Tresor Records is proud to announce 333 Mirrors from Torus, the artist alias of Joeri Woudstra. Coupled with its catalogue number 333, it indicates the large-scale conceptual thoughts behind the record, typical of Woudstra's practice. As an artist, he sets out to frame re-interpretable references that trigger some subconscious recognition in listeners, with no set way to interpret them but leading to singular feelings and thought processes. The effect, a combination of static electronic sounds and looser field recordings, speaks to each listener differently. 

333 Mirrors is, in part, the continuation of a project called These Cars Do Not Exist, made with videographer Mark Prendergast during the Covid-19 limbo. The live performed short film sold out selected popup cinemas in 2020 in a short sprint of shows. Two of the tracks on that project, Sound of the Drums and Chroniko, are re-imagined on 333 Mirrors, emanating as versions created in live performances. Set to be released as a single, Chroniko VIP will be accompanied by an enduring theme from that project, the three-winged bird, this time deceased. On 333 Mirrors, in exploring the ambient, stretched sonic universe of this project more, Woudstra moves from these three-winged birds to the phoenix, finding a rebirth on the b-side with tracks that inhabit a similar sound as Deep Mid, Torus's inclusion on the recent Tresor 30 compilation. 

The sound of Torus places importance on the multi-faceted approach to sampling, pushing the idea behind the practice beyond usual boundaries. How to break the unwritten rules? Woudstra looks within by resampling previous Torus releases and reverse-engineering the sounds of the most revered pop and electronic musicians alive today, references that trigger recognition, melancholy and nostalgia in the listener. 

3000 Mirrors features a staccato arpeggiating rigid pattern, the sonic effect of standing in front of a strobe until it becomes the anchor. Silence and interruption are used as a device to explore the physically uncomfortable, more the central compositional tool than the disrupted harmonic structures.

Woudstra has never stepped foot in Tresor, so when writing this record, an enduring question spoke to him, what is Tresor when you have never been? How do you sample the essence of an unknown location? The closing track, Omnia, is the sound of anticipation, where the rave beckons. This imagined industrial space is calling for you.

Torus - Chroniko VIP

New Label | First Release | Split EP
Ltd edition of 120 tapes:
https://doyenne-books.bandcamp.com

Tracklist:
A1: Hold Yr Tongue - Susu Laroche
A2: Hours - Susu Laroche
B1: Acid / Answered Prayer - Flora Yin Wong
B2: End - Flora Yin Wong

Susu Laroche / Flora Yin Wong - D001 EP (Clips)

@kkrow

ℱ𝓊𝓃 𝐼𝓈 𝒮𝓉𝒾𝓁𝓁 𝒯𝓇𝒶𝓃𝓈𝑔𝓇ℯ𝓈𝓈𝒾𝓋ℯ, 𝐕𝐨𝐥. 𝟏

Fun Is Still Transgressive, Vol. 1

Tilt

Taken from SBKT070: estoc - Are We Doomed to Bow to the Stupid and Cruel?
Release date: 26th June 2025
Artwork & Design: Amber Jean
Mixing & Digital Master: Nori Kin
Vinyl Master: Raphael Valensi

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estoc presents the newest manifestation of her artistic practice: an attempt to make sense of a world seemingly hellbent on violence as its chief export. Art written as a direct response to the conditions felt both at home and watched across oceans through a phone. This album exists as an acknowledgement that our fates are inextricably intertwined, yet, our (temporary) comfort is extracted from the third world. Across 10 tracks the question is: Are We Doomed to Bow to the Stupid and Cruel? Answers are posed and then brushed away, like dust from a shelf. By the end, nothing is settled and we are left with more questions than answers.

Collaborators and co-conspirators weave in and out of the compositions, their presence felt as both adornment, and as integral infrastructure. DJ Haram opens the album with ‘Heretic’. Her voice swims through crackling noise, throbbing basslines — a guided meditation as much as a late night conversation. ‘The Weight’ follows directly after. AZADI.mp3’s smoky chants hover in the air above a smouldering fire of trip hop drums and synths, devolving to a miasma of distortion and swirling screams. The next song, ‘Where Do We Go Now’, builds and swells with rumbling synths, arriving fully as breaks crash forward and Military Scientist’s voice cries out over a chaotic sea. The first solo composition of the album comes in the form of ‘The Poison of the Centre’. A solemn yet off-balance meditation of drums, cut over an uneven and shifting beat. This rhythmic fervor is multiplied tenfold on ‘No Glory’, a harsh bath of bass and drums, constantly fighting for space to breathe through the manufactured scarcity of the mix.

‘Scorched Earth’ lends us our first breath of fresh air. Mia Carucci sings a lullaby over growling instrumentation, Exploited Body’s co-production threatening to boil over at any moment. A momentary break in the clouds, a beam of sunlight shines through before being quickly swallowed back up by the storm; gone as quickly as it came. It is here that we plunge even deeper, as the heartbeat of ‘Heaven Defined for Another’ rattles through. Machinery and exasperated breathing become inexorable, both driven to their breaking point by a rolling wave of thunder. This mechanical terror roils forth on ‘Cradling’. Miedo Total sets clattering steam and cogs over crying strings that threaten to throw themselves to pieces. The penultimate entry sees Violence lend voice and production to ‘Bones Broken, Many Things Left Unsaid’ — a deep terror lurches, shuddering and crashing like ocean waves. A gentle chorus of strings ushers in the final piece, ‘Scratch a Liberal’ — a rare, but fleeting moment of tenderness on the album. Heavy towers of bass throw the composition into shadow, tension builds and grows before collapsing in on itself, revealing the fear and violence at the core of this project. At the end of it all, we are left alone to contemplate what is to be done.

estoc -  Heretic (ft. DJ Haram)

In March of 2025, the Trump administration canceled and sought the return of grant funds allocated to the Coalition for Humane Immigrant Rights (CHIRLA), followed swiftly by an even more aggressive accusation in June, when the administration alleged that CHIRLA’s nearly 40 years of service to the Los Angeles community was carried out illegally.

We know that CHIRLA’s work is critical in their “[promotion of] freedom of movement, full human rights…and vigorous civic action that strengthens this democracy.” Today it ought to be clear to all reading this that this agency of movement – which CHIRLA has fought so tirelessly to protect for its constituents – is vitally important, life or death, and wholly nonnegotiable.

In this spirit, the cover image for this compilation is comprised of images from the 2016 photo project Fatal Migrations by Josh Begley and Daniel Alarcón. The cover of Quémalo Todo depicts the exact site where one individual, Coralia Yaneth Ardiano Castro, was victimized by a hostile landscape of racist and xenophobic rhetoric turned administrative annihilation. This compilation seeks to honor and defend the personhood of Coralia and others like her.

As members of the Los Angeles community and beyond, the producers that make up this compilation were all similarly alarmed and catalyzed by these acts of administrative, physical, and psychic violence towards our neighbors, our friends, and the network of repressed individuals and communities that make this city what it is.

In defense of freedom of movement – of people and their voices, each of which is immeasurably precious – 100% of the proceeds of this compilation will be donated to CHIRLA in support of their work.

Introductory note by Simogne Hudson
Mastering by Nick Jersey
Artwork by 3000000000am 

Available here: https://quemalotodo.bandcamp.com

Quémalo Todo Compilation

DJ Nick Jersey - One More Wire

AN System - Soft Aura

dj nick jersey - styler

You are my Dr Darling [FREE DL]

Morning Gateways revela a essência do Acid Mush em sua forma mais luminosa, uma fusão de energia matinal, espiritualidade vibrante e conexão profunda entre corpo e mente. O álbum nasce no instante em que o sol toca o horizonte, momento em que o trance desperta e cada frequência abre portas internas que só podem ser sentidas, nunca explicadas.

Cada faixa funciona como um portal, guiando o ouvinte por camadas de luz, fluxo, respiração e movimento. É a transição natural entre a introspecção e a expansão, entre o silêncio e o pulso, entre o individual e o coletivo. Os elementos matinais se encontram com mantras, padrões fractais e vibrações ancestrais que ecoam Shiva, Shakti e a força primordial que habita a dança.

O resultado é uma jornada que eleva, clareia e conecta. O Acid Mush apresenta um Full On Morning que não busca apenas fazer dançar, ele cria uma ponte sensorial que ativa memória, cura e despertar interior. A música se torna caminho e cada portal sonoro conduz para um estado mais leve, mais consciente e mais vivo.

Morning Gateways é energia pura, luz em movimento e a assinatura do Acid Mush para quem vive o amanhecer como um ritual.

Disponível 19/11 em todos streamings

Acid Mush - אַחְדוּת

7Seven

Russia, Moscow

contact: aansystem at gmail dot com
dm here

https://ansystem.bandcamp.com