20 instances of Reaper 6.83 using Vital and a good bit of OTT.
And ReaLimit, ReEQ, OrilRiver, Valhalla Supermassive, Raum, Replika, TDR Nova,Transient Shaper and JS: Note Filter 
Yes it might sound a bit like some other song. I'm OK with that. Was unintentional and very much a different song.

OSC186 Goodbye Schlubedoo (Vital Any 2) 14/42

For OSC 186 NA2S- Using 50+ instances of Vital and Socal Labs Wavetable synthesizers to produce all sounds in Ableton Live. Processed with Limiter 6, Valhalla Super Massive, Saturation, Cabinet, Amp, Pedal, Autofilter, Hybrid Reverb, Compressor,  EQ8, Channel EQ, and Delay.

Pumpkin Spice (OSC 186 NA2S- Vital and Wavetable)

An entry for One Synth Challenge 186 at KVR Audio

DAW: Reaper
Synths: U-he Tyrell N6 (24) &  Zebralette 2 (2). Seventeen ( voice-split ) patches, from scratch as always , including six percs and four FX.  Assisted by TDR Nova ( general nip-and-tuck channelstrip duties ) , ReaDelay, HY-Delay , Bittersweet ( softening a delay, )  Kazrog KClip ( drumbus ) , and BlueArp

Reverb buses: MuVerb, Oril River, and Protoverb. Pre-emphasised, de-emphasised, shaped, compressed, softened and panned  by TDR Nova, Flux Bittersweet and HOFA SYS Pan. 

Shaped, sharpened, spatialized and louderized ( to -12 LUFS ) at the master level by TDR Nova, Flux Bittersweet, Protoverb, HOFA TiltEQ and  Limiter No6

Finders, Keepers

KVR OSC#186 Any 2 Synths
Featuring "Elvis The Drone Master"

4 instances Synful Orchestra (didn't use it much in the end)
29 instances SurgeXT (mostly wavetables)
All sounds designed from scratch

Dead Duck: Compressor, Delay
ValhallaSupermassive
ReaEQ, ReaXComp
Limiter No6
SPAN, YouLean Loudness Meter
OrilRiver Reverb
JS Channel Time Delay
kHs Gain

You were built to withstand so much worse... now go

Made For KVR OSC 186 Any 2 Synths - I used Nakst Apricot - 15 Instances and Odin 2 - 1 Instance
DAW Mulab 9.5
DAW Fx: limiters, High and low pass filters, parametric eq, stereo splitter.
Third Party Fx: analyser - Voxengo Span, Voxengo Marvel GEQ.

Basically I was unable to take part in the Apricot round, so this was my chance. It's based around a 5 beat arpeggio I created with this synth. I thought I might use more of Odin 2, but ended up using it just for the snare.
This track is dedicated to my lovely Jenny who in spite of many current ailments managed to walk several miles of difficult coastal path to get the photo of a waterfall for my cover pic. :)

KVR OSC 186 NA2SC2

Waterfall OSC186 (Apricot)

Realizing There's Nothing More I Can Do (OSC186 Vital+Deelay)

My entry in the so-called "One Synth Challenge" on KVR, round #186: "Any Two Synths". Brutal feedback please!

DAW: Reaper
FX counts (excluding monitoring plugins):
- Odin2 x17
- WhispAir x5
- Stereo Width x3
- OrilRiver x1
- TDR Nova x1
- ReaComp x1
- ReaDelay x1
- ReaEQ x7
- ReaLimit x4

Seven Years Have I Been Waiting

OSC#186: 38 active instances of SQ:8L and dBlue Glitch as "full 11" FX in Cakewalk. 

FX: Bass Professor MkII, Chow Matrix, dBlue Glitch, dearVR Micro, DReverb, GMonoBass, Harqules, kHs Delay, kHs Reverb, kHs Transient Shaper, lkjb SeeSaw, Oril River, OTT.

Because of their great love for the nature of their planet, the inhabitants of Ottakota, familiar from almost all over the universe, were the last to approach the development of interstellar flights. The first launch of the Chaika Starship was celebrated on all planets of the United Space. 

As is their custom, ottakotas recorded all important events in the music language. This is the first part of the narrative received from a starship all the way to the outer asteroid belt, where the direct signal was interrupted. Perhaps we will receive the following parts only by subspace transmission or from the next planet, which is included in the list of visits to the ship's log of the Chaika Starship.

IV - Chaika Starship's Interspace Adventure! (SQ8L + DBlue Glitch)

Smacked Up (ft. ChanceBTW)

This is what happens if you mix Aaron Hibell and Hamdi with Lady Miaou and Polar Youth :-)

Seven Years Have I Been Waiting

treeheated