvée — South K
Naarm [Melbourne] DJ - sounds of da undaground

Rap • Bass • Breaks • DnB • Funk • Deep Afro House

VESTA . B2BOUNCE 
CHIRON tees available via bandcamp 

Jazz, Soul, UK Flavours ~ Ethereal Melodies with dirty hard bass lines :))

Krystalic & Yhimself on an unforgetable journey. 
for bookings & contact or other enquiry; Vastduality@gmail.com 

Here you will be able to hear all our tracks. We believe that soundcloud is one of the most effective ways to promote our sounds. We hope you like what we do. 

Don't forget to subscribe to our youtube & facebook.
www.facebook.com/vastduality
www.youtube.com/vastduality

Since Feb'23 Every Day An Improvised Song/Track Is Posted. 

All of the Tracks are created, played, mixed and recorded Live with No Plan, No Computer, No Arrangement, No Mastering, No Talking ...

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Only LIVE Freestyle sessions, influenced by a lot of styles and genres (Jazz, Rock, Reggae, Acoustic, World, Fusion, Oriental, Psychedelic, Ambient, House, Techno, Tekno, Acid, Trance, Break, Electronics ....) 

Music changes all the time, depending where am I (home, street, forest, concert, party, festival) with who am I (alone, with friends or with random persons) and it especially depends on "Setup-Gear"; what I am using for playing and recording :

Guitar - Vocals - Melodica -Korg Electribe (Since 2019) - Loop Station Boss RC 500 (Since 2020) - Zoom H5 (2020 - April 2023) - Roland TR-8 (Since 2022) - Roland GR-K 55 ( since April 2023)  - Zoom L8 (since April 2023- Decembre 2024) -Boss RC 600 (Since Septembre 2023) -  Roland TR-8S (Since April 2024) - Allen And Heat CQ-18T (Since Septembre 2024) 
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Welcome to NoPlanNoComputer's Dawless Libratory of Full Improvised Live Music, Enjoyyy the music that life express Through Me, Through You, Through Us  <3

The following artists met, interacted and participated  either planned or completely by chance several times in the Full improvised intuitive music of No Plan No Computer :
- BBeng : Guitar/Bass
- Alex : Saxophone
- Dowan : Piano
- Romain - 1/2 Volvax : Keyboard/Trumpet
- Priska : Trombone/Vocals/Guitar
- Chai : Accordion 
- Antoine : Guitar/Bass/Vocals/Machines/FX/Saz
- Ammar: Live Visuals/Guitar/Bass
- Jardin Secret : Trumpet
- Guillaume : Didgeridoo/mouth harp/Handpan/N'goni/Morin khuur
- Thomas : Human Coordination/Logistics
- Me : Guitar/Vocals/Machines/Looper/FX/Live Sound/Sound Recording/ Human & Music Coordination/Logistics


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Be inspired and feel free to download, use, copy, sample whatever you want. But, Please stay always humble to life and don't forget to mention us & those who inspired you <3

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Met4Morph  : Events - Concept  -Full Improvised Music Area

* Personal Music projects:

     - Gonzo J. Francès: Alternative songs

     - Morosgovanyi: Experiments with noise and FX

     - DJ Everfree: dj sessions in different genres


* Other bands or parallel projects in link section

Thanks for stopping by. Listenings & comments are very appreciate it.

Contact: gonzojfrances@gmail.com

Salut i soroll!

New tracks tagged #Improvisation