Very coooool. Great slides and journey through the different elements.

we went for quite a similar beginning. this synth lends itself to funny noises eh? this is a very cool song. I hope you do OSC more frequently.

A great collection of sounds. I like how you take your time with this. Some beautiful work.

Very interesting movements in sound and composition. It reminds me a bit on the music of old games like "Privateer" from 1993.

I appreciate how you maintained the discipline of this kind of minimalist but incredibly interesting piece.

A a fx junkie: i like the first part a lot, great fx sounds and background pad. So without Percs it is also a great track for me. Good luck in the challenge:)

Nice dystopian sound scape. After I literally got some little shivers ... I have to say I'm sorry I got to put you in the top bucket ...

ZioMau - Wet Shoes

naviarhaiku482 – dark and light
dark and light
balanced vernal equinox
marginal breath

Andy Perrin is a writer/photographer/cyclist/teacher who lives in southern Rhode Island in the U.S. He often explores the world around him on one of his bicycles and records moments of inspiration in photographs and words.

Much of his work is rooted in nature and recently that led him to begin to practice haiku. Andy enjoys tight writing that allows the reader to find room for themselves among the words and lines. His poetry and photography has been published by petrichor, Roi Faineant Press, Brimstone & Venus Literary, Full Mood Mag, Spare Parts Lit, Green Ink Poetry, and Quibble Literary Journal.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

dark and light

naviarhaiku482 - dark and light

This track was composed for the KVR One Synth Challenge 172 using the free software synth Lith. 

Definitely was inspired by Blade Runner and Clockwork Orange for this one. 

I used the random button liberally and then further tweaked the synth settings to finalize the patches.

25 instances of Lith synth were used in Ableton 10 to make all sounds and instruments. Stock effects used: EQ8 x 12; Utility x 13; Delay x 1; Autofilter x 1; Compressor x 3; Echo x 1; Reverb x 3; Saturator x 1; Limiter x 2.

Third Party plugins: Youlean Loudness Meter Free

Maltoné - Cosmolith - OSC172

My entry for the KVR OSC #172

10: Machine Learning
20: Gradient Descent
30: Turing Complete

45 instances of Lith
No presets were used

DAW: Reaper
OrilRiver Reverb
Dead Duck: DualFilter, Delay, Autopan, Compressor, Limiter
KHS Trance Gate, Gain
Reaper Saturation, ReaEQ, ReaXComp
Limiter No6
SPAN, YouLean Loudness Meter

Maschinenzeitalter II

This week's prompt was to choose six brief segments of sound that I recently recorded and then to arrange them, semi-randomly, in descending order of volume.

I am teaching at a summer music camp in New Hampshire, so of course I have been recording lots of sounds! I pulled 5  off of my recorder and used one sound back from my home in Connecticut.

I assigned them numerical values and then rolled an online 6-sided die to arrange what sounds would be louder, quietest, and in the middle. The results were, in descending order of loudness:
1) A recording of rain falling on the other side of a door
2) Some weird AM radio static playing from the speaker of a small bus
3) The alarm of a truck backing up
4) The sound of me walking in my apartment and opening the window to record some birds
5) 4th of July fireworks
6)Some crickets by a pond

I quickly adjusted the volume of each track to put them in order. 
Then, I added a small amount of volume automation via sidechaining so that track 2's volume dipped down when track 1's volume peaked, track 3's volume dipped when track 2's volume peaked, etc. 

Next, I added a little panning to make space for everything.

I tried a LITTLE bit of EQ, but found myself running into the interesting problem of things with less high frequencies "feeling" quieter. So, I was pretty minimalist with the EQ.

After that I added a small amount of FX for some ear candy, including making a delay for the AM radio static, panning the crickets from left to right, and adding some flanger and granular delay to certain points in the rain recording.

There's a lot of percussive sounds in here, which makes it sound pretty dense, but hopefully it will stand on its own as a listening experience!

Soundscrape (disquiet0601)

7 instances of Bucketone (version 1.0.0.0), 5 of Bucketpops (version 1.0.1.0)
KVR OSC 173 Entry

Thanks to Björn from Full Bucket http://www.fullbucket.de/music/

Effect Plugins - native Cubase reverb, delay and EQ

https://sites.google.com/site/kvrosc/2023/osc-173-two-buckets

oorlab - Bucketones KVR OSC173

My submission to the KVRAudio.com "One Synth Challenge" #174 featuring Infernal Synth

Maltoné - Cosmolith - OSC172

Robert Chavez

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