a collection of songs i've written
http://fatherdaughter.co/annieblackman

Collection

Listen to tracks from Father/Daughter's newest + forthcoming releases all in one convenient playlist. Sign up for our newsletter to learn about preorders, get exclusive discounts, and more! http://eepurl.com/hZVldH

What's New

Revisit all of our releases from 2022. What a year it's been!

Father/Daughter 2022

Canciones favoritas - 9

Sommer for Tome of the Unknown (2013)

Calm Moments

All of It

Seeds

Ancient Dreams In A Modern Land

Flowers

Pandora's Box

I Love You But I Love Me More

Goodbye

New America

Prender el Alma

Cumbia del Olvido

Glitch

Glass House

Drive

Vara

It's Alright

Leap Day

Ice Cream Heart

Supervise

Rotten Bun for an Eggless Century

Ghost with a Peach Skin

Rotten Bun

Release: Balatonica Chillout: Summer Edition 2022
Selected by www.balatonica.hu | Balatonica Radio
2022 M-Sol Records
All Stores: https://m-solrecords.com/product/balatonica-chillout-summer-edition-2022/

Lemongrass - Smooth Moments

Free Download

Willow Smith - Wait a Minute! (BLUPRNT Remix)

Brain Like Computer

Tethered

Violence Voyager

Human Bean Instruction Manual

Massive Everything

Congratulations Champion

Metal & Dust

Hey Now

Well nighttime passes, but the dark remains
and I was feelin’ like a little child, but I am loathe to place blame
on that lioness-esque woman, who will go here unnamed
she was looking in me for a lion, when she found it so tame

On that erstwhile May morning, I took the 6 downtown to Spring
and I was writing something elegiac, that I never learned to sing
but I think that it was this song, just four years premature
and I remember crossing out the line - “all is fair in love and war”

Well if all is fair in love and war
then I don’t know what we’re fighting for

Cuz my baby she’s a real peach
even when the night come crashin’ down
real peach
and the nighttime rolls away, alright
and we’re comin’ back to the demon-killing work of love
(my god)

Well nighttime passes and the dark retreats
I hand it over to my upper angel who visits me in sleep
we’re in the field beyond the right and wrong and the fallacy of form
you can call it what you wanna call it, I just say “all is fair in love and war”

Well if all is fair in love and war
then I don’t know what we are fighting for
So if we don’t care to fight no more
let’s go upstairs and let’s shut the door

Cuz my baby she’s a real peach
even when the night come crashin’ down
real peach
and the nighttime rolls away, alright
and we’re comin’ back to the demon-killing work of love
(my god) illuminate

The Rains

Real Peach

BLUE LIPS

disco tits

dont ask dont tell

shedontknowbutsheknows

Kin Leonn’s 1st album “Commune” will be out on 21st December 2018 on KITCHEN. LABEL

Preorder the album here on LP/CD/DL: 
https://www.kitchen-label.com/store/no-23-commune-kin-leonn/

“In endless patience, the days abide. They write themselves: blue flourish and tender instinct. They are haunts and reveries and all manner of dwelling. They are seconds; they are years. They are forevermore.”

Commune is the debut full-length album by Singapore born, London-based producer, composer, electronic artist and pianist, Kin Leonn. Heralding a new era of accomplished young musicians in Singapore, Kin Leonnʼs transportive music projects as founding member of electronic act ‘midstʼ, and his genre-melding solo DJ sets, have instituted him as an in-demand music presence in the cityʼs thriving electronic underground.

Affectionately known by peers as the “ambient boy from Singapore”, Kin Leonnʼs arresting dream-music in Commune is sourced from a well of preconscious phrases, an evocative meditation of sorts – perhaps one that transmutes the city dross into a peaceful self-discovery in search of spiritual unity.

Commune is an atmospheric work mostly recorded using upright piano, reverb-soaked guitar, and synthesisers, with altered virtual instruments and other digital elements added later to create a tension between the organic

and the synthetic. The moods are contemplative and the melancholy, almost all-pervasive. However, within this framework, Kin Leonn explores as much ground as he can, from sweeping ambient bliss to understated piano etudes.

Illustrative song titles like Shinrin-yoku and Somewhere evoke inviting landscapes of reflection and resonance. The more electronic, rhythm-oriented cuts – particularly twin centerpieces Visionary and There were days – find common cause with the producerʼs approach of balancing programmed and improvised music, before dissolving into a liberating resolution of harmonics and noise. Quieter moments in Desire #9 and Detached also stun with their hypnotic beauty and spaciousness, revealing the artistʼs cinematically-attuned approach.

This very sense of fluidity and non-structure gives the record its shape-shifting identity, but across 10 songs and 43 minutes, Commune still functions as a single, cohesive piece of music. Itʼs easy to get lost in the album and it’s a pleasantly disorienting sensation. In the closing piano track, Nightlight serves as the coda for the whole album, showing that Kin Leonnʼs strength as a musician isnʼt all about production complexity, but in the emotional nuance he is able to coax from his instruments with sure instinct and enormous sensitivity.

Kin Leonn releases Commune on 21 December 2018  via KITCHEN. LABEL worldwide. Available on 180g transparent vinyl LP, CD and digital formats, with artwork by Jonathan Yong-Ern Lim. This record is mastered and cut by Francesco Donadello at Calyx Mastering in Berlin, Germany

Kin Leonn - There were days (Commune, 2018)

How

Annie Blackman