Is this your vocals? I love music like this!

⚰︎⛪︎♠︎⚰︎😍🌞🔥🦋🙌✨

This should definitely be in a desert movie

Very nice and relaxing. Nice work and well done.

Very nice, something to savour with a nice glass of red and a open fire and good company

A playlist containing songs that resemble a deep mind exploration.

Mind Exploration

Words and Music Andrew Smith 2021
Four o’clock in the morning, And I’m making my way back home
I feel a new day calling, Got your number on my phone
They say that bolts of lightning, Only happen when it’s meant to be
But Girl this thing is frightening
The life right out of me, Creeping up the stairway
Waiting for a cue, How will I feel tomorrow?
When I’m waking up next to you so tell me now

I’ve been struck by lightning now what can I do
Fallen for another guess I’ve blown my cover with you
Never say for ever but I whispered forever to you
Tearing at the seams ‘cus the Girl of my dream ain’t you
But I’m in disguise as I’m closing my eyes

Feeling warm beside me, Dreamy half awake
This is half of something, But it’s all of our mistake
You make is oh so easy, So I never need to try
To search for what is missing, Never knowing it’s a lie
And when we wake tomorrow, And there’s nobody on the phone
I found a four leaf clover,   And I’m gonna’ take is home so tell me now

I’ve been struck by lightning now what can I do
Fallen for another guess I’ve blown my cover with you
Never say for ever but I whispered forever to you
Tearing at the seams ‘cus the Girl of my dream ain’t you
And I’m in disguise as I’m closing my eyes

There are no words to tell you, just the answer in my eyes
I got no rhyme or reason, it’s got me right between the eyes

I’ve been struck by lightning now what can I do
Fallen for another guess I’ve blown my cover with you
Never say for ever but I whispered forever to you
Tearing at the seams ‘cus the Girl of my dream ain’t you
And I’m in disguise as I open my eyes

Never Say Forever!

Hello, Abyss

L'univers musical de JDOT explore des thématiques
universelles comme la naissance, l'identité et la quête
intérieure. Avec une approche minimaliste mais
profondément évocatrice, il s'adresse à l'imaginaire collectif
tout en restant ancré dans une narration intime

SPACE SHUTTLE

Through The Stars (instrumental)

Wie viele seid ihr wirklich?

Wie viele seid ihr wirklich? (instrumental)

Not all things fade by nature. Some are made to disappear.

Evanescent Frequency mirrors a world where decay is no longer organic but imposed, where lifespans—of objects, ideas, and even sound—are carefully engineered to be short-lived. In nature, resonance lingers, and silence comes gradually. But in an age of programmed obsolescence, disappearance is manufactured, ensuring that what was once essential is discarded before its time.

The music unfolds in this same manufactured cycle. It begins with fragments—small pulses of energy, scattered textures that gradually coalesce, gaining complexity and momentum. Harmonies expand, orchestration thickens, and layers accumulate, reflecting the illusion of permanence and progress.

At its peak, the structure begins to dissolve. But this is not destruction—it is an unraveling, an enforced stillness that overtakes what was once vibrant. The density of sound fades into weightlessness, harmonies drift apart, and resonance becomes ghostly, as if the music itself is slipping away into the unreachable. The frequencies do not end abruptly but instead dissolve into an ethereal quiet, mirroring the way things vanish from use yet never fully disappear.

Evanescent Frequency is a meditation on impermanence, on the forces that decide what is allowed to endure and what is designed to be forgotten. It asks us to listen—to what fades, to what remains, and to the silence left behind.

Evanescent Frequency for Orchestra (BBC Symphony Orchestra Virtual Library_Pre-Release)

First recorded in September 2023.
From the album More Sponges.

It's a song about being a bit of a loner.

This new version was mixed and mastered by
Woods Studio Norway Mixing and Mastering 
www.soundcloud.com/woods_studio 

LYRICS

When I was young, 
Could not read the signs.
Could not see behind eyes.
Need to hear things.
What was left for me?

Out on the road.
people let go.
It's not that they know,
Anything you don't.
Wisdom in jest, you see.

Oh! "When I was a child".
"Where I came from".
Yeah? You're responsible, too.

Just a word before I go.
All you people are dead to me.

Mind: Follow me.
We'll stare at these stars.
That's a planet, it's Mars.
Not that you care.
Can't avoid destiny.

Home is a place.
Where you collect things.
To place inside tins.
Until you lose them.
For all eternity.

Oh, "when I was a child".
I put that away.
Girl, you should do too.

There's just you and your own.
All you people are dead to me.

Oh, "when I was a child".
Forget that one. Boy.
Not important to you.

Just a word in your ear.
All you people are dead to me.

A look from out.
The side of an eye.
A moment to spy.
Whats behind them.
However, fleeting.

A silent dig.
Inside of the mind.
Beside enemy's lines.
Nothing to bind them.
Yes, I'll be leaving.

Oh, "when I was a child".
I thought as such.
I was naught but a fool.

 I discovered, too late.
Mostly.
People, they are dead to me.

Oh, "When I was a child,"
"Where I came from"
Yeah? You're responsible, too.

Just a word before I go.
Oooh...
All you people are dead to me.





All You People Are Dead To Me [2024 Remaster]

An album of six songs based on the concept of atonal progressive music. Its alternative sounds bring to life a mix of avant-garde music and an electronic texture enriched with concrete sound elements.

Nucleation

The Dark Waltz is a track created by Sakhal Music Studio in 2007 as part of the compilation Music of the Arcane. The style was originally defined as Mystery/Gothic.

This music track is protected by Copyright © / 2011 / David D. / Sakhal Music Studio / Sakhalia Net [ Project ] / All Rights Reserved.

The Dark Waltz

[ THE DARK WALTZ ] Mystery Gothic Music by Sakhal Music Studio

Album: "Phosphor" - Variations (Hinter uns das Land / Behind Us The Land)

This album presents 11 unique interpretations of a harrowing scene from the novel "Hinter uns das Land" / "Behind Us The Land": the attack with phosphorus bombs on the refugees during their escape from East Prussia. Each version of the song "Phosphor" delves into the horror and despair of this moment and explores the musical range of human emotions in times of war.

Experience "Phosphor" in 11 different sonic worlds, from darkly atmospheric post-rock and industrial to driving metal and gothic pop-rock variations and soulful alternative versions. Five versions with German vocals and six with English vocals reflect the turmoil and the universal tragedy of the escape.

Discover the musical diversity that emerges from the horror and intensity of this scene in "Hinter uns das Land" / "Behind Us The Land":

Post-Rock: Immerse yourself in atmospheric soundscapes that musically capture the protagonists' inner turmoil and the external threat.
Industrial: Feel the harshness of war and the desperation of the escape in driving rhythms and distorted sounds.
Metal: Experience the raw power of emotions in a powerful and dramatic interpretation.
Gothic-Pop-Rock: Be moved by a melancholic and atmospheric version of the phosphorus attack.
Alternative: Discover experimental and unconventional interpretations that open up new perspectives on the theme.
This album is a musical experiment that pushes the boundaries of genres and casts the timeless story of "Hinter uns das Land" / "Behind Us The Land" in a new light. It is a musical processing of powerlessness, fear, and pain, but also of the will to survive and humanity in inhuman times.

---

Album: "Phosphor" - Variationen (Hinter uns das Land)

Dieses Album präsentiert 11 einzigartige Interpretationen einer erschütternden Szene aus dem Roman "Hinter uns das Land": der Angriff mit Phosphorbomben auf die Flüchtlinge während ihrer Flucht aus Ostpreußen. Jede Version des Songs "Phosphor" taucht ein in das Grauen und die Verzweiflung dieses Moments und erforscht die musikalische Bandbreite der menschlichen Emotionen in Zeiten des Krieges.

Erlebe "Phosphor" in 11 verschiedenen Klangwelten, von düster-atmosphärischem Post-Rock und Industrial über treibende Metal- und Gothic-Pop-Rock-Variationen bis hin zu gefühlvollen Alternative-Versionen. Fünf Versionen mit deutschem Gesang und sechs mit englischem Gesang spiegeln die Zerrissenheit und die universelle Tragik der Flucht wider.

Entdecke die musikalische Vielfalt, die aus dem Grauen und der Intensität dieser Szene in "Hinter uns das Land" erwächst:

Post-Rock: Tauche ein in atmosphärische Klanglandschaften, die die innere Zerrissenheit der Protagonisten und die äußere Bedrohung musikalisch einfangen.
Industrial: Spüre die Härte des Krieges und die Verzweiflung der Flucht in treibenden Rhythmen und verzerrten Klängen.
Metal: Erlebe die rohe Kraft der Emotionen in einer kraftvollen und dramatischen Interpretation.
Gothic-Pop-Rock: Lass dich von einer melancholischen und atmosphärischen Version des Phosphor-Angriffs berühren.
Alternative: Entdecke experimentelle und unkonventionelle Interpretationen, die neue Perspektiven auf das Thema eröffnen.
Dieses Album ist ein musikalisches Experiment, das die Grenzen der Genres sprengt und die zeitlose Geschichte von "Hinter uns das Land" in ein neues Licht rückt. Es ist eine musikalische Verarbeitung von Ohnmacht, Angst und Schmerz, aber auch von Überlebenswillen und Menschlichkeit in unmenschlichen Zeiten.

Fire And Smoke - Alternative

This is our final track for our album, Windmill, which celebrates each of the eight festivals of the year, and @APi_ZZ has provided a beautiful magical flying carpet of sound to transport us to other realms to celebrate Imbolc, on February 1st, when we give thanks to the triple-faced fertility goddess, Bridie-Brigit-Brid.

Words and spoken vocals Annie Dieu-Le-Veut
© Copyright Annie Dieu-Le-Veut, January 2025

Music and cover art APi_ZZ
© Copyright APi_ZZ (Andreas Pirner)  January 2025

Words:

When Earth stands cold and hard as iron, 
And the bitter north wind still blows, 
The Dreamer in the Land yawns, and rises 
To stir up the embers of her smithy’s forge, 
In her crystal and copper caves below. 

So let us talk about young Bridie, the Exalted One. 
Her face as luminous as the Moon that sired her, 
And her heart as bright as the yellow aconites 
That rise up smiling to the winter Sun.
While icicles still drip on the cobbled yard 
And the ice on the bird baths has to be cracked 
For the blue tits, starlings and tiny wrens,
Snowdrops spring up at her feet, wherever she treads, 
As Bride makes her way along the frozen tracks.

So let us praise Brigid of the Tuatha da Danaan, 
Beloved of poets, smiths and farmers alike. 
Ewes come into milk at the touch of her hand 
The rivers are once again jostling with pike, 
And even though Jack Frost still comes at night, 
And the tors and hills are white with snow, 
They turn coral at each sunrise and sunset, 
While carpets of crocus and periwinkles glow
As the gems in the rainbow of her necklace,
A covenant that Spring is on its way.

So let us light a candle for Brid at Imbolc, 
The triple-faced, ripe-wombed One, 
And put out offerings of milk in bowls 
To the Sow Mother, to the White Swan.
Her perpetual fire is kept ever aflame
In a shrine, deep in a hawthorn wood 
On these isles that were given her name
For her blooms and beehives, and orchards 
Where we sing to the apples at Wassail, 
In thanks for her bountiful blessings on us.

Imbolc

Soundcloud release: Jan 17, 2025
YouTube Video Visualizer: https://youtu.be/3CSauYCrZmc
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Synopsis:
IO enters an awakening period after a glimpse into a grey time period.  There is grappling with conflict and fear set by this vision. This is the moment of  inner exploration, untapped resilience, and dormant wisdom. Guided by the lessons discovered thus far, IO spends a moment in this period of renovation. 
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The song intends to create a moment of clarity, a transformative phase, and a renewed sense of determination. A commitment to the journey ahead and a willingness to step beyond one's comfort zone. 
-
Greysign encourages the listener to create their own narrative while experiencing the music with a pair of great-sounding headphones or speakers and to listen to the track without interruption.
-
Music produced, performed, and recorded by Greysign.
Album art created by Greysign.
Copyright 2023-2025
-
http://greysign.io

Awakening

GlueMoon-Accepte Moi Comme Je Suis

love_is_dead (3)

I'm Gone

Bard, storyteller, song maker, star walker and author of books on the sacred mysteries.

All the lyrics of my songs are written by me. I put them to music with A.I. and then I spin up the whole lot in the Magimix with samples and loops. I can't sing for toffee, so if you fall in love with a singer on one my tracks, it's likely to be a robot!  Just sayin'...😎

All my socials: https://hyperfollow.com/anniedieuleveut

As a composer, guitarist, and poet, Giuseppe Bonaccorso is firmly attached to atonal, avant-garde, and highly experimental music. A countercultural artist, he works out his music through original compositional processes never tied to mainstream culture.
#Guitar #Composition #AvantGarde

Imbolc

Annie Dieu-Le-Veut

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