Like the mix of sounds and the sulpontacello mix here

Very original and impressive work.  For whatever reason, the music really brings moth imagery to mind.

Wow really interesting effect, nice unique use of the instruments to create an almost electronic-sounding drone

Great work I enjoyed this a lot! Cool ambient style and a sort of haunting sparse mood.  Tense but also quite lovely.

Alyra Minayeva - Колыбельная

Orchestra Sinfonica "G.Verdi" di Milano (La Verdi) 
Auditorium di Milano (dir. D. Garegnani)




Bokeh

Reach for the light

Beyond all sound is the one who listens
Beyond all visions is the one who sees

Reach for the light
In the darkest hour
Reach for the light
In the shining dawn

Beyond all sound is the one who listens
Beyond all visions is the one who sees

Reach for the light
In the darkest hour
Reach for the light
In the shining dawn

Veyomar Elohim
Yehi Or Va Yehi Or

Veyomar Elohim
Yehi Or Va Yehi Or

Reach for the light
In the darkest hour
Reach for the light
In the shining dawn

Veyomar Elohim
Yehi Or Va Yehi Or

Veyomar Elohim
Yehi Or Va Yehi Or

Veyomar Elohim - Reach For The Light - Zoey Hana Wren

parergons is both concerned with material and with the framing of material. There are two types of material: quasi-unison sections in which the trio articulate fragmented chords drawn from interlocking musical patterns and processes that are never seen to completion, and quasi-contrapuntal sections in which interlocking isorhythmic materials are articulated in partly free or uncoordinated time and further fragmented through the use of unstable playing techniques. The piece interchanges between these two types of materials without resolving them with each other.

www.laurenredhead.eu

Lauren Redhead - parergons

Premiered by Montreal’s Quatuor Bozzini on 14th Nov., 2015. Co-presented by Blue Moss Ensemble and the Music Gallery with the support of the Ontario Arts Council.

Program Note: Scientists have recently revealed that a species of moth in the Kirindy forest of Madagascar drinks tears from the eyes of birds. Birds can usually fly away from these predators, but not while sleeping. The Madagascan moths were observed on the necks of sleeping magpie robins and Newtonia birds, with the tip of their proboscises inserted under the bird’s eyelid, drinking avidly. Sleeping birds have two eyelids, both closed. So instead of the soft, straw-like mouthparts found on tear-drinking moths elsewhere, the Madagascan moth has a proboscis “shaped like an ancient harpoon,” with hooks and barbs. It is inserted under the eyelid where the barbs are used to anchor it in place. The team does not yet know whether the insect spits out an anaesthetic to dull the irritation. They also want to investigate whether, like their counterparts elsewhere, the Madagascan tear-drinkers are all males who get most of their nutrition from the tears. (Deborah MacKenzie)

Moths Drink the Tears of Sleeping Birds

sound of singing homer

Ari Streisfeld and Isabel Ong, violins
me, viola
Jason Calloway, cello
David Kaplan, piano

live July 2018

to you_piano quintet live recording - Anne Leilehua Lanzilotti

Bow, title piece from my 2017 album Bow (Another Timbre, UK)

London Contemporary Orchestra Soloists

Galya Binsengalieva: violin
Mira Benjamin: violin
Robert Ames: viola
Gregor Riddell: cello

Recorded in Ealing, London, England on 11 December 2015, by Simon Reynell

Premiera 19 - 12 - 2019

Keywords: Music. Pianissimo. Trio. Schumann.  Purcell (Fantasia upon one note). Contrary motion. Ricercata.
Kľúčové slová: Hudba. Pianissimo. Trio. Schumann. Purcell (Fantasia upon one note). Protipohyb. Ricercata.

Ma Fin Est Mon Commencement 2019

Freesound 03

Arctic Blooms (2020) by Anna Höstman
Tributary (2018) by Anna Höstman
strings of sound mapping the thresholds of a liminal space (2019) by Jason Doell

Clarinets - Anthony Thompson
Violin - Aysel Taghi-Zada
Piano - Wesley Shen

Recorded live at the Canadian Music Centre
Audio - Matt Antal

strings of sound mapping the thresholds of a liminal space (2019) by Jason Doell

Alone, Together (2019)

Commissioned by Duo Holz

Violin: Aysel Taghi-Zada
Percussion: Michael Murphy

Recorded on December 16 at Victory Social Club, Toronto. Recording by Michael Murphy

Artwork: Split Decision (2018)by James Turrell

Moths Drink the Tears of Sleeping Birds

annacomposer

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