sonundalar

Ed- Wierd

بوک تایم

anoice

Orchestral Shit

tweet

Directed by : Theodoros Angelopoulos
1998

Eleni Karaindrou - Eternity And A Day (Full OST)

Made with Figure for iOS. Don't have Figure yet? It's a fun, easy and bargain-priced music making app that anyone can use! Read about it here: http://itunes.com/app/figure

Picio at GRAVITY 下北沢店

Bruno Coulais is a French composer, born in Paris on 13 January 1954. He has a father from Vendée and his mother is an Iraqi Jew. He is most widely known for his music on film soundtracks.

Coulais began his musical education on the violin and piano, aiming to become a composer of contemporary classical music. However, a series of acquaintances gradually re-oriented him towards film music. Coulais was particularly influenced by director François Reichenbach, who asked him in 1977 to write the soundtrack to his new documentary Mexico Magico. The first full-length production he composed the score for was the 1986 film La femme secrète by Sébastien Grall. Until the end of the 1990s, he remained low-profile, composing mainly for television. His name can often be found from TV films by Gérard Marx and Laurent Heynemann. He also composed the soundtracks for Christine Pascal’s 1992 film Le petit prince a dit, and Agnès Merlet’s Le fils du requin in 1993.

In 1994, he met the television producer Josée Dayan, who let him write a theme for the TV series La rivière Esperance, aired on the France 2 network in autumn 1995. He worked with Dayan again with other major productions such as Le comte de Monte-Cristo, Balzac, and Les nuiteux.

The largest turning point of his career came in 1996, when he worked with directors Claude Nuridsany and Marie Pérennou of the documentary Microcosmos. This single film, which gave a great significance to the music in it, was a great success and made Coulais one of the most wanted composers of French film music. In 1997, he won the César award for the best musical score in a film, as well as a Victoire de la Musique. His reputation was confirmed by the soundtracks to Himalaya (1999) and Les rivières pourpres (2000), and after that Bruno Coulais’s name was to be found on most new French blockbusters, such as Belphégor and Vidocq.

After producing the soundtrack to Winged Migration in 2001, Coulais announced that he wanted to significantly reduce his contributions to film music, and instead concentrate on other projects, such as the creation of an opera for children, and collaborations with Akhenaton, Akhenaton’s group IAM and the Corsican group A Filetta, with whom he had worked since he had made the soundtrack for Jacques Weber’s film Don Juan in 1998.

In 2002, his name was found on the ending credits of the animation L’enfant qui voulait être un ours, and in 2004, on Frédéric Schoendoerffer’s Agents secrets. The same year, he wrote the soundtrack to the film Les choristes by Christophe Baratier, which subsequently became an international hit. The music for this film received as great praise as the film itself, and it won Coulais his third César award. Since then, Coulais’s collaborations in cinema seem to be limited to works by directors with whom he already shares some history, in particular Jacques Perrin, Frédéric Schoendoerffer, and James Huth.

Bruno Coulais’s musical style may vary significantly between different projects, but there are some constant factors visible: his taste for opera and for human voice (in particular that of children), for a search for original sonority, for world music and mixing different musical cultures, and finally, a certain tendency to give preference to the ambience created by lighting rather than the film’s narration.

Coraline Soundtrack Song  Exploration

Made with Figure for iOS. Don't have Figure yet? It's a fun, easy and bargain-priced music making app that anyone can use! Read about it here: https://itunes.apple.com/app/figure/id511269223?mt=8&at=11lGe2&ct=soundcloud

Sanbonjime

Pre-order the long-form EP on 10"/CD/DL here:
http://www.erasedtapes.com/store/index/ERATP064
Or via iTunes to receive this song for instant download:
http://snip.ftpromo.net/evertina

Erased Tapes first introduced Lubomyr Melnyk and his unique continuous music technique to a wider audience with ‘Corollaries’, an album produced by Peter Broderick in 2013. Now he returns with a 24-minute mini album entitled 'Evertina'. Featuring three newly composed solo piano pieces, the long-form EP showcases another side to Lubomyr Melnyk – his more gentle and melodic work.

In 2012 Lubomyr's ears began to notice the remarkable tonal depth of upright pianos. To Lubomyr the upright piano sound is like a natural forest of microcosmic colours. 'Evertina' and 'Awaiting' were created on a middle-aged upright piano at a friend's home in New York in October 2012 – just before Hurricane Sandy hit the city. Some children were listening to Lubomyr as he played in a hotel lobby in Cologne and 'Butterfly' is the piece that he made for them. It was recorded on a battered grand piano somewhere in Switzerland in late 2013, with the lid closed down to soften the effect. ‘Evertina’ will be available on 10” vinyl, CD and download from December 15th.

IN HIS OWN WORDS:

"The piano for me has so many different faces, so many personalities and wonders, it is like life itself, ever-changing yet always holding to a permanence of beauty. Like butterflies that never fly in a straight line but always carry their loveliness with them in their multi-angled paths. I want people to hear these pieces, that are always hidden from the world. I keep them locked away in a quiet place, far from the concert hall. Why do I do that? I guess it is because they are so easy to play, so effortless, I can do them while sleeping. Whereas my more demanding abilities on the piano come out in the forceful nature of continuous playing. There, the new ground is being broken and a new door is being opened for the world. But that does not mean that I am bound by nature or by god to do only continuous music. My heart moves into these pieces just as it moves into the continuous modalities. So here, for the very first time, I am bringing three of these little miniatures to the public view. May everyone enjoy them for their gentle simplicity and quietude.

These three pieces fit so nicely together in spirit, they present a tableau, a tiny triptych that can reach the world without waiting for a major work, they stand beautifully on their own, and do not need an album to surround them with comfort and padding. No, they are what they are, and a short musical interlude as this record gives, is just perfect for their nature."

– LUBOMYR MELNYK

The cover artwork was created by American artist Gregory Euclide, who also designed the relief cover art for the album ‘Corollaries’. 

TRACK LISTING: 1. Evertina  2. Awaiting  3. Butterfly (for Solo Piano)

OFFICIAL WEBSITES:  lubomyr.com · erasedtapes.com

Evertina

Buy 10"/CD/DL

Lubomyr Melnyk – Evertina

Mark Eliyahu - Journey

Expansion of the Blockade / Heisoku no Kakudai piano cover

only the first part or so, since I didn't get all the DLC expansions.

---

recorded myself playing two different parts, so I guess it's a piano duet, 

but played alone

;_;

DLC 1-2 of the Blockade (Expansion of the Blockade piano ver.)

Howl's Moving Castle Soundtrack  -Flower Garden-

JoJos Bizarre Adventure Diamond Is Unbreakable OST - Evolution

Good Morning Morioh

Irreversible Sadness

Closer, Still

Sans Souci

واژه‌ها در دستم منتظرند

بیا به موهایت رویا ببافم
-----------------------------
خیابان بوی یاس می‌دهد
  موهایت را به باد داده ای
----------------------------------

رویایی که به موهایت بافتم(A dream braided to your hair)

Original soundtrack composed for the movie "The Cakemaker" (2017) directed by Ofir Raul Graizer. www.ofir-raul-graizer.com 
Watch the movie trailer here: 
www.youtube.com/watch?v=EzJKBdRfk0U
All music composed, performed, mixed & mastered by 
Dominique Charpentier 
© 2017 Dominique Charpentier. Unauthorized copying, hiring, lending, public performance & broadcasting prohibited. 
All rights reserved. Made in the E.U

The Cakemaker Original Motion Picture Soundtrack

Buy Now

Heartbeat - The Cakemaker Original Soundtrack

Dialga's Fight To The Finish! [Remix] - "Stardust"

featuring:
Vocals - Maya Nadir
Piano - Niklas Paschburg
Cello - Chrisitian Pensel

برگ برگ سند عمر تو گر مثل درختی باشد
من به جز سرو، به جز کاج نمی‌بینم چون
که به هر باد، به هر خاک، به هر زمزمه‌ای 
گوش جان داده و روییده‌است در آتش و خون
به بهاران پر از اسرار طلوع خورشید
به خزان سبز و بلند و پر نجوای امید
که اگر سوزه سرمای زمستان به در منزلمان روی آورد،
تو همیشه هستی
تو همیشه بودی
تو همیشه روی بر طاق ثریا
دست مشغول دعا،
عشق باریدی همچون مادر
دست بر شانه و سر
مهر از روز ازل
آنچه در دست و دلت بود نثارم کردی.
ولی امروز پس از چند هزاران سالی
رنگ و رخسار تو انگار ندایی دگر است
پوششت بیشتر از پیش بسی سوزنی و
دور تا دور تو دیوار و حصار و سپر است
تو درختی خوش قامت و آزاد و بلند
چه نیازت بود این باغبن دوز پسند؟
باغبان اوست که در خدمت گل
لانه بلبل خوش‌خوان سازد
نه ز ترس تیغ ساقه او
نسترن را خشک خرمن سازد

شعر: آیدا شاه قاسمی

05 - Yellow Evergreen

The music one craves when picking yourself up.

It has been four years since Anoice’s 4th album, 'into the shadows’, the masterpiece of neoclassical, post-rock, and ambient music, featuring ’old lighthouse' which became the #1 trending track on Spotify as Japanese artists, and 'invasion’ which was used as the credit roll tune of 'Girl Lost', a US movie which was the #1 trending movie on Amazon Prime Video. An instrumental music band featuring a magnificent cinematic sound, Anoice will finally release their 5th studio album 'Ghost in the Clocks’, after releases from the members' solo projects, Takahiro Kido and Yuki Murata, and side projects RiLF, Films, and Mizu Amane. It’s set to be a future classic.

On this album, Anoice express the world that follows 'The Black Rain', their highly-praised 3rd album, which was selected as one of the top albums of the year by many music review websites. This is a new dark cinematic masterpiece that is also Anoice's unique sound.

This album was created from passionate piano lines and a beautiful strings section formed by violin, viola, cello, and flute, and an energetic rhythm, but especially 'time' and 'heroes' have a powerful sound akin to a Hollywood soundtrack. Also, woven into the fabric of the album is beautiful chamber music with melodies that will echo through your minds, such as ‘missing’, a re-arranged version of a piece composed for 'Double Fantasy’, a Japanese TV drama series, and 'it' reminiscent of 'Liange' that is one of the tracks included in Anoice's 1st album ‘Remmings’, a popular song for Anoice fans. In addition, you can also feel a punk spirit of Anoice in a destructive rock tune ‘rebirth'.

Artist Yoko Shinto, who took charge of the artworks of Anoice's 3rd album 'The Black Rain', once again complimented the music with her wonderful illustrations. 'Ghost in the Clocks' will be released not only on CD and digital but also vinyl record, a first for the band, and will be distributed worldwide. You can also get an amount-limited postcard designed by Yoko Shinto and a sticker designed by Naoko Okada who is the illustrator for some releases from Anoice, Yuki Murata, and Films. Also, if you order a copy of vinyl LP by the release date on Ricco Label's official webstore or BandCamp, you can get a copy of CD for FREE.
https://riccolabel.bandcamp.com/album/ghost-in-the-clocks

Ghost in the Clocks

rebirth

BandCamp

rebirth (Anoice 'Ghost in the Clocks')

clockwork moment

clockwork moment (Anoice 'Ghost in the Clocks')

heroes

heroes (Anoice 'Ghost in the Clocks')

room with nobody

room with nobody (Anoice 'Ghost in the Clocks')

The music one craves when picking yourself up.

It has been four years since Anoice’s 4th album, 'into the shadows’, the masterpiece of neoclassical, post-rock, and ambient music, featuring ’old lighthouse' which became the 1st trending track on Spotify as Japanese artists, and 'invasion’ which was used as the credit roll tune of 'Girl Lost', a US movie which was the 1st trending movie on Amazon Prime Video. An instrumental music band featuring a magnificent cinematic sound, Anoice will finally release their 5th studio album 'Ghost in the Clocks’, after releases from the members' solo projects, Takahiro Kido and Yuki Murata, and side projects RiLF, Films, and Mizu Amane. It’s set to be a future classic.

On this album, Anoice express the world that follows 'The Black Rain', their highly-praised 3rd album, which was selected as one of the top albums of the year by many music review websites. This is a new dark cinematic masterpiece that is also Anoice's unique sound.

This album was created from passionate piano lines and a beautiful strings section formed by violin, viola, cello, and flute, and an energetic rhythm, but especially 'time' and 'heroes' have a powerful sound akin to a Hollywood soundtrack. Also, woven into the fabric of the album is beautiful chamber music with melodies that will echo through your minds, such as ‘missing’, a re-arranged version of a piece composed for 'Double Fantasy’, a Japanese TV drama series, and 'it' reminiscent of 'Liange' that is one of the tracks included in Anoice's 1st album ‘Remmings’, a popular song for Anoice fans. In addition, you can also feel a punk spirit of Anoice in a destructive rock tune ‘rebirth'.

Artist Yoko Shinto, who took charge of the artworks of Anoice's 3rd album 'The Black Rain', once again complimented the music with her wonderful illustrations. 'Ghost in the Clocks' will be released not only on CD and digital but also vinyl record, a first for the band, and will be distributed worldwide. You can also get an amount-limited postcard designed by Yoko Shinto and a sticker designed by Naoko Okada who is the illustrator for some releases from Anoice, Yuki Murata, and Films. Also, if you order a copy of vinyl LP by the release date on Ricco Label's official webstore or BandCamp, you can get a copy of CD for FREE.
https://riccolabel.bandcamp.com/album/ghost-in-the-clocks

missing

missing (Anoice 'Ghost in the Clocks')

Mycropolygon Glitch

Edge of Chaos -- where stuff actually happens, by QMC

Edge of Chaos

My Shades (where the fuck are them!), by QMC

From: SOS, Snippets of Sampling.

My Shades (WTF)

Album out now on Erased Tapes. You can order it here: http://www.erasedtapes.com/store/index/ERATP048

'Captivating as ever' – The Wire
'Modern classical raptures' ★★★★ – Uncut
'Superb' ★★★★ – Mojo
'Hypnotic' ★★★★ – Rolling Stone (DE)
'One of the most remarkable albums of his career' ★★★★ – DeMorgen (BE)
'Epic, meditative stillness' Album of the Week – WQXR Q2 Music (US)

ABOUT THE ALBUM:

April 2013 will see Ukrainian pianist Lubomyr Melnyk, the pioneer of Continuous Music, return with his first release on UK’s contemporary music label Erased Tapes. Entitled 'Corollaries', the album was recorded and produced with the help of Peter Broderick, Nils Frahm, Martyn Heyne and label founder Robert Raths, who decided it’s time to share the great musical legacy of their new found friend. Or as Melnyk put it: ‘Where were you guys when I was thirty?’

IN HIS OWN WORDS:

‘My first encounter with Peter was at the Ambientfestival in Cologne, when I came into the cathedral where he was playing along with Nils. I was amazed and enthralled by the beauty and power of their music. The colours and majesty of the cathedral coupled with their music made it a great experience I will never forget. The music seemed to come out of the great stone pillars of the cathedral and from the very walls. It was an ecstatic moment. And I was so pleased that after his show, Peter came and spoke with me about my music and things, which was so nice since he is a gentle soul. Some time later, Peter contacted me with an invitation to come visit him in Berlin and try creating some music together. 

I arrived in Berlin with some apprehension over what our collaborations would be like. I had not played improvisation with other ambient musicians before, having worked solo for all these past years. So it was such a relief to start playing at his studio and hear his wonderful input. He was adding a beautiful and delicate dust cover of sounds and pearly effects that cast a lovely sparkle over the piano music --- I loved it.  

My piano music was happy with this new dimension of sounds. Peter just felt, in his natural way, the right things to do. It was a thrill to hear Continuous Music in some new clothes! And with the addition of Nils and Martyn, we all felt the beautiful spell of the communal flow as the music carried us into wonderful spaces.’  – LUBOMYR MELNYK

The album artwork was created by American contemporary artist Gregory Euclide, best known for his sculptural relief work and cover art for Bon Iver. Euclide was listening to early mixes of the recordings on repeat whilst creating the two paintings contained in the record, describing his visual counterpart to Melnyk's work as 'a continuous cycle of growth and decay'.

lubomyr.com
erasedtapes.com
peterbroderick.net
gregoryeuclide.com

Corollaries

The Six Day Moment

Lubomyr Melnyk - The Six Day Moment

You May Call Me Father (Balder theme )

Stream on Spotify

Alone With You

جشن چشمان تو شد اغاز

و سپس گلها

آنچنان وجد کنان خندیدند

که به منقار طلایی همه ی مرغان

خنده را از همه جا چیدند

پر زنان،رقص کنان کوچیدند

 

 

پرده خود را به کناری زد

در،درخشان شد و بگشاد،سپس

جشن چشمان تو شد آغاز

روح،چون باغ شفق،شعله کنان بشکفت

 

 

گام برداشتی از گام درون باغ

غنچه ها پرده دریدند زپرده،سرمست

وشکوفان گشتند

خارها حتی

ناگهان گل کردند

تا به چشمان تو گویند،سلام

رنگها گام تورا تهنیتی خواندند

 

 

جشن چشمان تو شد آغاز

چشمه اندام تو را در خود شست

دست سودی تو به گیسوی بلند بید

گیسوی سبز و بلند

واژگون از ته آب افشان شد

چشمه بالید به خود،رقصان شد

 

 

بازگشتی و به من گفتی:((مجنون!برویم؟))

 

 

 ((به کجا لیلی من؟))پرسیدم

((به کجا؟))پرسیدم

((به کجا؟آخر از این باغ کجا،لیلی من؟))

 

گام برداشتی دور شدی!

---------------------------
*چشم بگشادم و دیدم کس نیست

زیر یک بید سیاه خشک

در بیابانی تنها،با حرص

**خارها را چو گل میبوسم
------------------------------------------------------------------------------------------------------------
A M, [01.07.20 20:19]
ای دوست!
آن دست‌های کوچک عاشق را
بر روی پلک‌های کسی دیگر بگذار،
زیرا،
اکنون چو تازیانه فرو می‌آیند
و آن مخمس زیبا را
– انگشت‌های ناب بلندت را –
تعویذ بازوان کسی دیگر کن!
زیرا،
هنگام اعتراف رسیده ست:
ارواح شوم آینه‌ها را
من
احضار کرده‌ام
و اعتراف وحشت از شب را
آغاز کرده‌ام:
در روز و روزگاری،
که مردم قلمرو وحشت
همچون کبوتران مهاجر بودند،
و خانه‌ی خودم،
تبعیدگاه قلب خودم بود
من خویش را،
بر روی صفحه‌ها متلاشی کردم:
گاهی، چو خرده نانی،
بر سفره‌های خالی کفترها،
بسیار بار، اما،
چون شیشه‌ای شکسته
پراکنده
بر روی ریگ‌های بیابان‌ها
از من شکسته‌تر کسی آیا هست
Memke و اسم موزیک Moln
A M, [01.07.20 20:21]
به #براهنی و به روزهای سرد تابستان این سال شوم

به کجا لیلی من, به کجا ؟

Dark cinematic instrumental music group which the members also have solo/side projects; Takahiro Kido, Yuki Murata, RiLF, Films, Mizu Amane, Mokyow, Cru, and Tokyo Ambient Collective.