A remix from https://soundcloud.com/apatchofnettles/meteorologic-disquiet0156-audiojournal2014 ... Prefer the long version to get more drift. A slightly heavier balance to the mix, and some tweaks that take license over the original spec.

Meteorological Cycles

My Father

VCV & Reaper blended recording.
Provoked by --> https://soundcloud.com/careck
And by the general tones of life...

On That Day

Warren Foster- Old School (RAW)

Wild Pig Shaker
Alessio Lottero: Acoustic guitar
Giacomo Villani: Double bass
Recorded Live at Zerodieci Studio, Genoa, 2012

Wild Pig Shaker

Fox Vs Porcupine
Alessio Lottero: Acoustic guitar, nylon strings guitar
Giacomo Villani: Double bass
Recorded Live at Zerodieci Studio, Genoa, 2012

Fox Vs Porcupine

“What is upsetting the country is a sense of its own identity. If, for example, one managed to change the curriculum in all the schools so that Negroes learned more about themselves and their real contributions to this culture, you would be liberating not only Negroes, you’d be liberating white people who know nothing about their own history. And the reason is that if you are compelled to lie about one aspect of anybody’s history, you must lie about it all. If you have to lie about my real role here, if you have to pretend that I hoed all that cotton just because I loved you, then you have done something to yourself. You are mad.” 

James Baldwin

WRATH

What is the most interesting language to reciting a poem?
Multiple Languages reciting my Dada Poem in Google Translate.

Bruta Cicuta

Awed by the mind and the vastness of thoughts. Could be dreadful. Could be wonderful.

atmosphère translucide

Across the system's borders, a voice is inviting us to follow rhymes of movements to reshape our beliefs. Inspired by MOVE that fought for justice and egalitarianism, we believe in the future. A future that we can't see.

MOVE_

Bob Georgeson is a digital artist, experimental film maker and sound artist, writer, curator and facilitator. He is host and curator of the anonymous waves Gallery, artist and curator at The Wrong Biennale, founding member of dadaland collective:, artist at SPAMM, Noemata, Homeostasis Lab, Fu:bar Glitch Art Festival, Peripheral Forms, One Minute Artist Films, DATASHOW, Aisthesis Lab and member of the Glitch Artists Collective, Free the Pixels and The Perfect Users. His work deals with the themes of alienation, isolation and loneliness and the impact of new technologies on communications and society. He exhibits and collaborates around the globe from his home in a remote location in south eastern Australia.