https://pascalsavy.bandcamp.com/album/colour-fields

Originally released on Audio. Visuals. Atmosphere. https://audiovisualsatmosphere.com October 5th, 2018 (AVA62, C57, Edition of 55). 

From the original press release: 

A manifold of hypnagogic frames balancing wind, wave and star. Symmetric pearl timbres touch the seams of the three-dimensional world. 

Volcanic sound transcending its temporal limits, only to be found at the rim of the pyramid. As the wheel turns the balance is attached to the crescentic stone and snow-covered ridges. Sustained pitches acknowledge the spectral phenomena carved in chroma rooms. The mesa of the moon drains diffused energy as pastoral currents break the ocean’s vector.

Colour Fields

A Solarised Vortex

Taken from the album 'Toxic Cosmopolitanism' released as LP / Download

Kassel Jaeger 'Exposure Scales — Sunlight' (eMEGO 183)

This is a shortened edit of my long-form ambient track of the same title. You can find the full-length version at Bandcamp here:

https://manwithamoviecamera.bandcamp.com/album/return-to-belimbing

Return to Belimbing (Edit)

"George Chua’s “Evidence of Things Not Seen” has personally been a favorite album of mine for about a decade. In 2006 the title was self released by the Singapore based artist on a limited run of CDR’s and made available for direct download on his website, which is how I obtained it. I remember there was something immediately unique about the 4 pieces; specifically off the first take “Gloria”, that it felt more like the document of a living organism, rather than a piece of music. As you accrue more listens of course your pattern recognition starts to formulate and separate the musical signatures; but the piece still maintains that effervescent living form that moves without you but wills you to follow it. This past year I felt compelled to link friends into the album, however, I couldn't find any digital copy online, and moreover hardly any information on it. This startled me a bit and I got to work- By way of Social Media I was able to get in contact with George (Thanks to friends at Kitchen Label) and he happily agreed to present the album digitally with Anòmia, thus making it accessible to those who missed it the first time around." 
—David Sutton 

More info: anomia.info

Recorded between 2003–2004 using the Plogue Bidule software.

Evidence Of Things Not Seen

ANM043 George Chua — Gloria

excerpt from an unlabeled live recording 2017

Mare Insularum

produced by : @freretuck
label : @santeloisirs
release date : May7th
link : https://santeloisirs.bandcamp.com/album/portland-expanded-sl12

frere tuck  -  L'eau De La Source

INFO => self-titledmag.com/2018/05/11/ne247-meyers-negative-artist-mix/

NE247: Meyers - 'Negative Artist' Mix

From the upcoming Album "Vegetal Negatives"
Release Date 29 March 2019
Hallowground.com
HG1901
Vinyl / Digital

”Let us unfold the animal outward: the bronchia will become a thick foliage, keeping its respiratory function, but in reverse, naturally (CO2 absorption), reversed also concerning color, from the tint of calves’ lungs to its complementary cabbage green. The digestive system will become roots, maintaining its role of drawing in nourishment from the outside environment. […] for each animal form there exists a corresponding vegetal form. The man who would find his vegetal negative and unite with it would restore the integrity of the cosmos.”

Vegetal Negatives is a game of sonic mutations, mimicry, inversions, and association inspired by a text called "On pataphotograms", by the French writer René Daumal – a quasi-metaphysical essay that toys with breaking the conceived separateness of natural forms through poetic imagination.

Marja Ahti (b. 1981) is a Swedish-born artist living and working in Turku, Finland. She has been an active part of the Finnish experimental music scene for more than ten years. Now arriving at her debut LP under her own name, Ahti explores a new formal language and sonic palette that ventures far from the path of her earlier work.

The four electroacoustic compositions on the album combine and arrange field recordings, electronic feedback, Buchla and ARP synthesizers, bowl gong and harmonium, textures of detailed acoustic sound, and sustained tones with gentle microtonal beating into a precise musical narrative. She juxtaposes recordings of rooms and empty vessels, natural and artificial climates, spontaneous and staged events. Ahti draws upon Annea Lockwood's ideas about associative movements between sounds based on shared characteristics and sonic energy. Her approach to field recordings is neither diaristic, documentaristic, nor purely acousmatic, but rather it starts out from somewhere in between these notions: the sounds hover between abstraction and the deeply familiar, moving into a realm of poetic metaphor where they are set in relation to each other, fleetingly mirroring or shadow-dancing. Acoustic environments mutate into synthetically derived shadow forms.

The opening track, "Coastal Inversion”, moves from a seemingly familiar seascape into an ocean of wavelike synthetic staccato patterns, turning itself inside-out on the shore, before diving back into a sea of resonance. ”Rooftop gardens” arranges a series of largely unprocessed field recordings into a dream-logic sequence of upward movement towards the clouds. On the other side, ”Symbiogenesis” brews a slow evolution of wet, airy and earthy sounds and resonant friction. The closing track, ”Chora”, imagines a meditative space of breath: filter resonance posing as organ pipes against a backdrop of breezy industrial hoovers merges halfway with a harmonium improvisation that foregrounds the frictions of the wooden instrument itself, just before filtering out into resonant harmony.

Tracklist:
A1) Coastal Inversion (12:14)		B1) Symbiogenesis (07:22)
A2) Rooftop Gardens (05:44)		B2) Chora (10:47)

Credits:
Marja Ahti: composition, production, field recording, Buchla 200 and ARP 2600
Recorded at EMS, Stockholm, WORM, Rotterdam, and on locations in Greece, Alaska, Finland and Sweden.
Mastered by Giuseppe Ielasi
Designed by Ruth Stofer

Vegetal Negatives

BUY VINYL/DL

MARJA AHTI - Symbiogenesis (HG1901)

Greg Fox - From The Cessation Of What

From Contact.
Learn more here: https://smarturl.it/rvngnl59

https://www.igetrvng.com

Contact

From the Cessation of What

Greg Fox - From The Cessation Of What

Kistvaen

Vinyl pre-order

Roly Porter - Kistvaen

Loïse Bulot's original octophonic piece, Zenith, has been commissioned by INA-GRM for Akousma Festival 2019 edition in Paris. Here mixed in stereo, this electro-acoustic composition made of piano strings recordings, exponential speed variations, circular movements and attraction phenomenons depicts surprisingly well the complex sun’s gravitational force on the planets.

ITW & Preview: youtu.be/tOgbSpi9gE0


Written & produced by Loïse Bulot.
Commissioned by INA-GRM.

Mastered by Anders Peterson at GS Mastering & Post.
Artwork & design by Benoît Lefeuvre.

ANM043 George Chua — Gloria

anòmia

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