great job, it feels very tense, and the percussion work is really nicely done with Surge. i think at times the huge space you've created tends to want to swallow some of the bells and melodic instruments, that could live a little more up front

I like this section a bit more than the start where things do tend to merge together in the verb.

Fab bells - spot on and mix is very good here.

the darkness, bells, and epic sound are huge wins for me. if it was more compact - I'd give it a 5. but I appreciate you wanted a long song.

Very interesting song. It is not really my cup of tea but I appreciate the creative and unique work. Some of the instruments could use a better seperation frequency-wise imho. Good luck :)

The slow beat and atmospherics I find  really likable. Overall sounddesign too. Do feel like it is a bit too compressed and reverb colored, though.  Nice thing to add the solo at the end, btw.

Very emotive -- kind of depressing actually, but that's sometimes what music does.  Nice job!

Yeah the bell and ambience are pretty sweet...

Open collab - inspired by Massive Attack’s trip hop album mezzanine and Leftfield’s rhythm & stealth

Ghost Hunt

Ghost Hunt OPEN COLLAB

Vox - https://soundcloud.com/frawstakwa-for-you/pay-me-120bpm-frawstakwapella
Music - https://soundcloud.com/rizlixcollabs/rizlix-a-time-for-space-open-collab
MOSNAR DET - Remixing, Drum Programming, Live Drum Samples
Special thanks to my collaborators on this check out their stuff! https://soundcloud.com/rizlixcollabs https://soundcloud.com/frawstakwa https://soundcloud.com/rizlix

RiZLiX - A Time For Space/ FRAWSTAKWA - Pay Me (open Collabs) MZRPKLPS R3|v|1X

In this track, we go from experiencing the disarray of the inner heart chaos often felt in those dark, unforgiven, unlit spaces... to silencing the external and internal noise... the shaming and blaming voices, finding the ability to hear and synchronize our breathing with our own heartbeat, and "raise our own voice again..." living most authentically. Do not drive or operate heavy machinery until you know how your body responds to this piece in a lower frequency than typical radio music recorded 440Hz.

Logic Pro X
2022 Copyright/Sound Recording/All Rights: One Stop. 
For Licensing Contact:
Rainier Daze
Rainierdaze@gmail.com

Forgiveness

Steal with pride: wee bit of Billy Cobham quoted as a bridge in this, slightly incongruous but hey :)
Photo: Northumberland 2022.
Guitar: Strandberg Salen Jazz through NI GR6 and Archetype Tim Henson.
Bass:  Warwick Corvette 5-string through NI GR6.
Keys: NI Playbox, NI Scarbee, NI Blocks Wired, NI Super 8, Soundpaint, Karanyi Sounds Lofi Keys and Spitfire Tape Synths. 
Drums: NI Butch Vig.
Master: Ozone Elements.
DAW: Ableton.

Look Back

Analog source sounds -
Paul Beaver and Bernard Krause - “Nonesuch Guide to Electronic Music”
Digital manipulation, construction and mix - Mesmo

01 End Of Summer (2009 - 2022)

Track name: “Everything”
Contest #3GC2023 
KORG Gadget
3 Gadgets only: 
3 Darwin, 1 Alexandria, 2 Kiev

Little bit of a longer song but less gadgets. To be precise, less gadgets 😂
I also want to pay tribute to my dog to this ‘cause she’s my Everything. 🥰 I love my baby. 
Enjoy this piece as well.

Everything #3GC2023

Aliens from inner space are out of space. They're spilling all over the internet, looking to get up your nose and into your brain. It all started with a single wet racoon. Then two slavic horror clowns. Now even the neighbours aren't safe, as the alien horde has begun to pave the way to world domination with fake music Will you be able to spot the difference before it's to late ?  
 ​ 
An entry for One Synth Challenge 175 - 2RuleSynth
Technical stuff below:  
 ​ 
 ​ 
maid in REAPER 6

Tracks & instrument buses: 
2RuleSynth ( 29 for 15 ( voice-split ) patches ) ; HY Delay 4 (4) ;  Solaris Reverb ;  TDR Nova (10 , light cleanup ) ;  Sender Spike SN05 Limiter ( clipping drums )  ;  Loudmax (1, also on drums )

Reverb buses (3) : 
Protoverb (4) ; Solaris Reverb (8) ; HOFA System Pan (12) ; TDR Nova ( 6) ; JS mixer (3) ; A1 Sereo Control (3)

Master:
TDR Nova ( EQ ) ;  Limiter No6 ; MS encoder ; Flux Bittersweet ; TDR Nova  ( light expansion ) ; MS decoder ; Protoverb ; A1 Stereo Control ; Limiter No6

Close Encounters Of The Worst Kind

sound art for disquiet0632.

sparrows in a hedge.

More on this 632nd weekly Disquiet Junto project, Shear Wind — The Assignment: Make the most of the disturbance within a field recording — at: https://disquiet.com/0632/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://juntoletter.disquiet.com/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0632-shear-wind/

sparrow's breath (disquiet0632)

44 instances Surge XT (clap) in Reaper 6.83
Lots of Raum and ReEQ
A bit of A1Triggergate, CocoaDelay,JS Saturation, TDR Kotelnikov and Nova, Bass Professor.
A1 Stereo Control, master_me and LoudMax on the master.

Surge sounds way better than I remember back in 159. ....I suppose this track is unusual in that it has 3 or 4 minute middle section that is ambient "background" music before having two minutes at the end with much more happening. Hopefully a few of you will appreciate what I have done here. 

OSC181 Warrior's End (Surge XT) 26/47

L Movement + E =  GOD

photo: Juraj Rapos
model: Veronika Yungova

OSC181 Warrior's End (Surge XT) 26/47

Mauvecastle

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Robert Chavez

Robert Chavez

ontrackp

ELEX

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