Contact & Booking:
Dual Booking
Email: infodualbooking@gmail.com
Tlf: +34 693 36 88 45
Infarto Producciones
Email: infartoproducciones@infartoproducciones.es
Tlf: +34 637878750
Anni Frost is a renown national and international Dj and producer from Madrid. In 2013, debuted with ¨Monkey Business¨, that belong to the American label I!Records. She also participated in the EP remix of the song ¨It´s not enough¨ of Belöp with Óscar Mulero, Raúl Santos y David Kano (The Note Company). In 2015, Anni Frost published the EP ¨Double D¨ on the renowned label of Cristina Varela, Pornographic Rec. and ¨Vlad Song¨ under the label Donkey Head.

She has performed in emblematic club such as Kater Hokzig o Mensch Meier (Berlin), Rockerill (Bruselas) or The London Fields (London), in multitudinary Madrid parties such as GOA in  Fabrik and  Replay in  Groove, She also has mixed in national ballrooms such as the APOLO o L’ ATLANTIDA in  Barcelona, PURO BEACH in Marbella, LA MARTINA in Ibiza. She has been seen in famous Festivals such as Electro Beach and Electro Weekend in Benidorm, Jazzaldia in Donosti, Circuit Festival in Barcelona, Sunrise Festival in ARGELIA, Be Free in Marbella or the Europride de Madrid. You will enjoy her sessions at 2016 edition of the SOS 4.8 Festival.
At the mixers, Anni Frost is pure joy, she has a high development and a particular strength. She loves to renovate and surprise the listeners every time she touches the platines. Her good taste is highlighted in her sessions, which sound like techno and tech house, with a deepness, an innovative aim and so much groove. One of the things that characterize her savoir faire is the complicity that she creates with those who listen and dance to her sound, creating a connexion and a complicity ambient.
Besides, Anni Frost has been nominated as the Best Femenine Artist at the Spanish National Vicious Music Awards, and was chosen as finalist for Emi Music ¨She can DJ¨ awards. She coordinates and directs the Radio Show “120db Sound” in Vicious Radio and is current image of the Sennheiser headsets and the Diamante cockteles.

👉 Portada: Revueltas en París, mayo de 1968 | Foto: Gamma-Keystone

A Month of Revolution Pushed France Into the Modern World (NY Times). ⬇️

https://www.nytimes.com/2018/05/05/world/europe/france-may-1968-revolution.html

👉 1976, born in Marseille and based in Madrid, Spain. Cultural activist, dj, writer and radio host. Co-founder of Madrid's legendary independent radio show Habitación con Vistas since 1997. Writer at Clubbingspain and other media.

👉 Live (Ableton), Propellerhead Reason (DAW) @ La Casa Encendida, Madrid (2006).
 
👉 https://soundcloud.com/habitacionconvistasblog

👉 https://www.clubbingspain.com

👉 MÚSICA ES TRABAJO. CULTURA ES DERECHO, NO PRIVILEGIO. LA SALA ES EL EMPRESARIO, EL MÚSICO EL TRABAJADOR. EXIGE SIEMPRE ALTA EN LA SEGURIDAD SOCIAL, QUE NO TE OBLIGUEN A FACTURAR COMO FALSO AUTÓNOMO. AFÍLIATE. ⬇️

http://coordinadorasindical.org

👉 "Sosegados Esperpentos Elásticos" es un ciclo experimental del programa de radio Habitación con Vistas, una cita mensual enfocada a las sesiones de escucha activas donde la música es la principal protagonista. Creado, presentado y dirigido por Thierry García. Junio 2021.

https://soundcloud.com/thierrymarseillais/sets/sosegados-esperpentos

👉 "Históricamente se ha legitimado que el trabajo artístico podía ser pagado con capital simbólico, con el aplauso o el reconocimiento, que hoy se materializa especialmente en las redes. Afortunadamente, esa herencia injusta está cambiando. Los artistas y creadores son también trabajadores y necesitan dinero que les permita vivir. Reiterar ese estereotipo vendría a confirmar que los trabajadores creativos sólo podrían ser gente valiente dispuesta a sacrificarse o quienes ya tienen dinero, y limitar la creación a los ricos sería volver varios siglos atrás". Remedios Zafra.

Bookings/Mgmt Worldwide:
Agustín Lopez
agustin.lopez@industriaworks.com

NA
Devin Landau
dlandau@tbaagency.com

México
Lalo Rojas
lalo@caballeros.tv

Europe / UK
nevan@klsbookings.com

Residing in Bologna, Italy’s capital of food and music, Ilary Montanari is one of electronic music’s best kept secrets.
She began her journey in 2014, spinning house in small clubs around the city, earning herself a residency at one of Bologna’s most exciting events ‘051 Party Bologna’.
Determined to take her career to greater heights, Ilary began producing deep house in 2015, influenced by old skool icons Little Louie Vega, Frankie Knuckles, Deep Dish and Dennis Ferrer. Her debut release, ‘Deep In My Soul’ was picked up by Italian label New Creatures, kickstarting her adventure as a professional artist.
Over time, Ilary’s approach evolved to suit the ever changing landscape of house, developing a signature brand of tech house consisting of driving bass lines and latin percussion, often coupled with hispanic vocals.
Despite the commercialisation of the scene in recent years she has invariably stuck to her roots, consistently delivering a raw, authentic sound which has allowed her music to stand out in a heavily saturated industry.
2018 was Ilary’s breakthrough year.
Her hit single ‘Morenita’ was immediately snapped up by Flashmob Records, giving rise to one of the most successful tech house collaborations of 2018.
It took almost two months for the original to finally lose its place in the Traxsource Top 100 chart, while label boss Flashmob’s remix of the track earned more than 10 Million streams worldwide.
By the turn of the year, Ilary had secured a number of releases on respected labels Klaphouse, Natura Viva and Supernova’s imprint Lapsus Music.
In 2019, Ilary’s friendship with Flashmob and the label bore another fruit; ‘La Pluma’ a South American infused record that captured the very same raw, latin spirit that had catapulted ‘Morenita’ into the charts. It’s no surprise label boss Alessandro couldn’t resist putting his own spin on it with another Flashmob remix.
These days, you can find Ilary performing in venues across Europe, with appearances at Sonar and ADE festivals under her belt and an array of high profile releases on labels such as Happy Techno, Material, Basica Recordings, Freakin 909, Ocean Trax and Safe Music.
What’s more, in Ilary’s own words “The best is yet to come”

Anni Frost is following