Matt Berry was always convinced that, should he be lucky enough to avoid getting a ‘normal’ job, he would be a musician. His life would follow a certain path which, whilst not obviously attractive to most, would have seen him be ‘in a number of bands that would get dropped by the record company.’. So far it hasn’t quite turned out like that at all. 

‘Witchazel’ announced Berry as a writer of some distinction, MOJO praising an album ‘coming from a place of real eccentricity and imagination’, The Guardian finding the whole thing ‘genuinely impressive’,The Times declaring Matt a ‘multi-instrumental pysch-folk genius’  and Q summing it up neatly for the newcomers as ‘the sound of the Fleet Foxes had they grown up within earshot of the M25’.

To hear and download my mashes and bootleg remixes go to https://hearthis.at/apollozero/

copy-write 2011-2021
 Vincent Friel except where noted.

Jinki donbau

keepawaysaus@gmail.com
https://thekeepawaysaus.bandcamp.com/
https://www.youtube.com/watch?v=I9I0bAnWZBw



Twice-monthly community updates for the small desert town of Night Vale, featuring local weather, news, announcements from the Sheriff's Secret Police, mysterious lights in the night sky, dark hooded figures with unknowable powers, and cultural events. Turn on your radio and hide. Welcome to Night Vale. (Produced by Commonplace Books. Written by Joseph Fink and Jeffrey Cranor. Narrated by Cecil Baldwin. On Twitter as NightValeRadio)

***FOLLOW THE SOUNDCLOUD FOR THE NEW RELEASES***

Gosteffects serves up a witch’s brew of club anthems, dutchy tech house grooves, dubstep sensibilities and big kick drums ready for the floor. His hotly anticipated (his soundcloud preview hit #1 on HYPEM) debut releases ‘Slave To The Sweat’ single + remixes (Feb 2012) and ‘Kick The Bass’ EP (March 2012) on the Gosteffects label Afterlife hit the top 5 on Beatport’s electronic charts and welcomed massive blog buzz. His first single ‘Slave To The Sweat’ is a mesh of electronic percussive elements, unconventional hover synth splicing and mechanized vocals conjuring up visions of sinful bodies packing a hot, sweaty dance floor. ‘STTS’ along with ‘Tear The Club Up’, ‘Kick The Bass’, and ‘Yeah!’ are now regular staples on playlists around the globe from some of the biggest names in electronic music including; Fatboy Slim’s official beatport top 10 beach boutique 2012, Benni Benassi’s EDC & Ibiza essential Cream live mixes, Laidback Luke’s radio and live sets and Steve Aoki’s Sirius FM radio.

‘Sleazy and sexy, just like I like it’ -Fatboy Slim

‘Huge potential in the clubs!’ -Paul Oakenfold 

‘In the world of club anthems…this is massive.’ -Magnetic Mag

‘HUGE! All mixes are madness’ -Guy Garrett, DMC Buzz Charts - #8 Buzz Charts

‘New York producer with a penchant for chugging bass-lines and Diplo-esque party bangers’ -Mixmag

‘Perfect for those nights where you’re deep in Vacay debauchery and all that you remember is that the music was pumping.’ -Vacayvitamins.com

Tracks dropped by:
Benny Benassi 
Steve Aoki
Robbie Rivera
Laidback Luke
Diplo
Chuckie
Fatboy Slim
Tommie Sunshine
Anna Lunoe

Presenting Greater West London's theatre 'Sketch Showcase' for 91.8 Hayes FM on the Drive Time show. This first aired in the summer of 2012 in association with the annual Hillingdon Artsweek festival. Features include comedy sketches from local theatre groups and interviews from 'Purple Theatre Company' 'Players 2'  the Ealing 'Beaufort Players' and well known writing sketch group, the 'Errors of Comedy' from Questors theatre.

A community project to the famous HQ of 'His Master's Voice' (HMV music) at the UK's biggest record factory and birthplace of electrical inventions at EMI Electric Musical Industries which broadcasts on 91.8 Hayes FM across the London Borough of Hillingdon.

AnnLarimer is following