Very good compoisition with some nice sounds. What I miss is little magic sparkle added to those sounds in mix. Maybe it is what you wanted but for me its sounds like chiptune and it takes away that interesting composiiton. Tension and mood is scattered by nintendo sound.

Wow, that's a huge build up you've got there!

A lot of the energy was lost after the build and it could maybe have gone straight to this part.

Well, another good piece of electronica! That was a nice trip! Great sound design and composition. The mix is pretty good, it doesn't need to be super punchy and bass heavy in this genre. What it actually needs in my opinion, is a main riff/pattern/melody that will carry the whole theme and make it memorable. Besides, it is very good production. GL!

well done, I particularly liked the first section

very cool! I love these rhythms with these sounds, great stuff

the descending bassline bit i really like on this track

One Synth Challenge #118: Elek7ro & Noisemaker by Togu Audio Line (TAL)

James Mullen had his first day, or rather his first night in the London police force on that foggy 31 August 1888. He was excited and proud at the same time and he was scared... He shouldn't be afraid, he was a policeman after all! Nevertheless, an uneasy feeling crept over him that simply could not be suppressed. He didn't like being out at night and yet he tried not to let on that he would rather be at home in his bed than prowling through the darkest streets of London in the middle of the night... 

He turned into Buck's Row and suddenly stopped... ‘What's that...?’ He walked slowly towards the small pile in the alley. It was dark and he couldn't see his hand in front of his eyes. Only now did he realise that he had not yet lit his lamp, even though his instructor had told him to do so again and again. 

He lit his lamp and shone it in the direction of the heap on the road and immediately wished he hadn't. Staring in fear and horror, he couldn't believe what he was seeing and without realising it, he cried like he had never cried before in his life... 

‘You'll never forget your first day at the police station’ said his mum with a smile as he said goodbye to her. She was right...

Made for KVR OSC 186 with Apricot and MinimogueVA

Whitechapel

KVR OSC#186 Any 2 Synths
Featuring "Elvis The Drone Master"

4 instances Synful Orchestra (didn't use it much in the end)
29 instances SurgeXT (mostly wavetables)
All sounds designed from scratch

Dead Duck: Compressor, Delay
ValhallaSupermassive
ReaEQ, ReaXComp
Limiter No6
SPAN, YouLean Loudness Meter
OrilRiver Reverb
JS Channel Time Delay
kHs Gain

You were built to withstand so much worse... now go

My entry in the so-called "One Synth Challenge" on KVR, round #186: "Any Two Synths". Brutal feedback please!

DAW: Reaper
FX counts (excluding monitoring plugins):
- Odin2 x17
- WhispAir x5
- Stereo Width x3
- OrilRiver x1
- TDR Nova x1
- ReaComp x1
- ReaDelay x1
- ReaEQ x7
- ReaLimit x4

Seven Years Have I Been Waiting

Here's My OSC for August made in Bitwig using Charlatan3 and dBlue Glitch v1.3

with 13 instances of Charlatan3 and 2 dBlue Glitch

VST: 
Air2
BusterSe
ClipStar
Free Clip2
KHS Trance Gate
Limiter No6
LoudMax
NightShine
SuperCharger
TDR Kotelnikov
TDR Molotok
TDR Nova
TDR VOS SlickEQ
Valhalla Supermassive

Bitwig:
Convolution
Delay-2
Drum Machine
Filter+
Focus EQ
Key Filter
Note FX
Sculpt EQ
Tilt
Tool

Coconuts in the rain

OSC#186: 38 active instances of SQ:8L and dBlue Glitch as "full 11" FX in Cakewalk. 

FX: Bass Professor MkII, Chow Matrix, dBlue Glitch, dearVR Micro, DReverb, GMonoBass, Harqules, kHs Delay, kHs Reverb, kHs Transient Shaper, lkjb SeeSaw, Oril River, OTT.

Because of their great love for the nature of their planet, the inhabitants of Ottakota, familiar from almost all over the universe, were the last to approach the development of interstellar flights. The first launch of the Chaika Starship was celebrated on all planets of the United Space. 

As is their custom, ottakotas recorded all important events in the music language. This is the first part of the narrative received from a starship all the way to the outer asteroid belt, where the direct signal was interrupted. Perhaps we will receive the following parts only by subspace transmission or from the next planet, which is included in the list of visits to the ship's log of the Chaika Starship.

IV - Chaika Starship's Interspace Adventure! (SQ8L + DBlue Glitch)

7 Instances of ExtraBold

FL Studio 2024 Project: https://drive.google.com/drive/folders/1Sa40Sfj66xA0gcXo1m7boKLOto2rGWl0?usp=sharing

FX Plugins:
Fruity Blood Overdrive
Fruity Parametric EQ
Fruity Parametric EQ 2
Maximus

Legendary - Italic

OSC #187 - Nakst Extrabold

extrabold 11 instances
bitwig transient control
bitwig tool
bitwig compressor
bitwig limiter
bitwig EQ+
bitwig Delay 4
Freeclip 2
STFU

Spring Goose - Xb7

One Synth Challenge [OSC187] entry. All tracks made with ExtraBold synth.

Organic Synthesized Chaos

Hold My Bear [OSC187]

My submission for the OSC187 competition using only the Extrabold synth

Johnkhf_Day and Night

My entry for KVR's One Synth Challenge - December 2018. Two synths (plus commercial efx) allowed this time: Elek7ro & NoiseMaker from TAL.

Very happy with this one. It's more or less finished - I'll probably add some discreet effects and rhythm elements before posting my submission to KVR. I won't do that prematurely this month - last month I posted three tracks before I was happy :)

Selected commercial plugs used: Newfangled Audio's EQuivocate, Eventide's SP2016Reverb, Overloud's GEM EQ550, Waves' Scheps Omni Channel

Silent Spacecraft (Single)

Silent Spacecraft

Silent Spacecraft (One Synth Challenge: TAL Elek7ro & Noisemaker)

This is my submission for this month's One Synth Challenge #118 conducted by KVR Audio forum. I have used 5 instances of TAL Elektro and 1 instance of TAL Noisemaker to create this track. I have not used any other synth or samples in making of this track. Effects used for this track includes,

Engineers Filter x1
VOS Baxter EQ x1
TDR Kotelnikov x2
FerricTDS x2
Antress Modern Exciter x1
PTEq-X x1
A1 Stereo Control x1
TDR Nova x5
Fruity Delay 3 x4
Fruity Delay Bank x2
Fruity Reverb 2 x1
Classic Delay x3
Dragonfly Reverb x2
TAL Reverb 4 x1
TP Basslane x1
Limiter No 6 x1

Forbidden EP

Mega-City One

Every single day you enter this noisy concrete forest

Created for KVR One-Synth Challenge December 2018 using TAL Elek7ro.
Cover art by Jenny - lightning image from pixabay.com

No of instances of TAL Elek7ro - 22 - All Patches designed from scratch. 
DAW - MuLab
DAW Fx Used - 4x MuEcho, 4x Limiter, 2x highPass-filter, 3x lowpass-filter
3rd Party Fx:- 4x Tal Reverb-4, Analysers: Voxengo SPAN, SpiralCM, VPS Scope CM Edition
DR= 10

For anyone interested the Mulab project file is here:-
https://www.dropbox.com/s/8l6dmtihkzzj2yz/Richard%20Semper%20-%20OSC118%20Project%20Files.zip?dl=0
And the patches can be downloaded here:-
https://www.kvraudio.com/product/tal-elek7ro-by-togu-audio-line/downloads

KVR OSC 118 TAL Elek7ro

The Elek7ro Alchemist OSC118

For the KVR One Synth Challenge #118.
Made using only TAL NoiseMaker and TAL Elek7ro, with a supporting casts of effects.

From the Lab of Dr. K. P. A. Johnson

Leonard Bowman - From the Lab of Dr. K. P. A. Johnson

A musician and engineer, or at least someone who makes music and engineers things.
Mostly tracks for the KVR One Synth Challenge.
Some of my newer music happens under the name Wrenharmonic.

If I've taken down an old track, it's probably still available somewhere. (or you can just ask me for the file)

Join the challenge by going here: https://shorturl.at/bhBFQ

Leonard Bowman - From the Lab of Dr. K. P. A. Johnson

Benjamin_D

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