interesting part ... still kind of an intro ... I expect that the drums come in every second.

That part should come earlier. Nice mix, nice instruments.

This one took me many listens to figure out what I should probably be feeling for some reason despite it being obviously very competently made. And for me, it's excitement/anticipation/happiness.

this is so much of what i love about electronic music - the track covers  lof territory while keeping coherence and energy throughout.

One of the most fun this round.  Do more OSC!

nice minimalist track, well made sounds, good mix, intriguing and playful.

James Mullen had his first day, or rather his first night in the London police force on that foggy 31 August 1888. He was excited and proud at the same time and he was scared... He shouldn't be afraid, he was a policeman after all! Nevertheless, an uneasy feeling crept over him that simply could not be suppressed. He didn't like being out at night and yet he tried not to let on that he would rather be at home in his bed than prowling through the darkest streets of London in the middle of the night... 

He turned into Buck's Row and suddenly stopped... ‘What's that...?’ He walked slowly towards the small pile in the alley. It was dark and he couldn't see his hand in front of his eyes. Only now did he realise that he had not yet lit his lamp, even though his instructor had told him to do so again and again. 

He lit his lamp and shone it in the direction of the heap on the road and immediately wished he hadn't. Staring in fear and horror, he couldn't believe what he was seeing and without realising it, he cried like he had never cried before in his life... 

‘You'll never forget your first day at the police station’ said his mum with a smile as he said goodbye to her. She was right...

Made for KVR OSC 186 with Apricot and MinimogueVA

Whitechapel

For OSC 186 NA2S- Using 50+ instances of Vital and Socal Labs Wavetable synthesizers to produce all sounds in Ableton Live. Processed with Limiter 6, Valhalla Super Massive, Saturation, Cabinet, Amp, Pedal, Autofilter, Hybrid Reverb, Compressor,  EQ8, Channel EQ, and Delay.

Pumpkin Spice (OSC 186 NA2S- Vital and Wavetable)

KVR OSC#186 Any 2 Synths
Featuring "Elvis The Drone Master"

4 instances Synful Orchestra (didn't use it much in the end)
29 instances SurgeXT (mostly wavetables)
All sounds designed from scratch

Dead Duck: Compressor, Delay
ValhallaSupermassive
ReaEQ, ReaXComp
Limiter No6
SPAN, YouLean Loudness Meter
OrilRiver Reverb
JS Channel Time Delay
kHs Gain

You were built to withstand so much worse... now go

Made For KVR OSC 186 Any 2 Synths - I used Nakst Apricot - 15 Instances and Odin 2 - 1 Instance
DAW Mulab 9.5
DAW Fx: limiters, High and low pass filters, parametric eq, stereo splitter.
Third Party Fx: analyser - Voxengo Span, Voxengo Marvel GEQ.

Basically I was unable to take part in the Apricot round, so this was my chance. It's based around a 5 beat arpeggio I created with this synth. I thought I might use more of Odin 2, but ended up using it just for the snare.
This track is dedicated to my lovely Jenny who in spite of many current ailments managed to walk several miles of difficult coastal path to get the photo of a waterfall for my cover pic. :)

KVR OSC 186 NA2SC2

Waterfall OSC186 (Apricot)

My entry in the so-called "One Synth Challenge" on KVR, round #186: "Any Two Synths". Brutal feedback please!

DAW: Reaper
FX counts (excluding monitoring plugins):
- Odin2 x17
- WhispAir x5
- Stereo Width x3
- OrilRiver x1
- TDR Nova x1
- ReaComp x1
- ReaDelay x1
- ReaEQ x7
- ReaLimit x4

Seven Years Have I Been Waiting

in 31edo. for OSC 186.
Made with Saike Partials and Noise Engineering Ruina, in Reaper.

Leonard Bowman - Destruction In The Service Of Beauty

Here's My OSC for August made in Bitwig using Charlatan3 and dBlue Glitch v1.3

with 13 instances of Charlatan3 and 2 dBlue Glitch

VST: 
Air2
BusterSe
ClipStar
Free Clip2
KHS Trance Gate
Limiter No6
LoudMax
NightShine
SuperCharger
TDR Kotelnikov
TDR Molotok
TDR Nova
TDR VOS SlickEQ
Valhalla Supermassive

Bitwig:
Convolution
Delay-2
Drum Machine
Filter+
Focus EQ
Key Filter
Note FX
Sculpt EQ
Tilt
Tool

Coconuts in the rain

OSC#186: 38 active instances of SQ:8L and dBlue Glitch as "full 11" FX in Cakewalk. 

FX: Bass Professor MkII, Chow Matrix, dBlue Glitch, dearVR Micro, DReverb, GMonoBass, Harqules, kHs Delay, kHs Reverb, kHs Transient Shaper, lkjb SeeSaw, Oril River, OTT.

Because of their great love for the nature of their planet, the inhabitants of Ottakota, familiar from almost all over the universe, were the last to approach the development of interstellar flights. The first launch of the Chaika Starship was celebrated on all planets of the United Space. 

As is their custom, ottakotas recorded all important events in the music language. This is the first part of the narrative received from a starship all the way to the outer asteroid belt, where the direct signal was interrupted. Perhaps we will receive the following parts only by subspace transmission or from the next planet, which is included in the list of visits to the ship's log of the Chaika Starship.

IV - Chaika Starship's Interspace Adventure! (SQ8L + DBlue Glitch)

Das ist für weiteres mein letzter Korg Track, ich danke Absturz (Cedric) für das bereit stellen seiner ESX. 
Hört rein lasst Liebe bei ihm & bei mir, teilt und postet den Track über all! 
Ich wünsche allen einen schönen restlichen Sommer! 🫶🏻

RoThlesS - Summertime Sadness (Ein letztes mal ESX)

illstprjct, another persona of Edward Padge, delivers a forward-thinking remix of “Stereo Architecture” that blends Drum and Bass with Club Dance grooves. The track builds momentum and energy, culminating in a second drop that dives into a banging neurofunk explosion — a high-octane fusion designed to move crowds and push boundaries.

Explore JAYSN: https://www.instagram.com/jaysn.neu/

Seven Years Have I Been Waiting

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