Cover of Ramin Djawadi - Dr. Ford from "Westworld" series sountrack

Dr Ford (cover)

Hans Zimmer - Inception - Dream Within A Dream (Slowed Down)

∙ＨＤ  ＡＵＤＩＯ∙‏‏‎‏‏‎ ‎ ‎‏‏‎ ‎‏‏‎ Kevin Kiner - Ahsoka - End Credits [SLOWED + a little bit of REVERB]

With the second part of dune coming out recently (and me not having watched dune before) I watched both parts and instantly fell in love with Hans Zimmer's amazing soundtrack! My thought process for this remix was "What if Leaving Caladan had a payoff after that long buildup?" This is the result :) Hope you all enjoy!

Hans Zimmer - Leaving Caladan [thorlee Remix]

STAR WARS lofi

Across the Stars (Love Theme from "Star Wars: Attack of the Clones")

Out of the Soundtrack "The Hobbit : An unexpected Journey". Richard Armitage and the Dwarf Cast.
Youtube : 
http://youtu.be/zAns_82ntQU

Richard Armitage and the Dwarf Cast - Misty Mountains (ALFAKRAFT -  misty Bootleg)

Produced by M.U.T.T.

Contains samples of 'My Road Leads Into The Desert by Hans Zimmer.

Hans Zimmer - My Road Leads Into The Desert (M.U.T.T Remix)

Our take on the classic "Metallica" track "Nothing Else Matters"

James & Deano - Nothing Else Matters (Metallica Cover)

In this episode, composer DANIEL PEMBERTON shares 5 tracks from his KING ARTHUR SCORE and talks about researching medieval instruments long before starting any of his writing and how he visiting renaissance fairs resulted in finding several unique instruments to employ in his score. Lastly, he talks about the challenge of writing a Medieval yet contemporary score and how KING ARTHUR brought him to the point of heavy breathing and whiskey enabled vocalizations.

All episodes can be found at THEANNOTATOR.NET

The Annotator

Daniel Pemberton - King Arthur: Legend of the Sword (Ep. 1)

Hans Zimmer dans toute sa splendeur (lol) !!!

Hans Zimmer : https://soundcloud.com/hans-zimmer-official

Moi : https://www.youtube.com/channel/UCABdRB1YuZD_Hy3kmBFZT7Q

Time

Time - Hand Zimmer (Frenchmax remix)

Черный альбом

Paint it black (Ramin Djawadi)

What if I gave a composer the opportunity to comment on his or her work, unfettered, unguided, and undistracted by the potentially repetitive and shallow questions of an interviewer?  What if they could tell some of the most entertaining, insightful, and humanizing stories about their music, if only given the chance?