This was made for the One Synth Challenge 145 using the free synth Kairatune.

Made in Ableton 10, a total of 35 instances of Kairatune were used with a mix of presets and custom patches. I used lots of Ableton Stock effects: EQ8, Convolution Reverb, Autofilter, Limiter, Utility and a few more. Third party plugins used were Youlean Loudness Meter Free and Max for Live Turing Machine.

Maltoné - Electric Joy Bop - Kaira(OSC 145)

Created for the One Synth Challenge 146. All sounds and instruments were made using the synth Sinmad in Ableton Live,(32 instances).

Stock Plugins: EQ8 x 16, Utility x 6, Echo x 3, Compresor x 4, Convolution Reverb x 1 and Limiter x 1.

Third Party Plugins: Youlean Loudness Meter Free

AuBenstation 114

Maltoné - AuBenstation 114 - OSC 146 Sinmad

This track was made for the One Synth Challenge 152 using the free virtual synth Whispair and Ableton Live. 

26 instances of Whispair were used along with standard Ableton effects like: EQ8, Limiter, Utility, Reverb, Echo, Compressor, Convolution Reverb, and Delay.

I used a bass preset by Kraftraum and a few presets by J.Ruegg, thanks! All the other patches I made custom. This is a really cool synth, it has lots of potential.

Goats In The Machine

Maltoné - Goats In The Machine - OSC 152

This track was made for the One Synth Challenge 153 using the free virtual synth K1v and Ableton 10.  All instruments and sounds were made using 30 instances of K1v.

I used the effects mostly to subtly change the stock instruments sounds, plus I made a couple of special effects at the beginning and end of the track.

Ableton Effects used: Convolution Reverb; Glue Compressor; Vocoder; Saturator; Phaser; Erosion; Auto Filter; EQ8; Reverb; Utility; Corpus; Limiter; Chorus; Grain Delay; Echo; Frequency Shifter; Autopan; Amp; Spacious Wah; Overdrive; Filter Delay, Max For Live Envelope Follower and Max for live LFO.

Maltoné - Savanna Nights - OSC 153

This track was produced for the One Synth Challenge using the free software synth Triple Cheese by U-he.

30 instances of TC were used for all instruments and sounds in Ableton Live. I used a couple of presets and the rest are custom patches.

Ableton effects: EQ8 x 24; Utility x 5; Gate x 1; Convolution Reverb x 12; Reverb x 5; Compressor 13; Echo x 2; OTT x 1; Spacious Wah x 1 (no modulaton); Glue Compressor x 1; Delay x 1; Limiter x 1.

Third Party Plugins: Youlean Loudness Meter Free

Quesotones

MalToné - Quesotones - OSC 154

This track was made for the KVR one synth challenge. 26 instances of the free synth Octasine were used in Ableton 10 suite. These are the Ableton stock plugins used: EQ8 x 21, Reverb/Convolution Reverb x 6, Utility x 3 Echo x 1, Delay x 1, Compressor x1 and Limiter x1.

I also used the 3rd party plugin Youlean Loudness Meter Free.

Maltoné - Dont Say Goodbye - OSC170

This track was composed for the KVR One Synth Challenge 172 using the free software synth Lith. 

Definitely was inspired by Blade Runner and Clockwork Orange for this one. 

I used the random button liberally and then further tweaked the synth settings to finalize the patches.

25 instances of Lith synth were used in Ableton 10 to make all sounds and instruments. Stock effects used: EQ8 x 12; Utility x 13; Delay x 1; Autofilter x 1; Compressor x 3; Echo x 1; Reverb x 3; Saturator x 1; Limiter x 2.

Third Party plugins: Youlean Loudness Meter Free

Maltoné - Cosmolith - OSC172

This was produced for the One Synth Challenge 179 using the free software synth Synister for all sounds in the track. I came up with a "guitar through organ amp" sound and a simple three note motif that the track is built around. The guitarish sound is two instances of Synister layered plus some autofilter.

I used 28 instances of Synister in Ableton 10 Suite.

Ableton Plugins/Effects: EQ8 x 11; Limiter x11; Convolution Reverb x 8; Autofilter x 2; Echo x 2; Delay x 1; Utility x 1.

Third Party Plugins: Youlean Loudness Meter 2 Free and Loudmax Free.

Maltoné - Synister Noize - OSC 179

This track was made for the One Synth Challenge 181. The synth for this challenge is Surge XT. I used all custom patches for this track. Please enjoy the sounds. All feedback is welcome.

Daw: Ableton 10

Surge XT x 24

Ableton plugins/effects: EQ8 x 8; Utility x 3; Echo x 2; Compressor x 1; Convolution Reverb x 2; Delay x 1

Third party plugins: Loudmax Free; Youlean Loudness Meter 2 Free

Alien Airport

Maltoné - Alien Airport - OSC 181

This track was made for the One Synth Challenge 182. All sounds for the track were produced using the free software synth Charlatan 3.

 All synth patches are custom from init.

Charlatan 3 x 26 + built in effects

Ableton stock effects: EQ x 16; Reverb x 3; Utility x 5; Limiter x 4; Echo x 5; Delay x 1

Third party plugins: Loudmax Free and Youlean Loudness Meter 2 Free

Maltoné - Eat Pray Syn(th) -OSC 182

This track was made for the One Synth Challenge 183 using a single instance of the free software synth Audible Planets.

Audible Planets x 1 + Audible Planets built in effects

DAW: Ableton 10

Ableton Effects: EQ 8 x 1; Utility x 1

Third Party Plugins: Loudmax Free; Youlean Loudness Meter 2 Free

Maltoné - Lost In The Planets - OSC183

This track was produced for the One Synth Challenge 184. All sounds were made using the free software synth ToneZ 2 in Ableton 10.

ToneZ 2 x 34, all custom patches from init.

Ableton effects: EQ8 x 24; Convolution Reverb x 6; Saturator x 1; Utility x 4; Delay x 4; Echo x 2

3rd Party Plugins: Loudmax Free and Youlean Loudness Meter Free

Chillzilla's Island Vacation

Maltoné - Chillzilla's Island Vacation - OSC 184

This track was produced for the One Synth Challenge 185 using the free software synth SEM (Synthesizer Expansion Module) by Cherry Audio. All sounds and instruments were made from scratch in SEM.

DAW: Ableton 10

SEM x 24

Ableton Effects: EQ8 x21; Utility x 4; Convolution Reverb x 2; OTT x 2; Limiter x 5 ; Echo x 1; and Saturator x 1

3rd Party plugins: Loudmax Free and Youlean Loudness Meter 2 Free

Cherrymandered

Maltoné - Cherrymandered - OSC 185

A tongue in cheek futuristic look at synths. 

This was produced for the KVR One Synth Challenge 189 using only the synth Myth by Dawesome for all sounds produced. 

Vocal samples were created with Elevenlabs AI (with a license) and imported in to Myth for processing and effects. Two of the voices seem to have switched accents, such is AI, lol.

Made with 27 instances of Myth by Dawesome in Ableton 10. All custom patches from INIT.

 I made good use of Myth's built in effects and only used these few built in Ableton effects: Limiter x1; EQ8 x2; Utility x2, and Convolution Reverb x1.

Third Party Plugins: Loudmax Free and Youlean Loudness Meter 2 Free.

Maltoné - Strange Transmissions - OSC189

This was produced for the One Synth Challenge 190 using only the synthesizer Vital to make all of the sounds in this track. 

25 instances of Vital were used in Ableton 10 to make this, I used mostly effects built in to Vital and some Ableton effects as well.

Ableton effects used: Utility x 8; Limiter x 4; Convolution Reverb x 3; Echo x 2; EQ8 x 6.

Third party plugins: Loudmax free and Youlean Loudness Meter 2 Free.

Maltoné- Essential Elements - OSC 190

This track was produced for the One Synth Challenge (191) which is hosted on KVR.

All instruments and sounds are from the free software synth Zebralette. 

27 instances of Zebralette were used in Ableton 10, mostly presets and tweaked presets and more customized patches for the percs.

Ableton effects used: Utility x 5; EQ8 x13; Convolution Reverb x 2; Reverb x 1.


Third Party Plugins: Loudmax Free and Youlean Loudness Meter2 Free.

Maltoné - Changing Stripes - OSC 191

Full Bucket Fantasia

MalToné - Full Bucket Fantasia

This track was produced for the August 2020 One Synth Challenge 138. All sounds were produced using the free software synth Surge.

Maltoné - Gemina 1138: Romancing The Clone - OSC138

This track was produced for the One Synth Challenge 142  using the free synth Vital for all instruments and sounds.

Maltoné-VitalЯoma-OSC142

This track was produced for the One Synth Challenge 143. All sounds and instruments were made on the software synth Dexed, an emulation of the DX7. The patches are presets and a few that have been tweaked.

This track is Inspired by the sound of Andreas Vollenweider, and is a look forward to better times.

Thank you to whoever made the Vollenweider patch for Dexed!

Robert Chavez

Pinned to spotlight

Popular tracks