Softicity. The future architecture is soft. We developed a habit to inhabit the noisy reverb of sleek surface and the superimposed reflections in glass. The imaginary for the soft city needs diving into the mycelium scale. The soft city is more silent. The soft city is slower and it smells different. The soft city is interwoven with bodies, clothes and objects and it needs your attention, like your companion species do. We need courage and imagination to house the human earthlings in the post fossil, post concrete, fiber-based architectures.

Online video performance has soft fungi environments collected during the fieldwork as background. It is a study for possible symbiotic cohabitation with new urban materiality. The instructions will engage public online to question the sensory modalities, the materiality and the intra-climate of personal habitat. The online collages and videos serve as the imaginary of a different, softer city. Until 2021, the online exhibition will become part of speculative research in atmospheres of fiber architectures.

 

 

The Starting point for the interdisciplinary and experimental work of Natalija Miodragović M.A. (SCI-ARCH) are art and space as vehicles for social change. She works in cooperation with artists, scientists and in the field of academic research. The focus of the work is perception and understanding of space, lightweight, flexible, unfoldable and textile structures. www.miodrago.net
Currrently Excellenzcluster Matters of Activity, Image Space Material research group Object Space Agency 2016-2018 Foldable, Insulating Textiles in Architecture Prof. Lueling. Teaching: 2014-19 Institute for Architecture based Art TU Braunschweig, 2018 Weissensee academy of art berlin. Author with dreidreidrei Organ for Zionskirche Berlin, Serbian Pavilion EXPO 2010 and 2002–2015 with artist Tomas Saraceno, architect and co-author of series of projects and exhibitions like Geodesic Solar Ballloon, Biospheres etc.

 

Ivana Franke is a visual artist based in Berlin. Her investigations with light approach the interface between consciousness and environment, focusing on perceptual thresholds. Recently her on-going project LIMITS OF PERCEPTION LAB continued in Savvy Berlin 2020 and “Resonance of the Unforeseen” were part of Yokohama Triennale 2020.

ANTART Field/Works Talk #7: Natalija Miodragović in conversation with Ivana Franke

"Nani Ghar / नानी घर Images meant the truth; in our school textbooks, of our childhood and definitely of the world beyond; or so we believed. The authority of images as truth was only challenged when I started to make my own (images and meanings). To make my images was to build my world, the autonomy in authorship was liberating but soon, one realizes that this autonomy is a consequence of privilege.Image-making has become an integral part of our lives. We are photographing and filming our food, our friends/family and also ourselves constantly. One can accept this as a practice of creating and maintaining an archive, a live archive that will influence our understanding of our past and hence ourselves. We are heavily into the creation of our image not just for today, but for the years and generations to come. How can this archive then be read and does it communicate a sense of our identity? My grandmother and I ask each other where we are from, individually and collectively, as citizens of the world. We reflect together, she with her shard of mirror and I, with mine. The only scope for mistake in this process is to believe that our shard can reflect the whole truth."

"Hello, I’m Savyasachi and I record everyday videos, sounds and images. Sometimes I make films out of them and sometimes I just play them back to myself. I am primarily interested in the everyday mundane and its reflections/influences on the lives of people across generations and cultures. At present, I am interested in exploring the relationships between photography and film as a medium, as a mode of representation and as a form of public archive/documentation."
"Hello, I am Harsha Menon and I make films and sound pieces for the cinema and gallery. As an artist and anthropologist, I am interested in post-colonial theory, social practice, sonic ethnography, and transnational feminisms. I teach contemporary art, film and visual anthropology. My present project explores friendship as an aesthetic at a Buddhist nunnery."

ANTART FieldWorks #10: Savyasachi Anju Prabir and Harsha Menon

For anthropologists and artists “doing fieldwork” in contemporary worlds, art can be much more than an object of investigation. Curation and creation through visual, audio, or performing arts are at the heart of their work, extending the established anthropological interest in writing as a medium of thought and knowledge sharing. This exhibition presents works by anthropologists and artists who break disciplinary boundaries, and whose practice foregrounds experimental, and open approaches to the theme “field/works”. 

This series is curated by Jen Clarke and Maxime Le Calvé. We intend to provide a new space for discussion around and across the thematic of the virtual exhibition "Field/Works": https://antart.easaonline.org/ 

All members of ANTART (EASA) are all invited to attend. If you wish to participate in a particular talk with a short paper (5 minutes) which would resonate with the topic or — even better — with the artwork presented in that talk, please get in touch with us.

ANTART Field/Works Talk #7: Natalija Miodragović in conversation with Ivana Franke

ANT ART

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