Vinyl Lover.
Just a normal guy, loving especially House music, but going through every electronic genre. 
My music include the love for Jazz music and minimal in the mix. 
Just to understand which meaning has the electronic music to me:
With my first savings of money, I bought the first T-shirt in my life. It was black and on the shirt was written “I ❤️electro“ .
Peace

Ein unschlagbares Gitarrengespann aus einer groovigen Bluesgitarre und virtuosem Melodie-Gefuddel. Ein Bass, so straight wie eine eingeschworene Kamelherde. Ein drückendes Schlagzeug, dass zur Gefahr für jeden Herzschrittmacher werden kann. Als Sahnehäubchen obendrauf: Ein schmachtender, souliger und mitreißender Gesang. 
MADHOUSE MATADORS.
Die 5 potentiellen Schwiegersöhne aus dem Rhein-Main-Gebiet rühren ihre Vorlieben für Südstaaten-Rock, Blues, Pop und Jazz zu einem gehaltvollen Teig zusammen, der in den hitzigen Clubs und Bars der Republik ordentlich gehen soll! 
Jung, alt, dick, dünn, vollbärtig, rasiert Mann, Frau und alles, was dazwischen liegt, kommt garantiert auf seine/ihre Kosten!!

"Ah Oui" Music Video OUT NOW 
https://youtu.be/dRlcpNcWbzQ

SETH XVI - Singer / Producer from Lyon, France

Contact : iamsethxvi@gmail.com
Label : @DDMRecordings

Chanteur, compositeur et multi-instrumentiste autodidacte, SETH XVI (anciennement Sonove) a débuté sa carrière musicale début 2012, à Montélimar. Il s'est ensuite dirigé vers des scènes de plus grande envergure à Grenoble, Lyon, puis Paris, sur lesquelles il a su se faire remarquer, tantôt par ses performances Live ou de ses DJ Sets. L'univers de SETH XVI se situe au carrefour de tendances musicales aussi surprenantes que diverses, toujours à la recherche d'un équilibre subtile entre la musique du monde, la pop chill et ensoleillée, et le r'n'b plus intime. A mi-chemin entre  l'orient et l'occident , l'acoustique et l’électrique, l'image et le son, le monde de SETH XVI est un monde de contrastes, qu'il explore en studio sur son deuxième E.P., Symbolic, ainsi qu'au travers de ses performances live.

for old times' sake..

remember?
Mirissa Beach, Sri Lanka / Rote Sonne, Munich / Beatfreakz@Ritter Butzke, Berlin / Kong, Munich / Grüne Sonne Festival, Hohenpeißenberg / Isle of Summer, Munich / Maedchen Open Air, Munich / ...

contact/booking
maedchentechno@web.de

BENELUX: bookings@rextheagency.com
ROTW: bookings@wyldlabel.com

Dutch, Rotterdam-based DJ & Producer Stef Davidse is making his strides these days. His music travels the world with as many as 163 countries. His music is supported by big names like Jamie Jones, Archie Hamilton, Josh Baker, East End Dubs to name a few. As a young boy, he loved listening to electronic music but fell in love with house music in 2018. At the time making hip hop was his thing but that shifted to experimenting with house music on a daily basis. 

The music Stef is looking for can be described as rolling tunes with a recognisable bass and outstanding synths, which can be clearly heard in his productions and sets. Vocals, Synths and a rolling bass line are Stef's priorities. A jack-of-all-trades, Stef likes to explore different styles and push his musical boundaries. Stef believes that music is a universal language spoken by everyone. For Stef, the concept of music means unity and living in the moment.

Young and fresh, melodic and danceable, cheerful and melancholic, that's the way to describe it: music with a heart that gets Underyourskin.
We invite all Bullerbürianer, Villa Kunterbuntler, Lönnebergas, Taka-Tuka-Ländler, dream dancers & oblique birds of the night to the summery Ringelpietz with touch. 

check our current & coming releases at: https://solo.to/underyourskin
Booking & Demos: alex@uysr.de
Licensing & General: carsten@uysr.de

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

annekotto is following