such a cool song Anne-Marie. it's class. . .a wee bit old school wicker man :)

I'm so excited to share my new song this week - I started writing it on Thursday and have been living in a dreamworld since then, finishing it.  I've forsaken my initial idea to just do iPhone recordings - there was too much fun to be had with multi-tracking so I got fancy and did it in Protools.  This is the first time I've added flute to any of my songs, fun!  

I just finished reading a really lovely non-fiction by Rebecca Solnit called Wanderlust, about the history and culture of walking.  There was a chapter on walking as performance art, and a passage about an artist called Marina Abramovic caught my eye.  She made a pair of shoes from amethyst, intended for meditation; all I knew is that I had to write a song about it.  I even challenged myself not to google image search her "Shoes for Departure" before I had a good idea of my lyrics. 

Week 2: Amethyst Shoes

Mixed & recorded by Mike Erwin

Choir: Holland Andrews, Shannon Steele, Adrianna Locke, Emma Bagley, Jon Schied, Dana Valatka, Pieter Hylton, Devin Ghallager, Brandon Nikola, Bryan Phippen

DEATH AS A WAY

Recorded in a small cabin one summer night in San Luis Obispo, CA w/ members of Sparrows Gate onto a tape with a kitten watching and a classical guitar, 2012

Rake (DEMO)

Alela Diane & Ryan Francesconi - "The Sun Today"

From the album 'Breaking the Spell of Loneliness' by Ewan McLennan & George Monbiot

www.ewanmclennan.cok

Breaking the Spell of Loneliness

Such A Thing As Society

From the album 'Breaking the Spell of Loneliness' by Ewan McLennan & George Monbiot

www.ewanmclennan.co.uk

The Child Inside

Written and recorded at Lookout Point in Sequoia National Park while living there as an Artist-in-Residence.

Dana Falconberry's Album

Alberio

It’s been a grim year. I won’t add to the countless column inches exploring why; suffice to say I’ve spent a great deal of it feeling like humanity is on the edge of oblivion, and wondering if, all things considered, that might not be such a bad thing. At other times I’ve clung to what Obama described as ‘the audacity of hope’ – the idea that we may one day learn to live with love, that future generations may finally step out of the shadow of fear that divided and conquered their ancestors.

I wrote this track the night before last, then got up at 5am to record the guitar before engines started roaring in the bus garage outside my flat. You can hear a few birds singing at the end, but that seemed appropriate, so I left it in. 

Thanks for listening in 2016. Here’s hoping.

20.12.16

FREE DOWNLOAD: Some Hope

{ Watch the lyric video: https://www.youtube.com/watch?v=fL15vLCwzVY }

It's taken me a while to process what's happened and what could happen as a result of November's election. For quite some time I, like so many others, was shocked beyond belief, lost for words, lost in despair. But sometimes inspiration and hope pop up from the unlikeliest of places. In her eloquent Golden Globe acceptance speech (the one where she slams Trump without ever saying his name), Meryl Streep quoted the immortal wisdom of Carrie Fisher: "Take your broken heart and make it into art." Such a simple turn of phrase, almost cliche, and yet it resonated so strongly with me. So, that's what I decided to do. Although I wasn't able to take to the streets in protest this past weekend, this song and video are my own response to Trump's inauguration and the looming shadow of his presidency. This is my first (and perhaps not my last) protest song.

Red Giant

seven years

Singer-songwriter (etc) in Cumbria.

Anne-Marie Sanderson opens a new chapter with her new single, Turning of the Year, offering both an invitation and a manifesto: ‘It’s time to set a new intention, focus our attention / Follow this breath to its full potential...’.

Old Light, her forthcoming debut album [5 Sep 24] promises to be well worth the wait.  Touching on themes of nature, personal growth, and ancestral wisdom, the album is also rich in musical scope, paying homage to diverse influences from folk, pop and jazz. The end result is a signature sound crafted with care in Anne-Marie’s home studio, where she took on the roles of multi-instrumentalist, arranger, recording engineer and producer.

In an age where attention is spread thin and our focus seems constantly blurred by peripheral darkness, Sanderson’s songs seek out glimmers of hope and create space for them to shine. There is an understated authority to her work and an irresistible inevitability to its emotional momentum. Each note and every word is significant, an essential part of the greater whole. Or to borrow from the album’s soulful second single If, ‘everything has got its right place / everything has got its right time / and everything has got a balance / and everything will work out fine.’

"a gloriously wide vista of astonishing grown-up tales which both fascinate and delight – the overall result, complex and immersive, is mesmerising... A bold, unusual and most beautifully constructed body of work." - Tap the Feed Magazine (2018)

Week 2: Amethyst Shoes

Anne-Marie Sanderson

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