kinda reminds me of something like a brian eno track, its just so different, i've never really heard anything like this before

I like this for the unconventional tuning and the strange beat in some places, so I like it a bit less when it goes straight on the aperggios.

Microtonal usage is interesting, the sounds you've chosen enjoy some good interplay

i find this wandering inspirational. I'm really interested in alternate tunings but have never really dived in... this is a really accessible piece with such an unusual angle - very much enjoyed. nice beats too.

Taking us into unfamiliar, but oddly emotional territory. I like it.

James Mullen had his first day, or rather his first night in the London police force on that foggy 31 August 1888. He was excited and proud at the same time and he was scared... He shouldn't be afraid, he was a policeman after all! Nevertheless, an uneasy feeling crept over him that simply could not be suppressed. He didn't like being out at night and yet he tried not to let on that he would rather be at home in his bed than prowling through the darkest streets of London in the middle of the night... 

He turned into Buck's Row and suddenly stopped... ‘What's that...?’ He walked slowly towards the small pile in the alley. It was dark and he couldn't see his hand in front of his eyes. Only now did he realise that he had not yet lit his lamp, even though his instructor had told him to do so again and again. 

He lit his lamp and shone it in the direction of the heap on the road and immediately wished he hadn't. Staring in fear and horror, he couldn't believe what he was seeing and without realising it, he cried like he had never cried before in his life... 

‘You'll never forget your first day at the police station’ said his mum with a smile as he said goodbye to her. She was right...

Made for KVR OSC 186 with Apricot and MinimogueVA

Whitechapel

KVR OSC#186 Any 2 Synths
Featuring "Elvis The Drone Master"

4 instances Synful Orchestra (didn't use it much in the end)
29 instances SurgeXT (mostly wavetables)
All sounds designed from scratch

Dead Duck: Compressor, Delay
ValhallaSupermassive
ReaEQ, ReaXComp
Limiter No6
SPAN, YouLean Loudness Meter
OrilRiver Reverb
JS Channel Time Delay
kHs Gain

You were built to withstand so much worse... now go

My entry in the so-called "One Synth Challenge" on KVR, round #186: "Any Two Synths". Brutal feedback please!

DAW: Reaper
FX counts (excluding monitoring plugins):
- Odin2 x17
- WhispAir x5
- Stereo Width x3
- OrilRiver x1
- TDR Nova x1
- ReaComp x1
- ReaDelay x1
- ReaEQ x7
- ReaLimit x4

Seven Years Have I Been Waiting

Here's My OSC for August made in Bitwig using Charlatan3 and dBlue Glitch v1.3

with 13 instances of Charlatan3 and 2 dBlue Glitch

VST: 
Air2
BusterSe
ClipStar
Free Clip2
KHS Trance Gate
Limiter No6
LoudMax
NightShine
SuperCharger
TDR Kotelnikov
TDR Molotok
TDR Nova
TDR VOS SlickEQ
Valhalla Supermassive

Bitwig:
Convolution
Delay-2
Drum Machine
Filter+
Focus EQ
Key Filter
Note FX
Sculpt EQ
Tilt
Tool

Coconuts in the rain

OSC#186: 38 active instances of SQ:8L and dBlue Glitch as "full 11" FX in Cakewalk. 

FX: Bass Professor MkII, Chow Matrix, dBlue Glitch, dearVR Micro, DReverb, GMonoBass, Harqules, kHs Delay, kHs Reverb, kHs Transient Shaper, lkjb SeeSaw, Oril River, OTT.

Because of their great love for the nature of their planet, the inhabitants of Ottakota, familiar from almost all over the universe, were the last to approach the development of interstellar flights. The first launch of the Chaika Starship was celebrated on all planets of the United Space. 

As is their custom, ottakotas recorded all important events in the music language. This is the first part of the narrative received from a starship all the way to the outer asteroid belt, where the direct signal was interrupted. Perhaps we will receive the following parts only by subspace transmission or from the next planet, which is included in the list of visits to the ship's log of the Chaika Starship.

IV - Chaika Starship's Interspace Adventure! (SQ8L + DBlue Glitch)

7 Instances of ExtraBold

FL Studio 2024 Project: https://drive.google.com/drive/folders/1Sa40Sfj66xA0gcXo1m7boKLOto2rGWl0?usp=sharing

FX Plugins:
Fruity Blood Overdrive
Fruity Parametric EQ
Fruity Parametric EQ 2
Maximus

Legendary - Italic

One Synth Challenge [OSC187] entry. All tracks made with ExtraBold synth.

Organic Synthesized Chaos

Hold My Bear [OSC187]

My submission for the OSC187 competition using only the Extrabold synth

Johnkhf_Day and Night

This month's One Synth Challenge uses Dawsome Myth. This synth comes with a massive sound design rabbit hole so this month's effort might be biased towards sound design with a rather more lame composition than usual. Created in Bitwig Studio 5.2.7. All patches were created from init and used various samples including vocal phrases, oohs and aahs, my dog barking, a wok lid, hitting metal things and at least one sample generated with Deep Sampler. There might be a patch in there using audio dragged from another patch too... In addition to that, although most tracks were almost exclusively using the synth's built in effects, the following plugins were also used:

- Myth x 19

- Valhalla Supermassive
- TDR Nova
- TDR Kotelnikov
- dpMeter 5
- Blue Cat Gain 3
- KClip Zero

Ith A Mythtery

For OSC 127, made with Zebralette.
I've wandered a great deal this month; although I have not reached a destination, I believe that I have gone somewhere.

Tuned in 31edo. Mostly meantone, with many modulations and some 7-limit harmonies.

Leonard Bowman - Resound Unwound

A musician and engineer, or at least someone who makes music and engineers things.
Mostly tracks for the KVR One Synth Challenge.
Some of my newer music happens under the name Wrenharmonic.

If I've taken down an old track, it's probably still available somewhere. (or you can just ask me for the file)

Leonard Bowman - Resound Unwound

Benjamin_D

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