Tu Mera Dil,,,,,,,,
Tu Meri Jaan,,,,,
Jaan E Jaa'n Meharban,,,,
Samne Tu,,, Baitha Rawain,,,,
Har Waile,,,,
Main Takdi Ravaan,,,,

TERE NAAM

ghazal

Ghazal Lover

Oriental Sounds

roger

Hariharan ghazal

hum nay kati hariharan

sonu kakar

Muddat Huee Hai Yaar Ko -

Mere Hathon Mein - Ali Zafar

Balo Batiyaan Way Mahi by Ata Ullah Essa Khelvi sahab!

Live ghazal by Jagjit singh Jhoom k Jab Rindo'n Ne Pila Di, Sheikh Ne Chupke Chupke Dua Di...the music is awesome

Jhoom Ke Jab Rindon Ne Pila Di...Jagjit Singh Live

Hariharan & Tari Khan

Kuch Log Rooth Kar Bhi - Noor Jahan

Mehdi Hasan Ranjish Hi Sahi Live (Rare Version)

Safar Mein Dhoop To Hogi @

Singer: Zara Madani
Featuring: Muazzam Ali Khan
Language: Braj

Finding the union of eastern classical inspiration and deep, encompassing electronic vibes is Zara Madani’s ‘Neer Bharan’. The song is the product of an experiment that took the pattern of an electronic track and placed the layers of an age old classically based bandish within the fold to create a story that’s almost cinematic. With the elements of Teen Taal, the song finds its driving inspiration in the nighttime raag Baageshri stirring up a feeling of dark, delicate longing. The song in its carnal nature is a whirlwind of female sensuality and haunting temptation. The wordings derive from folklore of the subcontinent painting the moment of yearning set against the backdrop of the night’s enchantment. As the lyrics flow, the song’s progression is almost prowling in its search for the song’s object of obsession – the alluring peeve Nand Laal – a character thematically portrayed in the vocals of Muazzam Ali Khan towards the song’s resolution. A song that has an almost theatrical feel in its tale, the Eastern chant like rhythm is brought to life with the constant electronic groove by the Serbian house band and the percussive elements of the Dhol while the String Orchestra encircles the storm layering the depths of human angst in the face of Separation.

Neer Bharan - Zara Madani featuring Muazzam Ali Khan

Singer: Alamgir and Fariha Pervez
Language: Bengali & Braj

Turning over the pages of a story that has come to pass in our history is Alamgir’s contribution to this season of Coke Studio with the soulful Bengali folk composition ‘Aamay Bhashaili Rey’. The roots of the song are old, and has always been a source of inspiration for Alamgir reminding him of his youthful beginnings as a 14 year old boy who had come to Karachi on his own to find his passion and what would become his new home. The song was also featured in Alamgir’s second album and he feels that the song’s enchanting quality has always connected with people irrespective of whether the language was understood. Thematically, the song is one of Struggle. It asks for the devotion and spirit to endure the toil and risks that eventually reaches the finish line of Success – something that resonated with Alamgir’s struggle to keep going in the early stages of his career. In the subtle melancholy of what is almost a lament; the song is met by Fariha Pervez’s rendition of ‘Saiyyan Bina Ghar Suna’, which speaks out on the other end on the need for companionship and the yearning for Completeness. The instrumentation of the song is used to complement and mirror the flow of emotions that transition between the vocals and carry the theme into its resolution. The overall piece is a glimpse of a bridge to the past, asking what it truly means to belong in the face of displacement and how our choices make a difference in the world today.

Alamgir and Fariha Pervez AAMAY BHASHAILI REY

Singer: Rostam Mirlashari
Language: Balochi

Upon the journey of tracing one’s roots, Coke Studio had the pleasure of connecting with music from across the border – in bridging the great tradition of Balochi music with its family across the border in Iran. In walks Rostam Mirlashari, a Balochi from Iran with his rendition of the folk song ‘Laila O Laila’ – a song found in our part of Balochistan as well, demonstrating that while borders may have been put in place, cultures, traditions and heritages remain intact. The song itself is a simple, happy, love song in the pursuit of meeting with the object of one’s Love, in this case, Laila. The instrumentation is reminiscent of folklore and simpler times where music was used in the form of oral tradition, which is complemented by instruments such as the Accordion as well as the Balochi Dumboora. In connecting the elements of the music, one cannot help but notice just how instruments such as Norway’s Hardanger Fiddle find their place within the flow of the song indicating that the sounds that we hear across the globe are harmonious in the subtlest of ways. ‘Laila O Laila’ is a song that finds its home where there are those to connect with it. Past all borders, it begs for us to look deeper when understanding the idea of what is ours.

Rostam Mirlashari LAILA O LAILA

Singer: Ali Azmat & Muazzam Ali Khan
Language: Urdu & Punjabi

Throwing the mind into the ultimate universal spiral of existence is Ali Azmat’s ‘Sawaal.’ According to Ali, a substantial amount of the thought process behind his album Klashinfolk went into ‘Sawaal’ as it is a representation of the different stages of Life and the corresponding psychological and spiritual tangents that shoot into the eternal abyss of questions. The feel is that of human anguish as the vocals wail asking about the transient state of mankind. In asking the questions, there are more questions as mankind looks on into the world. It is within this State that the song is met with ‘Kande Utte’ in the vocals of Muazzam Ali Khan accompanied by his Qawwal Group. The Qawwali here reflects on the edge of human struggle. The verses refer to folklore in the tale of Sohni-Mahiwal, which thematically yearn for the union with the Source of true Love. A composition based on Sufi tradition, the state is one of extreme longing at the point of reaching one’s limits, and therefore the most desperate of spaces. However in the Qawwali, the answers are found within the Soul. Therefore the transition between Sawaal and Kande Utte is through a doorway inward, wherein the Soul’s anguish resides due to the eternal wait to be reunited with Truth. The verses speak to each other, being two sides of the same coin, wherein the conviction remains that while the Spirit is in a state of constant turmoil, so will the world reflect this inner chaos. The only real peace manifested in the physical world is mirrored by the peace that is found within upon connecting with the Source. And therein lies the Answers to the Questions. Musically, the song was able to connect due to similar scales, and with the thematic connect, the organic union of the songs goes to show just how things fall into place in harmony. The essence of the piece finds its freedom in knowing that nothing is in one’s control – an expression in the universal story of mortal human life.

Sawaal - Kande Utte

Singer: Ayesha Omar – Fariha Pervez – Zara Madani – Rustam Fateh Ali Khan
Language: Braj

Bringing Nature’s intricacies to the mix this Season, is the story of Miyan Ki Malhaar. A raag that is based on the rainy season, in this presentation of the raag, the song sees the flow of the oncoming rain first heard from afar, flowing into the drizzle and finally into the crash of lightning and thunder in its full downpour. Ayesha Omar opens the song with her presentation of the raag, reminiscing about the beauty of the raag that is known to actually cause rain in classical tradition. The underlying tone of the verses’ cyclic chants is one of imminent release – an almost looming feel that is felt in the instrumentation by the band in Serbia and distinctly felt in the groove of the bass line. The song’s flow further transitions into the calm before the storm – vocally portrayed by Fariha Pervez’s rendition of the raag and musically flowing into an ambient space of lingering frequencies accentuated by percussive elements by Turkey’s Burhan Hasdemir and Nepal’s Siddharta Maharjan. As the song reaches its brim, the downpour follows in all its glory as the vocals fall into Zara Madani bringing the clap and thunder of the storm in the song’s freefall into Rock as seen through the guitar accents by Asad Ahmed and Faraz Anwar. Rustam Fateh Ali Khan – an avid believer in the raag’s connection with Nature - completes the story’s composition in downpour in his Sargam. The overall composition is the result of various faces of the same raag that fall into place to tell the story of the life of Rain through the life of a Raag.

Miyan Ki Malhaar

Muddat Hui Hai Yaar Ko

Ghulam Abbas Woh Aa Tou Jaey Magar Intezaar 128

مظفر وارثی 

اب کے برسات کی رُت اور بھی بھڑکیلی ہے
جسم سے آگ نکلتی ہے قبا گیلی ہے،

سوچتا ہوں کہ اب انجامِ سفر کیا ہوگا؟
لوگ بھی کانچ کےہیں راہ بھی پتھریلی ہے،

شدتِ کرب میں تو ہنسنا کرب ہے میرا،
ہاتھ ہی سخت ہیں زنجیر کہاں ڈھیلی ہے؟

گرد آنکھوںمیں سہی، داغ تو چہرے پہ نہیں،
لفظ دھندلے ہیں مگر فکر تو چمکیلی ہے،

گھول دیتا ہے سماعت میں وہ میٹھا لہجا،
کس کو معلوم کہ یہ قِند بھی زہریلی ہے،

پہلے رگ رگ سے مری خون نچوڑا اسنے،
اب یہ کہتا ہے کہ رنگت ہی مری پیلی ہے،

مجھکو بے رنگ نہ کردیں کہیں رنگ اتنے،
سبزموسم ہے، ہوا سرخ، فضا نیلی ہے،

میری پرواز کسی کو نہیں بھاتی تو نہ بھائے،
کیا کروں ذہن مظفر میرا جبریلی ہے۔

Ab Ke Barsaat Ki Rut Aur Bhi B

Kadi A Mill (Sonu Kakkar)

Poison Charlie - Full Bass Sound Mix

Karun na Yaad - shweta mohan

(* Jaan Nisar Akhtar *)

Humne Kaati hai teri yaad me raaten aksar,
Dil se gujri hai sitaro ki baraten aksar..

Or to kon hai jo mujhko tasalli deta,
Haath rakh deti hai dil par teri baten aksar..

Hum se eak baar bhi na jeeta hai na jeetega koi,
Wo to hum jaan ke kha lete hai maten aksar..

Unso poocho chehre bhi padhe hai tumne,
Jo kitabon ki kiya karte hai baaten aksar..

Hamne Kaate Hain - Ghazal Hariharan - YouTube

The Music That I Grew Up With!! My Anthem!!

Nashenas, Zma Kandahara Da zmaro wotana

This interpretation of the classic ghazal by Fayyaz Hashmi features Rohini Ravada on vocals and Shankar Tucker on keyboards, clarinet, and tabla.

This is one of my most favorite compositions of all time. Unfortunately I had to leave off the last verse in order to keep the time suitable for a YouTube video. I will release the full version with all verses as part of an album later on.

Don’t forget to like and share this track, and subscribe to TheShrutibox! Your support of buying the MP3′s is what makes these recordings possible.

"Aaj Jaane Ki Zid Na Karo" - Shankar Tucker ft. Rohini Ravada

http://bit.ly/BUY_Bassive

Sticking to their take-no-prisoners big-room style, Felguk’s ‘BASSIVE’ incorporates a wonky melodic breakdown before tearing the roof off with a signature naughty, crunchy synth that Felguk has become so well known for. One to slay any festival tent.

Felguk - BASSIVE

Get it: https://gaudimusic.bandcamp.com/album/gaudi-nusrat-fateh-ali-khan-dub-qawwali
song DIL DA ROG MUKA JA MAHI,
from the album "GAUDI + NUSRAT FATEH ALI KHAN : DUB QAWWALI" 
(Six Degrees Records 2007)
Written by Nusrat Fateh Ali Khan, Gaudi, Kraftwerk (Ralf Huetter, Emil Schult, Karl Bartos)
Produced by Gaudi.

More Gaudi: 
Website: http://www.gaudimusic.com/
Facebook: https://www.facebook.com/gaudimusic/
YouTube: http://bit.ly/gaudimusic
Mixcloud: https://www.mixcloud.com/originsmusic/
Instagram: https://www.instagram.com/gaudimusic/

A global favourite in the electronica and dub reggae music scenes, UK based producer GAUDI keeps his ever-growing fan base returning to the dance floor with his infectious bass-driven tunes and innovative live performances. Honouring the traditions of old school dub by performing on stage without a computer, GAUDI’s incredible sonic manipulations are interwoven with live Theremin, Moog, Vocoder, Tape Echoes, Percussion and live vocals - all of which makes for a one-of- a-kind experience not to be missed.

GAUDI + NUSRAT FATEH ALI KHAN : Dil da rog muka ja mahi

A ghazal from the album "Raaz Ki Baatein." The composition & gayaki is by me, shayri is by Razdan "Raaz"and musical arrangement by Atul Raninga. The complete ghazal can be downloaded from most digital music stores, such as, iTunes, Amazon etc.

Is Duniya Mein Samjhaane Se

Itna toota hun k ghazal by ghulam ali

Kandyaari Dhol Geet | Bohemia & Chakwal Group | Season 5

Kandyaari Dhol Geet

Dil Dhoondta Hai (Pathos)- Mausam

Tum ko dekha to yeh khayal aya Jagjit Singh 

Shaaman Paiyan--@SoNu KaKkAr

میرے شوق تو کبھی کم
اور پُورے ہونے ہی نہیں  
;)

Hamne Kaate Hain - Ghazal Hariharan - YouTube

Anas Siddiqui