Collabs

♥️ Thank You very much for over 1800 plays! ♥️

This track is a tribute to genre which flourish in 90's, a love letter to bands like US3, Jazzmatazz, Incognito, Brand New Heavies, Groove Collective and of course Miles Davies and his marvellous "Doo-Bop".

I started working on this piece around July 2022. I've stuck on my inability to do any advanced jazz solos/improvisation and embellishments so this track ended up in my "musical drawer".
Luckily, after finishing my previous piece "Vital Signs", where I used sax VST, I shyly approached Jörg aka @joerxworx with a request to evaluate my saxophone scribbles and a proposal to finish my unrealized piece.
Jörg turned out to be a nice, understanding guy who willingly joined this project. At this point, I would like to thank him very much for this wonderful contribution to this piece, a lot of advice he gave me and a lot of patience for my slow work.

If You like this piece You should definitely check Jörg's page, he created lot of amazing tracks!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> @joerxworx <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<

@r-u-r-pl R.U.R.: Composition, Programming, Mix and Mastering, VST Sax, VST Muted Trumpet, VST Drums, VST Piano, VST Bass and VST Misty Sky Hit from Kontakt's Lo-Fi Glow Library.
@joerxworx Jörg S.: Tenor Saxophone – embellishments and solo, lots of advices on mix and mastering

I've used 1 sample loop: Jazz Brushes 70bpm from Ableton Live's Core Library.

Thanks for reading this, listening to our track, and I hope You will enjoy it as much as we enjoyed working on it!

Cover photo from Pexels by cottonbro studio.

The Two of Us

Thank You so much for over 1400 plays ❤️

This is a second part of my triptych "Memories From the City of Light", begun with "Vital Signs". A love theme, a story of my heroes love – full of uncertainty, unfulfillment and even danger... Creating this piece I had in mind two couples: Rachel and Rick Deckard from Ridley Scott's "Blade Runner" and Irene and Driver from Nicolas Winding Refn's "Drive".

This track is also a homage to one of the greatest composers - Ewangelos Odiseas Papathanasiu aka Vangelis.

In production again I've reach out for help to Jörg aka @joerxworx and his tenor saxophone on which he beautifully performed, catching the atmosphere of this track in couple of amazing sounds – thank You my friend for Your patience!

Jörg @joerxworx - tenor saxophone
R.U.R. @r-u-r-pl - composition, mix, mastering
DAW Ableton Live Standard
Spitfire Originals Media Toolkit - Piano
Vital free - synth
Massive - synth
Surge XT - synth

We thank You for listening and we're hoping You enjoyed it a bit.

–––––––––––––––––––––------
Story behind the scenes:

This track was created one day (about 4 weeks ago) when I had one beer that went hard to my head. I sat before my computer and tried to listen my previous tracks and I felt very unsatisfied by all that music. It felt like everything was... heartless.
In that moment I took all my feelings, all memories of happy and not so happy love to create this track.

In the process I got mad at my 2 octaves Novation LaunchKey mini keyboard, because my hands almost couldn't fit both on such a small device... and I understood it limits my creativity... Time to change... something ;)

Also it's a first time I played without metronome. This track is completely devoid of tempo. These are the pure emotions of playing live.

https://youtu.be/u2eNZMKa_Ok

The Space Between Us

Happy Halloween Everyone! 🎃
All the fears are in our psyche 🧌👀👻😱😉

It's my first collab with my Friend, kavvka @grzegorzkawka, who made all guitars sounds design and melodies that were played by lead guitars. Also he gave me a lot of good advices and ideas to make this track better. I've made all the rest including guitar solo at the end.
It was very difficult month for me, that's why I was silent so long. This track is my katharsis.

We've used
DAW Ableton Live Standard/Lite
Kontakt Play Series Duets
Ableton Live Instrument Rack
Kontakt Factory Selection
iZotope Stutter Edit 2

Samples used:
FX Sweep Distant and Metal Riser SP from Ableton Live's pack "Build and Drop"
FX Impact 06 from Ableton Live's pack "Mood Reel"
Riser White Noise from Ableton Live's Core Library
MIDI drums loop used:
64 Pads Penelope Kit groove 01_108 bpm from Ableton Live's pack "Drum Essentials"

Cover art by Engin_Akyurt from Pixabay

Psyche

Psyche 🎃

Thank You very much for 1300 plays! ❤️

This is little experiment for me - a revamp of an other persons track.
About 4 months ago I came across a song by Donak RV "Duo Melodica" https://soundcloud.com/donakrv/duo-melodica. I really liked it, and since I was working on the song "You Can Count on Us", I had a free nylon guitar from @heavyocitymedia Foundations on hand. I started improvising to it... and this remix/revamp was born ;) I sent Donak RV a sample and he agreed to let me perform this "devastation" of his track ;) This version is made on the basis of an MP3 file downloaded from the author's profile. A stem version is still in development.

I hope You'll like it at least a bit :)

Duo Melodica (R.U.R.'s Nylon Guitar MP3 Revamp)

Donak RV - Duo Melodica (R.U.R.'s Nylon Guitar MP3 Revamp)

Original by @ipg1 :
https://soundcloud.com/ipg1/the-alert
https://soundcloud.com/ipg1/the-alert-rap-vocals-150-bpm
Support and full time music collab:
https://soundcloud.com/r-u-r-pl

Used:
https://pixabay.com/pl/sound-effects/symphony-orchestra-tuning-before-concert-34066/
&
https://www.bandlab.com/studio
&
A lot of private software.

The Alert - IPG1 vs kavvka with R.U.R.

❤️❤️❤️ Thank You all so much for over 2000 plays of this collab track! ❤️❤️❤️

On may 2024 (so it's passed 6 months...) @belial-pelegrim presented to the world Taffeta 189 which can be found here >> https://soundcloud.com/belial-pelegrim/taffeta-189. A masterfully crafted piece from his unfinished story-driven musical series.
From the very beginning, this track fascinated me to such an extent that a melody immediately appeared in my head. In a burst of self-confidence, I asked the Master for the file of this song so that I could put my melodic ideas into it, just like I did with Donak RV's song https://soundcloud.com/r-u-r-pl/duo-melodica-rur-nylon-guitar-remix. And the strangest thing is, he willingly agreed to my idea!
So I tried it and here we are. It's been a while since then, but I think I've finally finished it. I sincerely hope that you will like the effect of this cooperation.

If you are intrigued by this song and you haven't heard the music of @belial-pelegrim yet, and you would like to listen to more (I assure you, it's really worth it!), please visit his profile for more!

To add my two cents to this track, I used the following plugins:
Free Spitfire LABS - Electric Piano - Chorus
Free Spitfire BBC SO Discover - Trumpets, Flutes and Oboes
Free Native Instruments Kontakt 8 Player
Free Heavyocity Foundations - Staccato Strings
Replika XT effect
Free iZotope Ozone 11 EQ
ujam UFX Reverb - which I got for free during the promotion after the publication of this plugin
and also received for free from Novation for their 30th anniversary - iZotope Ozone 9 Elements

Taffeta 189 (R.U.R.'s Melodic Mix)

Special thanks goes to R.U.R. He changed entirely my indecision into precise vision.
Live vs VST vs M-Audio Keystation MINI 32
Art:
Medal of Honor Airborne™ by Electronic Arts

Stone Cold feat. R.U.R.

A bit corrected version of this track now is online.
A little track that I've made today in couple hours for UJAM Discord contest https://www.ujam.com/blog/subcraft-remix-contest-waiting-for-a-sign/ for track remix with a use of SUBCRAFT - sub bass and kick drum synth. https://www.ujam.com/subcraft/
Of course NO AI INVOLVED.
You can listen to the original mix here: https://soundcloud.com/ujam-instruments/subcraft-audio-demo

Unfortunately, I didn't manage to get on the podium, but you can listen to the winners on this playlist: (I will link this playlist when it is officially released)

I've used:
Ableton Live 11 Standard
ujam USYNTH Drive (which I got for free)
ujam SUBCRAFT - trial version
ujam FX Finisher Micro (free)
ujam FX Reverb 1 (free)
Kontakt player 8:
Heavyocity Foundations Staccato Strings (free)
Project Sam Free Orchestra 2 - Bold Legato Brass (free)
iZotope Ozone 9 Elements (I got it for free)
iZotope Ozone 11 Elements (I got it for free)
Arturia Filter MS-20 (got it with my Audio Interface, I think)
Valhalla Supermassive (free)
Universal Audio Teletronix LA-2A Level compressor (got it on UA giveaway last year for free)
Analog Obsession BUSTERse classic console compressor (free)

Picture in thumbnail Freepik: https://www.freepik.com/free-photo/portrait-humanitarian-volunteer_10855790.htm

Waiting for a Sign (R.U.R.'s REMIX with SUBCRAFT)

NO A.I. INVOLVED
It all started in late 2022 while driving. I heard a song on the radio that inspired me to create this piece. I only heard it once, I don't know the author(s) or the title of this song.

After creating the core/mockup of the song, I presented it to Brian Butts (@brian-butts-565934842), which is amazing multi instrumentalist, and asked if he would record a guitar solo similar in idea to the solo from "The Break in Tranquility" https://soundcloud.com/r-u-r-pl/the-break-in-tranquility, which I had previously asked him to review. He agreed to this willingly and that's how my first ever collab was created.

I actually regret a little that this song is a bit too slow, but trying to speed it up caused Brian's solo to fall apart, and my skills don't yet allow me to properly edit it.

This song was lying in my "drawer" for over 2 years. I wasn't fully satisfied with what I did and its sound. I wasn't able to come up with a good Bridge and make it a full-fledged song. In the end I decided to release it as is. I only modified some parts to maintain the feeling of the progression of the arrangement.

Sorry Brian, my friend, that it took so long, but my perfectionism https://w.wiki/9XhH makes me constantly dissatisfied with what I do and often prevents me from finishing the songs.

Thanks to my friend ••kavvka •• (@grzegorzkawka), for his constant support, patiently listening to subsequent versions and lots of good advice.

To craft this piece I used
Ableton Live Standard
Ableton Live's Simpler
NI Massive
Spitfire Originals Epic Strings
Spitfire Originals Epic Brass & Woodwinds
iZotope Ozone 9 Elements
Impact Soundworks Shreddage 3 Stratus Free (only when the guitar enters)
Arturia Filter MS-20
Valhalla Supermassive (Free)
iZotope Ozone Imager (Free)

I also used 3 MIDI drum loops from free libraries in Ableton LIVE.

Thanks for listening. I hope You'll enjoy.

Picture in thumbnail made by me in Photoshop using a source Designed by Freepik: https://www.freepik.com/free-photo/still-life-with-scales-justice_33123996.htm

...And Justice for D-Punks

A bit late for the end of summer, but I hope you enjoy this melancholic atmosphere.

This is a song I started composing in August 2024, with the idea of ​​featuring a real guitar solo, especially at the end. This summer, I approached Chris Grant @chris-grant-554540731 about joining the project. He loved the idea, and what I've included here is the result of that collaboration. His solo made a huge impression on me, and I'd like to thank him for his fantastic contribution. Without that guitar, this song wouldn't exist! Thank you so much, Chris!
If you want to listen to more of his amazing music, please visit his profile: @chris-grant-554540731!

I hope you enjoy his contribution and our song as a whole!

Composition, programming, production and mastering - R.U.R.
Guitar additions and solo at the end - Chris Grant @chris-grant-554540731

To make my part I've used:
DAW: Ableton Live 11 Standard
Instruments:
Spitfire LABS (free): Soft Piano, Bell Swarm, Expressive Strings, Bass Guitar
Impact Soundworks Sheddage 3.5 Stratus Free (NI Kontakt Player)
Drum Loop: 64 Pads Dub Techno Kit groove 01_105 bpm from Ableton's Drum Essentials Pack
Samples: Ambient Crash (Live's Factory Content)
Chris used: Yamaha Revstar guitar and the ToneX Mesa boogie reference signature collection – Mesa Boogie MKIV amp capture

This piece was created without the help of any generative AI.

Cover picture by me, at Grzybowo, Summer 2025

The Summer's End

Summer's End

If you use generative AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765