Nostalgia

Trompe-l'oeil

You & i are Earth

Talk to Me

Applesauce

Together

Pour It Out Into The Night

Don’t Look Back (Flipturn Version)

I’m waking up
I pour the coffee in the one mug that you love
The New York Times Connection’s truly
Quite a Doozy
So I give up

I found a bug
Who rents a flat under the strings I like to strum
Who sings along when I start playin’
Oh what’s bug sayin’
In that tiny microphone

How about
Love is real
Where does it go from here
Don’t let it disappear
Always remember
Something Changed
But if you turn the page
Love is an open range
Always forever

I rest my head
Blow out the candles flickering next to my bed
But I can’t satiate the feeling
Of easiness leaving
So I give up

Slow down my heart
So little keeping me from ripping it apart
Moon Men keep flipping me the bird
When it gets dark
Down here on Earth

But Moon Men aren’t real
I still can’t help but feel

Love is real
Where does it go from here
Don’t let it disappear
Always remember
Something Changed
But if you turn the page
Love is an open range
Always forever

I’m waking up
I pour the coffee in the one mug that you loved
I hold the home of that ol bug
Who said it's singing days were done

Credits:
Dev Lemons - Writer
Joel Haver - Writer

Always Forever

The Thick Of It (2025)

Saving all my love for you (Cover)

Listen on Spotify

Beautiful Two

#SCFirst

Anyway Anyway is another song from my new album - out this Friday !
LP Goodness Gracious, out Friday 3 May through Dot Dash / Remote Control Records.

#psych #psychedelic #spacerock #indie #dreampop #alternative

Goodness Gracious

Anyway, Anyway

Anna B Savage's second album in⎮Flux is out now on City Slang.

Anna B Savage has always asked questions in her music, but on new album ‘in|FLUX’ answers are no longer her quest. Vulnerability and curiosity have consistently been operative words to describe her work and on her second album she ruminates on the complexities and variables of humanity, the pain or pleasure of love, loss and earthly connection, capturing it all in devastating, elating and powerful ways. 

The key difference between this and previous releases: she’s not anxious about what’s on the other side. She’s come to appreciate staying afloat - basking even - in the open ended, uncertainty of the grey area. She confidently explores lyrical themes and musical tones of duality - she’s a true artist and she’s given herself grace to believe that which has been audibly freeing.